C. Mason Wells
Mara and Jo are best friends. Mara is dependable and Jo is troubled; they met when they were 14 years old. Neither of their lives are stable, their jobs are precarious and their dates go nowhere, writing is something done on the side, like so often in Brooklyn. Amid the everyday events and chit-chat, the only constant is their friendship, or, rather, its dynamic: Mara’s phone will ring and Jo will need her help, Mara will drop everything for her, but Jo’s thoughts will already be elsewhere by the time she arrives. The plot skips forward delicately, alighting on another manifestation of the same pattern each time, though Jo’s troughs deepen and Mara’s resentment grows. Time passes and there are new jobs, new boyfriends, drugs, tears and fresh starts, a pregnancy and later a little girl, all of which steadily tug at Jo and Mara’s bond.
Anne is a volatile young woman challenged by everyday social and professional encounters.
The lives of a French theater director, her ex-boyfriend, and the two actors playing them intersect dramatically.
Gina, an American flight attendant, falls in with a Parisian bartender on a layover only to find herself tangled in a web of deception, delusion and unrequited amour fou.
On a late-summer Sunday in 2011, a female director gathers a team of filmmakers, writers, musicians, artists, critics, and friends in an apartment to recreate a scene from Michael Curtiz's Depression-era drama The Cabin in the Cotton. Over plates of pasta and glasses of red wine, a round robin of non-professional actors take turns performing the same scene, again and again, In different permutations. With a freedom Influenced by pre--Code Hollywood, cameras, phones, and laptops are scattered around & set at almost every possible angle, documenting the action both in front of and behind the camera as it unfolds, from rehearsals to equipment adjustments to the banter between takes. An intimate. playful, and spontaneous look Into the collaborative cinematic process emerges. a snapshot of the filmmaker's perennial struggle to capture fleeting moments before the day (and light) slip away.
JR has broken up with her professor. She enlists her nervous and obnoxious younger brother Colin to take a short road trip in order to help move out her belongings. They bicker and fight, with one another and pretty much anybody they encounter, before being brought to a place of togetherness and understanding as a result of being pushed away by everybody in their lives except one another.
Jamie is 21. She's from Atlanta. She's come to Brooklyn to visit her friend Samantha, but she can't find her. Jamie meets a stranger named Charlie on the subway and spends 24 hours hanging out with him.
