Camille Japy
He thrilled you with 'Swimming Pool', tickled you with '8 Women' and beguiled you with 'Young and Beautiful'. Dive into the the erotic twists and transgressive turns of the early short films of auteur director François Ozon.
During the opening of the Eiffel Tower at the Paris Exhibition in 1889, three engineers from the Eiffel companies are killed under mysterious circumstances. Louise Massart, the recently divorced daughter of one of them, scandalizes society and finds herself unjustly accused of her father's murder. Incarcertaed in the psyche ward of the Pitié-Salpêtrière hospital, she discovers through hypnosis that the key to the affair lies within her, and finds the strength to accept her differences.
Philippe Villers, coroner, found his wife shot once in the head on his way home one evening. After investigation, Detective Judith Lebrun, define Villers as responsible for the murder.
Alice Lantins is 38, ambitious and so committed to her work that she neglects her personal life. In short, she is the ideal candidate for the next editor of the magazine Rebelle, or would be were it not for the fact that she appears to be stuck in a rut. When Balthazar, a charming 20-year-old, crosses her path, her colleagues begin to see her in a whole new light...
Serge Tanneur (Fabrice Luchini) is at the pinnacle of his acting career when he decides to turn his back on show business and become a hermit living off of France’s Atlantic coast. Three years later, Gauthier Valence (Lambert Wilson), a beloved TV actor, shows up on the island to offer Serge a role in his directorial debut – a rendition of Molière’s classic play, “The Misanthrope”. Serge refuses at first, but then suggests that they rehearse the first scene and after five days he’ll decide if he wants to dothe play or not. What ensues is a battle of brawn and wits and peculiar encounters with a hotel maid who longs to be a pornstar and an Italian divorcée.
Suddenly he thinks her alone, his wife. This person whom he doesn't know how to love and who is now falling prey to a gnawing disease. This woman whom he knows so little about and whom he would like to be with him. Right now, Just like before.
While vacationing with a friend in Paris, an American girl is kidnapped by a gang of human traffickers intent on selling her into forced prostitution. Working against the clock, her ex-spy father must pull out all the stops to save her. But with his best years possibly behind him, the job may be more than he can handle.
A novelist, an actress, and a struggling young singer all attempt to make their mark in modern day Paris in director Marc Fitoussi's cynical entertainment industry satire. Bertrand is a French literary professor whose students all know that he is shacked up with pretty math teacher Solange despite the couple's best efforts to keep their relationship under the radar. Though no one in the school much cares for Bertrand's prose, self-flagellating student Frederic is the one notable exception. Meanwhile, as Bertrand struggles to deliver his second novel, recent big city arrival Cora finds that her fondness for outmoded songwriters may be having an adverse effect on her career trajectory. While Cora struggles to make ends meet by working at a popular chain steakhouse, even this attempt to remain afloat ultimately proves disastrous.
Objectively, Odette Toulemonde has nothing to be happy about, but is. Balthazar Balsan has everything to be happy about, but isn’t. Odette, awkwardly forty, with a delightful hairdresser son and a daughter bogged down in adolescence, spends her days behind the cosmetic’s counter in a department store and her nights sewing feathers on costumes for Parisian variety shows. She dreams of thanking Balthazar Balsan, her favorite author, to whom – she believes – she owes her optimism. The rich and charming Parisian writer then turns up in her life in an unexpected way.
Une héritière qui n'arrive pas à hériter, un radin qui ne peut rien dépenser, un petit garçon qui trouve un billet dans la rue, un restaurateur prodigue qui ne fait que donner... Tels sont, entre autres, les personnages de ce film "choral". Pourquoi certains dépensent-ils de manière convulsive là où d'autres retiennent l'argent comme la partie la plus vitale de leur être ? On croit parler d'argent, mais c'est d'amour dont il s'agit.
Céleste, la trentaine, n'a toujours pas rencontré le grand amour. Un jour, sur un coup de tête, elle décide d'enlever l'homme qu'elle croit idéal, forçant au passage Rosalie, sa soeur cadette, à la suivre dans sa combine. Mais dans la panique, Céleste va se tromper d'homme...
Crime Scenes is a noirish crime drama about two forensic cops on the trail of serial murderer. Georges Fabian and Jean-Louis Gomez are put on the case when Marie -- the teenaged daughter of a couple who own a roadside cafe -- vanishes the day after the family dog disappears. Georges' schoolteacher wife is expecting their first child, while Jean-Louis' spouse walked out on him days after their daughter left home. The two discover a magazine daubed with Marie's blood in the eatery's lobby, and with the help of a police dog, they discover a canine corpse across the street. Later, when the bodies of a young white woman and a black man are unearthed sans heads and hands, Georges and Jean-Louis think that they have at last found Marie. In fact, they've hit upon a ritual murder similar to a series of killings that baffled the Belgian police in 1993. The two then begin to doggedly gather clues and witnesses.
Six people whose lives are intertwined struggle to find happiness amid broken relationships and painful life changes.
The perpetrator of a murder refuses to denounce himself, which results in the conviction of one of his friends. On leaving prison, 20 years later, he goes in search of his former boyfriend.
Family ties. Paul is an artist, his current project is to take photos of the faces of men during orgasm. He lives with Martial, his lover. His sister Camille, who's running the family business, takes Paul to the hospital to see their father, who is dying. Paul hasn't seen him in six years, and all his life has believed his father thinks he's ugly and perhaps not even his child. There's no deathbed reconciliation, but subsequent exchanges of Paul with Martial and with Camille bring opportunities for growth and change to this temperamental and self-pitying young man.
Despite being busy with his profession of soldiery, Brantome manages to find much more time for amorous dalliances with the ladies of the 16th-century French court than for battles. Unfortunately for him, his true love, Victoire, is beyond his reach most of the time. He more than compensates for this in the arms of others.
