Brigitte Mira
Mixing scenes of Douglas Sirk's All That Heaven Allows and Fassbinder's Ali: Fear Eats the Soul, François Ozon creates a new film about cinephilic contamination.
The Berlin Observatory is facing the financial end. Against the will of the renowned physicist Robert von Reichenbach, the astrologer Lena Moosbach is set, which quickly establishes itself as a crowd puller and fills the empty cash registers of the planetarium. Worried about the scientific reputation of the observatory, Robert spat first poison and bile against the new colleague. But although the sober astronomer rejects horoscopes with the deepest conviction, he falls in love with the charming astrologer. However, when it turns out that she just feigned her Ph.D., Robert feels betrayed
An essay film in which filmmaker Rosa von Praunheim interviews "the willing victims of Rainer Werner Fassbinder."
"It must schwing!" was the motto of Alfred Lion and Francis Wolff, two German Jewish immigrants who in 1939 set up Blue Note Records, the jazz label that was home to such greats as Miles Davis, John Coltrane, Herbie Hancock, Thelonious Monk, Art Blakey, Dexter Gordon and Sonny Rollins. Blue Note, the most successful movie ever made about jazz, is a testimony to the passion and vision of these two men and certainly swings like the propulsive sounds that made their label so famous.
Once upon a time very much alike the twenties in Germany, a little town is frightened to death by an uncaught child murderer. Since somebody has to be blamed the townspeople turn against an inconspicious policeman, a family-man who becomes suspected of the crime and therefore loses his job. Strangely enough, the only work he can find is to distribute candy on children, dressed up as clown. When a bunch of kiddies, including his own son who doesn't recognize the father due to the masquerade, plays a nasty trick to him, things turn really ugly...
The British parliament has decided to get rid of the royal family. All of them have to leave the county and so they move to Germany, where they want to live by their distant relatives, the Bettenberg family. But these are not amused about their snobbish visitors, which all want to reside in their little house without doing any work to earn their living.
In a totalitarian society of the future, in which the government controls all facets of the media, a homicide detective investigates a string of bombings, and finds out more than he bargained for.
The Political drama shows the denunciation and persecution of the 19-year-old Sanne in the Nazi state. After she falls in love with her cousin, Sanne is betrayed by her jealous aunt to the Gestapo.
The story of a German singer named Willie who while working in Switzerland falls in love with a Jewish composer named Robert whose family is helping people to flee from the Nazis. Robert's family is skeptical of Willie, thinking she could be a Nazi as she becomes famous for singing the song "Lili Marleen."
Fabian is a 1980 West German film directed by Wolf Gremm. It is based on the novel Fabian, the Story of a Moralist (1931) by German author Erich Kästner. The film was chosen as West Germany's official submission to the 53rd Academy Awards for Best Foreign Language Film receive a nomination.
A middle-aged man's doubts about himself transform themselves into paranoia about his younger wife's behavior in this psychological thriller. The husband plants listening devices around their apartment and eventually drives the heretofore innocent woman into the arms of one of his co-workers.
When Hitler watches Marlene Dietrich in a movie, he falls in love with her. He persuades her to come back to Germany to be with him, but upon her arrival she constantly insults and provokes him until he eventually, on her command, bites the carpet to bits.
The gentle inhabitants of a quaint Berlin apartment house, damaged by the Second World War but possessing an elegance of its own, love the place where they live, with its motto Liebe das Leben-Lebe das Lieben (Love Living, Live Loving) emblazoned above the door. Their love for it only increases when they learn that it is threatened by a bank redevelopment project. Among the apartment-dwellers are an elderly couple (Brigitte Mira and Erhardt Dhein) who have toured the world together.
This fast-paced black comedy by wunderkind director Rainer Werner Fassbinder follows the frantic efforts of a starving and confused writer, Walter Kranz to beg, borrow or steal enough money to survive on, and at the same time make some sense of his confusing life. Unable to write enough to keep his publisher's royalty advances coming, he seeks out a woman he imagines is a prostitute and interviews her for material. He is also inspired to utter some poetry, which his brassy, outspoken wife identifies as coming from the famous homosexuality-advocating mystical German poet, Stefan George. This inspires Walter to take a closer look at the gay scene, and he quickly becomes a sort of celebrity there.
A husband and wife lie to each other about their weekend travel plans, only to both show up at the family's country house with their lovers.
When they start losing family members and neighbors due to WWII and the Nazi government's policies, a quiet married couple becomes disillusioned and begins spreading leaflets against the government - a crime punishable by death.
Directed by Alfred Vohrer, and written by Jürgen Lodemann and Werner P. Zibaso, «Anita Drogemöller und die Ruhe an der Ruhr» is a 1976 Crime film . Monique van de Ven and Harald Leipnitz are starring, alongside Helga Anders, Reiner Schöne, Brigitte Mira and Dirk Dautzenberg.
After her husband kills his boss and himself, Mother Kusters becomes drawn into the activities of the German Communist party and then a group of anarchists.
Fox, a former circus performer, wins the lottery of DM 500,000 and can now have the life and things that he has always wanted. While he wants to climb up the social ladder, it isn't without turmoil, and being torn between his old working class roots, and the shiny new facade of middle class consciousness.
A pseudo variety show about the Aufbau-Era, the time of the German 'economic miracle'. Brigitte Mira recounts her four husbands through song and joke, on an series of artificial sets.
After having her second child, a German housewife suffers from post-partum depression before inexplicably falling into a continually misdiagnosed mental state, befuddling her relatives.
Emmi Kurowski, a cleaning lady, is lonely in her old age. Her husband died years ago, and her grown children offer little companionship. One night she goes to a bar frequented by Arab immigrants and strikes up a friendship with middle-aged mechanic Ali. Their relationship soon develops into something more, and Emmi's family and neighbors criticize their spontaneous marriage. Soon Emmi and Ali are forced to confront their own insecurities about their future.
The film follows Kaspar Hauser (Bruno S.), who lived the first seventeen years of his life chained in a tiny cellar with only a toy horse to occupy his time, devoid of all human contact except for a man who wears a black overcoat and top hat who feeds him.
A in West-Berlin stationed African-American GI retires from the US Army to live with his (white) girlfriend, who has a baby with another Black man. After a row with her family she deserts him as well. Despite him finding a job and a new place to live, he keeps running into racism, that also manifests itself in sexual intimidation. (from: http://www.lotharlambert.com/1-berlin-harlem.html)
A German serial killer preys on boys and young men during the so-called years of crisis between the wars. Based on the true story of Fritz Haarmann, aka the Butcher of Hanover and the Vampire of Hanover.
Acht Stunden sind kein Tag was a German television film series broadcast between 1972 and 1973. Directed by Rainer Werner Fassbinder, it was commissioned by Westdeutscher Rundfunk.
West German crime film directed by Rolf Olsen and starring Curd Jürgens, Andrea Rau and Corny Collins. It is set in the red-light district of St. Pauli in Hamburg.
Saleswoman Jenny is crazy about the painter Jack. But Jack does not want to marry, even though he loves Jenny passionately. So Jenny looks elsewhere to find the right man. She marries twice, but always ends up back with Jack and gives herself to him with no attachments. Will Jack and Jenny find true love? Of course!
Cautionary drama, with vigorous attack on Germany's laws governing abortion.
The chorus girl Caterina Duval gets the chance of her life when hired as stand-in of a famous star. On the opening night Catarina is singing, dancing and stepping into the hearts of the audience.
Long before he played the corpulent Goldfinger, German actor Gert Froebe was a scarecrow-skinny comedian. In Berliner Ballade, Froebe makes his screen debut as Otto, a feckless Everyman who tries to adjust to the postwar travails of his defeated nation. Stymied by black-market profiteers and government bureaucrats, Otto begins fantasizing about a happier life at the end of that ever-elusive rainbow. Director R. A. Stemmle doesn't have to strive for pathos: he merely places his gangly star amidst the ruins of a bombed-out Berlin, and the point is made for him. Filmed in 1948, Berliner Ballade was later released in the U.S. as The Berliner.
