Carla Laemmle
Millionaire Mason Murphy renovates the haunted Mayhew mansion. He plans a tremendous lunar eclipse viewing party to celebrate his return to his hometown of River Ridge Iowa. At the party, magic runs out of control and the party guests are murdered one by one.
A wandering neo-vaudvillian becomes smitten with his motel neighbor, a slightly stubborn young woman who is on her way to the state capitol with a unique agenda.
Each installment focuses on a different era of American movie history, from the invention of the first moving pictures to the revolutionary, cutting-edge films of the 1960s.
Mark Gatiss examines the history of the horror film, from classic Hollywood monsters to Hammer's glory days and beyond.
Actress and neice of Universal Pictures founder Carl Laemmle, Carla Laemmle recounts the events that occured while filming Phantom of the Opera, The (1925). Not too much ground is covered here, although we do learn a few things about the creation of Universal Pictures in 1915.
A documentary from Universal about their Phantom of the Opera movies.
A documentary from Universal about the movie Dracula (1931) starring Bela Lugosi.
Universal Horror is a documentary about the era of classic monster movies that were made at Universal Studios during the 1930's and 1940's.
A Russian dance company agrees to stage the new ballet written by a vaudeville hoofer.
A 12-episode serial in which scholastic sports star Frank Merriwell leaves school to search for his missing father. His adventures involve a mysterious inscription on a ring, buried treasure, kidnaping and Indian raids. He saves his father and returns to school just in time to win a decisive baseball game with his remarkable pitching and hitting.
Made during the early years of the movie musical, this exuberant revue was one of the most extravagant, eclectic, and technically ambitious Hollywood productions of its day. Starring the bandleader Paul Whiteman, then widely celebrated as the King of Jazz, the film drew from Broadway variety shows to present a spectacular array of sketches, performances by such acts as the Rhythm Boys (featuring a young Bing Crosby), and orchestral numbers—all lavishly staged by veteran theater director John Murray Anderson.
Harriet and Queenie Mahoney, a vaudeville act, come to Broadway, where their friend Eddie Kerns needs them for his number in one of Francis Zanfield's shows. Eddie was in love with Harriet, but when he meets Queenie, he falls in love to her, but she is courted by Jock Warriner, a member of the New Yorker high society. It takes a while till Queenie recognizes, that she is for Jock nothing more than a toy, and it also takes a while till Harriet recognizes, that Eddie is in love with Queenie
A grotesquely disfigured composer known as "The Phantom" haunts Paris' opera house, where he's secretly grooming Christine Daae to be an opera diva. Luring her to his remote underground lair, The Phantom declares his love. But Christine loves Raoul de Chagny and plans to elope with him. When The Phantom learns this, he abducts Christine.
Of the over 30 one-reelers Mary Pickford made in Cuba for Carl Laemmle’s Independent Motion Pictures Company, A Manly Man is one of few that survives today. Pickford plays Lola, a young Filipino woman who falls in love with Duncan (William E. Shay), a Caucasian man sent to her village on business. After Lola risks her life nursing his fever and saving him from a knife attack, Duncan marries her and resists the temptation to return to his American fiancée. Directed by Thomas Ince and co-starring Pickford’s first husband Owen Moore, A Manly Man was later reissued under the title His Gratitude (1914).
