Brendan Guy Murphy
A modern telling of an ancient genre. A serial killer is terrorizing Arizona with the police in hot pursuit. What the police don't know is that a mysterious group are also pursuing the same killer to stop the killer from unleashing an evil like nothing before. From Vampires to Biblical wrath - everything comes down to one showdown.
In a post-apocalyptic landscape, an ex-soldier wanders in search of his lost home and family. Along the way, he joins a makeshift group of survivors who convince him to lead them through the wasteland. But when a band of pillaging raiders comes after them, they must fight to survive in this cruel dystopia.
When a series of haunting murders plagues a small Texas town, law officers Tex Holland and Pike McGraw lead the investigation. The murders turn out to be the most shocking and vile acts of sadism to ever hit the once peaceful community. With a dangerous killer on the loose re-enacting slave punishment on his victims, the cops must face their own personal demons as the murder spree throws them into a dangerous world of mercenary hillbillies and inbred cannibals.
The film is a triptych of more or less connected vignettes, two of which are suggested by a song with the same name of the title by the Spanish singer Alaska. It has elements of black humor, gore, grindhouse among other things.
Two convicts, held in an orbiting detention facility above a post-apocalyptic earth, are hired by mega-corporation Hunsinger to perform a risky salvage mission down on the planet. They land, and work their way into a gigantic underground industrial complex, following a map to their ultimate destination, to retrieve and salvage... the item. Being prisoners, they are given little info, and are given credit toward early release as payment. They get more than they expected, and things go from bad to evil.
