Börje Lundh
Andreas, a man struggling with the recent demise of his marriage and his own emotional isolation, befriends a married couple also in the midst of psychological turmoil. In turn he meets Anna, who is grieving the recent deaths of her husband and son. She appears zealous in her faith and steadfast in her search for truth, but gradually her delusions surface. Andreas and Anna pursue a love affair, but he is unable to overcome his feelings of deep humiliation and remains disconnected. Meanwhile, the island community is victimized by an unknown person committing acts of animal cruelty.
A judge in an unnamed country interviews three actors, together and singly, provoking them while investigating a pornographic performance for which they may face a fine. Their relationships are complicated: Sebastian, volatile, a heavy drinker, in debt, guilty of killing his former partner, is having an affair with that man's widow. She is Thea, high strung, prone to fits, and seemingly fragile, currently married to Sebastian's new partner, Hans. Hans is the troupe leader, wealthy, self-contained, and growing tired. The judge plays on the trio's insecurities, but when they finally, in a private session with him, perform the masque called The Rite, they may have their revenge.
An artist in crisis is haunted by nightmares from the past in Ingmar Bergman's only horror film, which takes place on a windy island. During "the hour of the wolf" - between midnight and dawn - he tells his wife about his most painful memories.
A young nurse, Alma, is put in charge of Elisabeth Vogler: an actress who is seemingly healthy in all respects, but will not talk. As they spend time together, Alma speaks to Elisabeth constantly, never receiving any answer. The time they spend together only strengthens the crushing realization that one does not exist.
The pretentious critic Cornelius is writing a biography on a famous cellist and to do some research he goes to stay in his house for a few days. He doesn't manage to get an interview with the man, but by talking to all the women who live with him, he comes to learn a lot about the musician's private life none the less. Cornelius then decides to use this information and tries to blackmail the cellist into performing a composition that he, Cornelius, has written. Written by Leon Wolters
"A dream play" - This made-for-television film constituted Bergman’s first production of Strindberg’s A Dream Play – a play he would revisit three times more. Gunnar Ollén’s Malmö crew was behind this, for its time, prestigious and costly theatre production, involving more than 40 actors and no less than 75 extras.
Karin hopes to recover from her recent stay at a mental hospital by spending the summer at her family's cottage on a tiny island. Her husband, Martin, cares for her but is frustrated by her physical withdrawal. Her younger brother, Minus, is confused by Karin's vulnerability and his own budding sexuality. Their father, David, cannot overcome his haughty remoteness. Beset by visions, Karin descends further into madness.
An elderly gentleman lives alone with his maid Louise. He spends his days chatting with the confectioner who lives and works downstairs, playing chess with his brother Karl Fredrick, and content with his memories. His young wife Gerda ran out on him five years ago, taking their young daughter with her. Now, unbeknownst to the gentleman, she’s back… and living in the upstairs apartment with the child and her new husband. When Gerda finally faces the man, sparks will fly and old wounds will be reopened. Bergman's TV adaptation of August Strindberg's play "Storm" was presented on the 111th anniversary of the author's birth. The production was also shown in Denmark and Norway and received glowing reviews. Bergman was celebrated as an outstanding TV director and was praised for his tact and sympathy in depicting old age, his superior lighting and fine camera work as well as his understanding of the medium in his use of close-ups.
The devil has a stye in his eye, caused by the purity of a vicar's daughter. To get rid of it, he sends Don Juan up from hell to seduce the 20 year old Britt-Marie and to rob her of her virginity and her belief in love. She however can resist him and things get even turned around when Don Juan falls in love with her. The fact that he feels love for the first time now, makes him even less attractive to her and Don Juan returns to hell.
Devout Christians Töre and Märeta send their only daughter, the virginal Karin, and their foster daughter, the unrepentant Ingeri, to deliver candles to a distant church. On their way through the woods, the girls encounter a group of savage goat herders who brutally rape and murder Karin as Ingeri remains hidden. When the killers unwittingly seek refuge in the farmhouse of Töre and Märeta, Töre plots a fitting revenge.
A local handyman saves a child in a fire, but the burns he receives disfigure his face so much that the townspeople avoid him.
When 'Vogler's Magnetic Health Theater' comes to town, there's bound to be a spectacle. Reading reports of a variety of supernatural disturbances at Vogler's prior performances abroad, the leading townspeople (including the police chief and medical examiner) request that their troupe provide them a sample of their act, before allowing them public audiences. The scientific-minded disbelievers try to expose them as charlatans, but Vogler and his crew prove too clever for them.
In the early 1950s Ingmar Bergman made a series of imaginative commercials for the soap brand "Bris".
In a movie studio, a fight scene is underway. The hero, played by Allan Bergner, will make an impression on the heroine, played by Ylva Vendel. But Allan is not prepared to give more than one pale hint of fight; he wants to be presentable in later scenes as well. The director wears his hair.
Theatre director Freddy Alsterberg has failed with his latest operetta. He decides to work his way over the Atlantic. His niece Tusse also stows away on the ship disguised as a boy.
