Carl Ebert
The film starts with a woman on the run from her millionaire husband giving birth to a daughter in the home of a washerwoman. The woman dies in childbirth, but the baby survives. The washerwoman leaves the baby in a horsedrawn Parisian taxicab (No. 13). The paperwork of the birth is lost in a huge tome. Sixteen years pass. The tome is bought by a poor student. One day his bookshelf collapses, and the tome opens at the page where the paperwork has been hidden. The student realises that the paperwork relates to a millionaire who has spent the last sixteen years looking for his pregnant wife. The student traces the washerwoman, and he tricks her into confessing what she has done with the baby. Meanwhile, the baby has been adopted by the cab driver and his wife, and has grown into Lili Damita.
A melodrama about a virtuous wife unjustly abandoned by her husband, who get him back with the help of a Hindu mystic.
Dr. Schön marries a lower class girl, Lulu. Young and voluptuous she attracts the attention of the all the male gender, but the doctor will not let her go.
The Closed Chain (German: Die geschlossene Kette) is a 1920 German silent film directed by Paul L. Stein and starring Pola Negri, Aud Egede-Nissen, and Carl Ebert.
Suffering under the tyrannical rule of Rudolf II in 16th-century Prague, a Talmudic rabbi creates a giant warrior to protect the safety of his people. Sculpted of clay and animated by the mysterious secrets of the Cabala, the Golem was a seemingly indestructible juggernaut, performing acts of great heroism, yet equally capable of dreadful violence. When the rabbi's assistant takes control of the Golem and attempts to use him for selfish gain, the lumbering monster runs rampant, abducting the rabbi's daughter and setting fire to the ghetto.
In this version of the golem legend, the golem, a clay statue brought to life by Rabbi Loew in 16th century Prague to save the Jews from the ongoing brutal persecution by the city's rulers, is found in the rubble of an old synagogue in the 20th century. Brought to life by an antique dealer, the golem is used as a menial servant. Eventually falling in love with the dealer's wife, it goes on a murderous rampage when its love for her goes unanswered. This mostly lost film (please check your attic) is often confused with director Paul Wegener second and readily available interpretation of the legend; Der Golem, wie er in die Welt kam (1920).
