Boris Juh
Screening of the synonymous Milos Crnjanski's poetic novel about the tragedy of Serbian people who scattered their energy and bones from Dnepr to Lotaringia during XVII and XIX century. The great Serbian migration topic is given through the military campaign of major Vuk Isakovic (Avtandil Makharadze) at the head of Slavonian-Danube regiment, from spring of 1744. to spring of the next year. The second topic follows tragic but passionate relationship between Vuk's younger brother and his wife, which ends with her long-lasting disease and death.
The reconstruction of creation of an influential avantguarde movement called "Novo Mesto Spring" that arrived on Slovenian cultural scene during 1920s. Within this movement worked significant local artists such as composer Mario Kogoj, painter Rihard Jakopic, poet Danijel Bohoric and many others.
The life of a man who dared to unfold the corruption and mismanagement in his factory takes a wrong turn as his marriage ends, his lover leaves him and he finds himself in a psychiatric hospital. After completing his stay in this mental institution, the gates of the factory are now closed for him. Will he be forced to apologize, or blood must be shed?
Old man Repovz recalls experiences of the WWII in an entertaining, comic way rather than tragic. A man breaks his arm to avoid being drafted; the other man shoots fire to scare enemy soldiers; love stories, as well as troubles with forced collectivization took place there. A partisan hero finds out that he lost her fiancee, but somewhat cheers up when his white horse comes back to him...
Two men who have been fighting on enemy sides in WWII, find themselves as neighbors many years later in peace. A woman whose husband was killed under shady circumstances back then, tries to calm the passions of these old people, last residents in their village.
The two enemies from war, Slovenian partisan Berk and German soldier Bitter, meet each other during holidays in Spain. Recalling the war through conversation, Berk remembers Anton, his fellow comrade he had spend the most time with.
Some years before WWI, art historian and priest Ciril from Ljubljana and his friend Fritz set out on a journey through Italy. Ciril hopes that his doctorate on Italian art would provide him inner peace, thus starting a new life. Emotionally disturbed Fritz, on the other hand, tries to escape everyday life, as well as from commitment he has to his female friend.
The film is a portrait of the Novak family: the results of the marriage between the farmer Novak and a townswoman of German descent, their children and their tragic fates and the life of Andrej - the Novaks' only surviving child. Andrej recalls the days of his youth and the wartime years, in which the family slowly breaks up due to different political beliefs and world-outlooks. In addition to the loss of many members of his family, Andrej must also face the fact that his father has disowned him and his girlfriend left him. Despite all, however, he keeps alive his hopes of a better future, which, to him, is embodied by the beautiful Iza.
A married couple living in a remote farm find themselves in the midst of war, where many different sides walk through the area. They attempt to save their lives and stay neutral despite accusations of being traitors that every army brings upon them.
Lion, a boy of lion's heart, can't make decision which one of the two girls to chose - tender Mihaela or fatal Marjeta. The girls decide to make choice themselves.
Two stories - two truths are confronting. Former Partisan Miha is trying to tell a shocking story from the war times in the modern day disco club, where young people are having fun in a crazy rhythm of music with alcohol and drugs... Amongst the many issues this film explores are the following questions: Does the desire for pleasure and amusement always gain the upper hand against moral convictions and man's sense of responsibility and guilt? What things are worth sacrificing your life for? Are moral second thoughts and the search for the truth stronger than man's endless search for instant pleasure? Is the experience of war truly that which turns a boy into a man? And does love truly redeem death?
