Brigitte Catillon
Low on inspiration for his second book, a gloomy novelist agrees to write a memoir for a dying man — and swiftly becomes part of his bloodstained past.
The fates of three entwined families. Joséphine and Tomas have just got married. It was a joyful celebration. But soon, Joséphine’s parents will discover a darker side lurking behind the couple’s sunny happiness. Meanwhile, Mélanie tells her parents that she is pregnant but the father is not ideal.
Marie Heurtin is born both blind and deaf. Sister Marguerette wins her trust and teaches her how to express herself.
Antoine is a lawyer living in New York. On his way back to France for the final round of a job interview, Antoine finds himself sitting right next to his ex-girlfriend Julie. With a seven-hour flight ahead of them, they are going to have to speak to each other.
How to become a man when your mother and your closed circle have decided otherwise? This is the challenge Guillaume took up. The film recounts Guillaume's tragicomic battle from the young age of eight, as he adopts the role of a girl then of a homosexual... until, aged 30, he meets the woman who, after his mother, will become the other woman in his life. Beyond this story of a heterosexual coming-out, the film tells the tale of an actor who never stopped loving women, maybe even a little too much.
A 14 year old boy, an ER doctor, a cop looking for revenge, a mother fighting for her children and a man distraught by the death of his wife see their destinies come together. As the doctor spends several days in a coma, events keep on happening and all will be swept by the shock wave.
After the death of her mother, a woman returns home to care for her sister.
Valentine et Alex sont mariés, avocats tous les deux, spécialistes des affaires familiales. Dans l'exercice de leur profession, ils défendent le divorce du XXIème siècle : à l'amiable, dans la sérénité et le respect de l'autre, de préférence en garde alternée et en la famille recomposée, loin des vases casés et des atroces scènes de ménage de la génération précédente. Jusqu'au jour où, par faute d'un banal adultère, leur couple vole en éclats. Et la réalité du divorce les rattrape : fini les beaux discours, place à la guerre...
Panic attacks and memory loss signal the plight of a writer whose body is inexplicably being taken over by another woman.
Anne is an attractive woman on the cusp of middle age trying in vain to divide her time fairly between her demanding job as a television presenter and her family. Her colleagues and friends have similar problems though.
A man receives a mysterious e-mail appearing to be from his wife, who was murdered years earlier. As he frantically tries to find out whether she's alive, he finds himself being implicated in her death.
A story of two sisters, one from the country with simpler attitudes who comes to stay for a short while with her sophisticated sister who lives in the big city.
When she was seven, Elise Gardet witnessed her mother’s brutal murder. Ever since, she has tried to forget this unsolved crime. Now she’s 18 and beautiful, but her bourgeois family and her stepmother’s anxiety are suffocating her.
After his wife leaves him for another man, Jacques hires a housekeeper, Laura, to keep his Paris apartment in order. As he starts increasing her hours and spending more time with her on her days off, Jacques is torn between the pleasure of Laura's company, and the headache that such an intrusion brings to his new domain of singlehood.
Summer 1969 on the Mediterranean coast. Paul and Vincent are childhood buddies. On a beach one day, they meet Alice and her friend Eve. After a series of memorable adventures, couples fall into place but not quite in the right order. Alice blossoms elsewhere, Paul marries Eve and Vincent weds Marie. The 70s are in full swing. Thanks to the pill, women's lives change radically, sexology is in, feminists's voices can be heard loud and clear but unrestricted and free access to abortion has yet to be attained. Against the backtop of a decade marked by sexual liberation, these three girls and two boys will cross each other's paths, love one another, split up and reunite.
Guy's father was a hero during the French Resistance era but he never talks about it, or so little. When he dies,Guy, his brother and his sister have him incinerated, following a wish their dad had expressed when he was still alive. But Guy soon starts feeling uncomfortable about this move. Haven't they, by cremating the body of their father, make a hero disappear from man's memory? Haven't they used the same method as the Nazis to get rid of the remains of a hated enemy?
A mystery set in the environs of Lausanne concerning several plots which wind their way through the elegant homesteads of a couple of well-heeled French-Swiss denizens. Mika is the couture-attired, oh-so-perfect head of Muller Chocolates--a company that manufactures Swiss chocolates. Andre is her suave, concert pianist husband whose first wife died years ago in a mysterious car accident. When Jeanne, a beautiful young woman, enters the home of Mika and Andre, raising questions about her possible relationship to the family, tensions mount, alliances shift, and all the while, Mika prepares and faithfully serves her special recipe for hot chocolate each evening.
The idea for this film about a generation and its lost ideals came to Romain Goupil after attending several funerals of friends in the fall of 1996, where the '68 generation, now in influential positions in media or politics, kept meeting each other. It seemed as if the revolution that they had tried to make was being buried with each coffin. A MORT LA MORT is in some ways an homage to this generation, now in their fifties. They were a privileged generation that thought that they could change the world, doing everything that their parents failed to do. There were no actual deaths in France as there were in Germany or Italy, but the system was not ideal for personal issues or for love. There was always a scapegoat for the injustices of the world, be it capitalism or imperialism. That way the blame could be placed somewhere else. Some of the '68 generation are still faithful to the principles of their youth and still continue to fight for the illusions of the past.
Artemisia Gentileschi (1593-1653) was one of the first well-known female painters. The movie tells the story of her youth, when she was guided and protected by her father, the painter Orazio Gentileschi. Her professional curiosity about the male anatomy, forbidden for her eyes, led her to the knowledge of sexual pleasure. But she was also well known because in 1612 she had to appear in a courtroom because her teacher, Agostino Tassi, was suspected of raping her. She tried to protect him, but was put in the thumb screws...
History buffs will glory in the riches of Louis, Enfant Roi, others will perhaps find this complex story of intrigues and betrayals in the court of the young king tough sledding. When Louis the Fourteenth (1638-1715) was born, the power of government was shared between the monarchy, the church, the nobility, and the Parlement. His predecessor had greatly centralized the powers of government following the advice of Cardinal Richelieu. Louis XIV (often called "The Sun King" for the brilliance of his rule) followed the advice of Richelieu's successor, Cardinal Mazarin (Paolo Graziosi), and brought the powers of government under the sole sway of the monarch. He expanded the territory and influence of France in a series of wars throughout his reign. How he came to be so autocratic and ruthless both personally and politically is the subject of this biographical drama.
Beautiful violin virtuoso Camille has two obsessions: the music of Ravel, and a friend of her husband's who crafts violins. But his heart seems to be as cold as her playing is passionate.
Young John Anderson is captivated by jazz musician, Billy Cross when he performs on the remote airstrip of his Western Australian outback hometown after his plane is diverted. Years later, now a family man and making a meagre living tracking dingoes and playing trumpet in a local band, John still dreams of joining Billy on trumpet and makes a pilgrimage to Paris.
Al and Elsa have been a couple for some time, but the chances that their relationship will be long-lived are few. For one thing, Al is appallingly dependent on Elsa for his every emotional need. For another, Elsa is an incredibly elusive person, extremely difficult to pin down about anything - especially whatever is bothering her. How they have managed to survive this long is a cause for wonder. When Al gets an opportunity to be cast in a movie role, complete with no-cost occupancy in the casting agent's ugly but fashionable apartment, he jumps at the chance to provide a little material satisfaction for his beloved Elsa. But what exactly does she want?
Constance is a young lady who likes to read – and who likes to dream while reading - to imagine, to create images. This is what she does for «La Lectrice», a novel which tells the adventures of Marie, a young lady who likes reading so much that she decides to make a profession of it. Selected texts, Provence in wintertime, different neighbourhoods. Deviations from fiction, secret itinaries. An imaginary space penetrates the space of the town, whose streets Marie stries along, while Constance devours novel. The unknown lies behind each word.
As a result of an automobile accident, a sophisticated TV producer meets her car mechanic/blue collar nemesis. They start a comic affair, but can they reconcile their totally different worlds?
Anne, a Parisian, visits her friend Yola in Tel Aviv, where Yola lives with her husband Avi and their son. There's tension in the air and the attraction between the two women is palpable. Flash back five years to their meeting, on a train to Jerusalem. Yola invites Anne to stay at her hotel, and over the next five days, their friendship builds from talk about their lives to an explosive menage a trois when Avi joins them on fourth day. Back in the present, can Yola have both Avi and Anne, or are the women futilely chasing rainbows?
In this family comedy, Papa (Claude Brasseur) has no end of trouble getting his young son to accept his new girlfriend.
