Caprice Crawford

In Ger(wo)many, when an army of radical females is preparing for a final revolution and a utopian world without men, a young male soldier arrives seeking refuge at the convent.

It is the year 2060 and AIDS has been eradicated. However, in some, the HIV virus has now mutated into a gene from which a drug can be produced that has become the white powder of the twenty-first century. With a virtually supported scanning system, secret police are trying to identify anyone who carries this gene. Filmed in Berlin, Taiwan-born multimedia artist and filmmaker Shu Lea Cheang’s science fiction dystopia revolves around a struggle to gain control over the production and exploitation of bodily fluids. Her film is like an orgiastic opera; a breathless round of bodies, secretions, performances and sexual acts often performed in the service of an overriding economy. An unusual, largely experimental and deliberately parapornographic drama in which the borders between the sexes as well as homo-, hetero-, bi-, trans- or intersexual are constantly blurred.

I AM BAD is the voyeuristic story of a serial killer in love. Shot entirely from his point-of-view, we see what he sees, and travel through his life from his brutal childhood to the power he reclaims as an adult when he begins to feel the thrill of killing. Then he meets Anne. She's training to be a psychiatrist. Now his life alternates between the warmth and love he feels with Anne, and the horrific bloodshed he creates in her absence.