Camilo Cuello Vitale
After twelve years away, Martina and her mother travel to Villa Mercedes where their relatives live, including cousins she has not seen since childhood. Their mothers have a distant relationship due to problems in the family business. A tragedy allows the cousins to bond as they embark on a journey to reconnect with one another.
Fidel asks for a loan and buys ecstasy with his friend Camilo. The dealer details the procedure. They will only sell on Saturday in a nightclub. They pay cash and leave. Uneasy, Fidel invites Sole home. He boasts about the pills and shows her the stash. They take one each, they dance, and go into the bedroom. With Fidel naked in the bed, Sole walks out of the bedroom, grabs the bag of pills and hides it in her purse. She returns to the bedroom with a condom. Fidel wakes up next morning all alone.
Merlo was the place chosen by the López Araújo for their last family vacations. The day that the holidays end and they return to Buenos Aires, the parents will be separated. And the children will alternately see their father and mother. During the holidays the wife tries to live as if they were still a happy marriage.
(Spanish with English subtitles) Follow Luis & Anita in this Argentinian indie charmer about young love. After a chance meeting the teenage couple's relationship blossoms into intimacy. However, an unexpected pregnancy throws their school life into fits.
David Alfaro Siqueiros, recognized Mexican muralist, travels to Argentina in the thirties with the purpose of giving a few conferences and paint a mural of revolutionary subject matter, which faces local political rejection. The press mogul head of the newspaper Critica, Natalio Botana, personal friend to the President of the Nation Agustín P. Justo, propose Siqueiros to collaborate in the cultural supplement of the diary and paint a mural in the basement of his Villa Los Granados. Siqueiros accepts and does that his wife the poet Blanca Luz Brum meets him, his arrival to Los Granados and his romance with Botana provokes the jealousies of his powerful anarchist wife Salvadora Medina Onrubia and Siqueiros himself, which turns the Villa almost in one of the scenes of the Ejercicio Plástico, how Siqueiros named his work.
The closed community of a private neighborhood of high-priced houses, is moved by the discovery of three corpses that appear floating in a pool and rushes to frame it as an accident.
