Bogusław Sochnacki
Set in 1942, The Jewish wife she worked for before the war hires her to take her young daughter to the countryside until the war is over.
The story of catholic saint Maximilian Kolbe (1894-1941), who volunteered to die in place of a stranger in the Nazi concentration camp of Auschwitz.
After discussions with Schwartz, a producer from the West, screenwriter Stefan comes back to Poland. Everybody reminds him of his previous success: “The Flame”. The tired protagonist goes back to his wife, actress Ewa, who is eagerly awaiting him. Ewa goes to an audition which doesn’t turn out too well. On the next day, Stefan and his collaborators are wondering what to write a scenario about. Meanwhile, Stefan has a tooth ache. He decides to visit a dentist but is scared away by the price he has to pay for the treatment. Stefan still can’t find an idea for a scenario, and Ewa is not being cast. They decide to sell the car, but a man who takes their car out for a test drive doesn’t return. Stefan is changing ideas for the scenario constantly, he can’t make up his mind… at home, a pipe goes off… the wine he keeps in gallons blows up… the milicia (People’s Republic of Poland’s police) comes and general chaos ensues, as they are drowning in water and wine… which gives Stefan an idea…
After the death of his mother, fifteen-year-old Piotr goes to boarding school. He makes friends with Mirek there.
A film from the "Silhouettes of Polish Literature" series
Historical novel by Boleslaw Prus . The problem of the Polish population displacement from their land within the limits of the Prussian partition. Germans come to the village harassing a wealthy peasant Snail, leading to the tragedy. Slug's cottage burns, his wife dies. The peasant does not give up, defending his inheritance. He sticks on a patch of his Polish soil and protects it like a soldier his post.
The Polish film based on the book of the same name by Wladyslaw Reymont. Taking place in the nineteenth century town of Łódź, Poland, three friends want to make a lot of money by building and investing in a textile factory. An exceptional portrait of rapid industrial expansion shown through the eyes of one Polish town.
Nights and Days is a family saga of Barbara Ostrzenska-Niechcic, (played by Jadwiga Baranska) and Bogumil Niechcic, (played by Jerzy Binczycki) against the backdrop of the January Uprising of 1863 and World War I. The film is a rather straightforward and faithful adaptation of a novel by Maria Dabrowska with the same title. The plot is woven around the changing fortunes of a noble (upper-class) Niechcic family in the pre-WWI Poland. There are two main crossing threads: a social history one and an existential one. The cinematographic version is a condensation of the 12 part award winning TV serial of the same title and using the same cast and producers.
In 1930s, a doctor has an affair with the wife of a wealthy industrialist in Poland.
Police captain Wójcik conducts an investigation into the murder of a cashier from a state-owned enterprise. Despite seemingly numerous leads, the investigation gets stuck in a dead end – the victim had no enemies and nothing was stolen. Despite closing the case Wójcik feels that the key to solving the mystery is the murdered cashier and his past. Exploring this plot, he discovers a full-fledged spy affair, however, trying to catch the real murderer, he’ll have to risk his life, health and career.
Waclaw Orzeszko is unlucky soldier. Nobody from the platoon likes him. One day he decided to go away from platoon. At the castle he meet Russian soldier Marusia. At this time German forces came at the castle. They must hide. But there is also second problem. Waclaw's platoon had to find deserter. Polish Soldier close to the castle.
A couple plans to spend a New Years Eve in a friend's empty apartment.
In this haunting short fiction film, a group of Jewish children and their teacher are herded into an ambulance by Nazis; the vehicle, ordinarily representing comfort and safety, becomes the group’s death chamber. Morgenstern’s presentation of the incident serves as a metaphor for the horror of the Holocaust, and provides a powerful trigger for discussion of the disturbing issues raised by the film. The figure of the children's’ teacher specifically parallels Janusz Korcak (1879-1942), a famous Jewish educator who ran an orphanage in the Warsaw ghetto and died with his young charges at Treblinka.
