Camille Paglia
Pauline Kael (1919–2001) was undoubtedly one of the greatest names in film criticism. A Californian native, she wrote her first review in 1953 and joined ‘The New Yorker’ in 1968. Praised for her highly opinionated and feisty writing style and criticised for her subjective and sometimes ruthless reviews, Kael’s writing was refreshingly and intensely rooted in her experience of watching a film as a member of the audience. Loved and hated in equal measure – loved by other critics for whom she was immensely influential, and hated by filmmakers whose films she trashed - Kael destroyed films that have since become classics such as The Sound of Music and raved about others such as Bonnie and Clyde. She was also aware of the perennial difficulties for women working in the movies and in film criticism, and fiercely fought sexism, both in her reviews and in her media appearances.
A profile of the Australian author and academic whose 1970 book "The Female Eunuch" became an international bestseller and an important part of the feminist movement. Featuring previously unseen archive footage.
In 'A Glitch in the Matrix', journalist David Fuller analyzes and assesses Dr. Jordan B Peterson's recent viral interview with Cathy Newman, unpacking the deeper political, psychological and archetypal levels of the clash.
A look at the forces that shaped Pre-Code Hollywood and brought about the strict enforcement of the Hays Code in 1934.
Film-makers and academics discuss the use of mythology in Star Wars and the impact of the films on society
In 1972, a seemingly typical shoestring budget pornographic film was made in a Florida hotel, "Deep Throat," starring Linda Lovelace. This film would surpass the wildest expectation of everyone involved to become one of the most successful independent films of all time. It caught the public imagination which met the spirit of the times, even as the self appointed guardians of public morality struggled to suppress it, and created, for a brief moment, a possible future where sexuality in film had a bold artistic potential. This film covers the story of the making of this controversial film, its stunning success, its hysterical opposition along with its dark side of mob influence and allegations of the on set mistreatment of the film's star.
This documentary film, with its innovative style and content, looks at the masterpiece that is Ulysses and like the original book takes the form of 18 different episodes. Each of these is designed to have it's own distinctive theme and style. Narrated by Oscar-winning actress Brenda Fricker, with Patrick Bergin as the voice of Joyce, the film shows Ulysses in and imaginative, accessible and original way.
With his magazine Hugh Hefner changed the face of publishing, combining titillation with hard-edged reporting and serving up nudity with taste. His swinging bachelor ways also made him an icon for the straight males for whom his publication was tailor-made. Join Richard Kiley in this documentary about the quintessential ladies' man. Includes footage, photos and interviews with Camille Paglia, Mel Torme, Tony Curtis and more.
Portrait of legendary artist and groupie Cynthia Plaster Caster famous for plaster casting the penises of rock stars.
Directed by Kevin Burns, this documentary from Playboy Home Video examines the oftentimes tense relationship between sex, women, and popular Hollywood culture. With a particular focus given to Marilyn Monroe, Jayne Mansfield, Jean Harlow, and Sharon Stone, Sex at 24 Frames Per Second studies the role of female sexuality in film throughout the years. ~ Tracie Cooper, Rovi
Marquis de Sade spent much of his life in jail for the perversions he recounted in his famous writings. In a series of scandalous and long suppressed books, he celebrated deviant sexual activities and challenged every aspect of civilized authority- the church, the government and all social restraints.
Produced by Channel 4, Still Tickin´: The Return of A Clockwork Orange examines the controversy over Kubrick’s iconic film, explaining the film’s “demonic level of attention,” and its influence on culture, politics and society, which led to the director’s self-imposed ban.
Cheryl, a young black lesbian, works a day job in a video store while trying to make a film about a black actress from the 1930s known for playing the stereotypical "mammy" roles relegated to black actresses during that period. This was the first feature film directed by an "out" black lesbian.
Drag queen Glennda Orgasm and her friend, feminist scholar Camille Paglia, wreak havoc during a whirlwind tour of downtown New York.
