Carla Solaro

Michelle lives in Paris with René, who is influential politicians. One morning as Michelle discovers that her 18-year-old daughter Lauren has not come home from a pub tonight. René does not want to involve the police, because he does not want a scandal that could affect his political career negative. They decide instead to hire a private investigator. It turns out that Lauren has been kidnapped to be used by a gang producing snuff. Detective withdraws from the case, however, because he fears for his life and Michelle decides to find their own daughter. The hunt goes by porn swamps in Paris, Amsterdam and Hamburg.

March 1945 Asolo, Italy. Livia Mazzion, the attractive wife of a top ministry official, slips into the car of lawyer Ugo Oggiano, Livia's admirer and her husband's informer. Livia must reach Venice and her lover Helmut Schultz, a Wermacht lieutenant, as beautiful and accursed as a pagan god, with whom she is having a burning love affair. During the trip she relives the high points of her devastating sexual abandonment gone adrift, one that has shattered her life and her destiny, swallowing her up in the ruinous vortex of a sybaritic and bituminous Venice. The city, in the throes of the final months of the war, is rife with traffickers, officials, nabobs, military brass, sharks and adventurers of every kind. Yet a surprise awaits Livia upon her arrival in Venice, a surprise in which the heroes' own personal defeats interweave with those public, as historical and political events now seek to settle accounts.

Small-town beauty Patricia (Carla Solaro) lands a leading role on a top-rated soap opera and moves to Los Angeles, where her skyrocketing acting career is accompanied by a not-so-healthy romance with ruthless network boss Mike (Robert Madison). Set against the cutthroat backdrop of the television business, this steamy exploitation romance from cult director Joe D'Amato also stars Sonia Topazio.

This film is a series of letters, photos and video cassettes which women often send in to certain newspapers. By visualizing their story-telling (the name given by the psychologists to their fantasies) the film portrays the confessions, the secret longings, the adventures, recollections, dreams, desires and fantasies of these women. It is an open secret that most women dream of forbidden affairs, secret lovers and hasty encounters but when it comes down to it they lack the courage to pursue their dreams.