Carlo Egidi

Alfredo, a timid young Italian, lusts after and woos the beautiful Maria Rosa. But when he manages to marry her, he discovers life is not nearly so blissful as he expected.

6.6/10

Rome, Italy. After committing a heinous crime, a senior police officer exposes evidence incriminating him because his moral commitment prevents him from circumventing the law and the social order it protects.

8.1/10
10%

Serafino a young and innocent shepherd inherits a huge fortune. He immediately spends the entire sum in presents for his friends. For this reason he is believed mad, and his uncle decides to legally forbid him to take any decision about his fortune. Serafino liaison with his cousin drive him few steps to marry. Tired of this entire situation Serafino finally decides to come back to the mountains by his sheep.

6.3/10

Mario is a Milan industrialist who is constantly testing balloons to see how much air one can take before busting.

7.1/10

The film presents the tale of Agnese Ascalone, daughter of prominent miner Vincenzo Ascalone, and takes place in a small town in Sicily. Agnese is seduced by her sister Matilde's fiance, and has a tryst with him for which she confesses and tries to repent, only to be discovered by her mother and father. The film is a dark satire of Sicilian social customs and honor laws, and is very similar to Divorce, Italian Style.

7.9/10

Sicilian bandit Salvatore Giuliano's bullet-riddled corpse is found facedown in a courtyard in Castelvetrano, a handgun and rifle by his side. Local and international press descend upon the scene, hoping to crack open the true story behind the death of this young man, who, at the age of twenty-seven, had already become Italy’s most wanted criminal and celebrated hero. Filming in the exact locations and enlisting a cast of native Sicilians once impacted by the real Giuliano, director Francesco Rosi harnessed the facts and myths surrounding the true story of the bandit's death to create a startling exposé of Sicily and the tangled relations between its citizens, the Mafia, and government officials.

7.4/10
10%

A socialite is murdered and her playboy lover is brought in for questioning. During his stay in custody we get to see the real sneaky playboy in action via flashback. Is he guilty or just a sleaze.

7/10

Ferdinando Cefalù is desperate to marry his cousin, Angela, but he is married to Rosalia and divorce is illegal in Italy. To get around the law, he tries to trick his wife into having an affair so he can catch her and murder her, as he knows he would be given a light sentence for killing an adulterous woman. He persuades a painter to lure his wife into an affair, but Rosalia proves to be more faithful than he expected.

8.1/10
10%

Problems arise for Antonio Magnano when he is unable to consummate his marriage to the beautiful Barbara Puglisi and his virility is called into question. Despite the fact that he loves his beautiful wife and they have otherwise been happily married for a year, his problem becomes a source of contention for all concerned.

7.4/10

A tale of love, rivalry and passion set in the 50s, in the madcap world of motorcycle speed races, shot on the occasion of the main competitions of that time, such as Monza’s Moto GP and the last edition of the legendary Milano-Taranto race. With also very rare footage of the Moto Guzzi wind tunnel and factories. The film features, alongside popular actors Rik Battaglia and Sylva Koscina, many of the most important champions of those years: Geoffrey Duke, Libero Liberati, Bill Lomas, Enrico Lorenzetti, Reg Armstrong, Stanley Woods, Ken Cavanagh, Dickie Dale, Thomas Campbell, Pierre Monneret, Albino Milani, Walter Zeller, Bruno Francisci, all of them riding amazing Moto Guzzi, Gilera, Mondial and Norton bikes with the so charming and dangerous dustbin fairings that were going to be banned in 1958.

8/10

Pietro Germi directs and stars in this masterpiece example of late Italian neo-realism. The stark tale centers on unfulfilled railroad worker Andrea (Germi). After his daughter's marriage falls apart and his troubled son leaves for good, Andrea turns to booze to numb the pain. Life gets even worse for Andrea when he causes a serious rail accident and crosses picket lines during a strike. Sylva Koscina, Edoardo Nevola and Franco Fantasia co-star.

7.8/10

Anna Zaccheo is a beautiful young woman from a working class Neapolitan family. Her main concern is to find herself a suitable husband. She meets a young sailor Andrea one day and gets engaged to him. But while she is waiting for Andrea to return from the navy she gets raped by her boss. Her life suddenly takes a downward spiral.

6.7/10

A woman in her thirties is a single mother of a teenager daughter, and both are in love with the same young soldier. Mother sacrifices herself for Maricchia's marriage, but ultimately falls to her own passion, leading to family disruption.

7/10

A farmer steals some jewelry, desperately looking for money to allow his sick daughter to be operated by a famous surgeon.

Francesca and Walter are two-bit criminals in Northern Italy, and, in an effort to avoid the police, Francesca joins a group of women rice workers. She meets the voluptuous peasant rice worker, Silvana, and the soon-to-be-discharged soldier, Marco. Walter follows her to the rice fields, and the four characters become involved in a complex plot involving robbery, love, and murder.

7.7/10
10%

Set amongst the Italian peasantry of WW2, Caccia Tragica (Tragic Chase) is set in motion when a truck loaded with money targetted for farming projects is stolen by bandits. The local villagers set aside their petty political and personal differences, banding together to capture the outlaws and recover the loot. The story takes a romantic detour by concentrating on the romance between two young people caught in the middle between the pursuers and the pursued. At the time of its release, Caccia Tragica was perceived as a Communist tract (it was produced by the left-leaning National Association of Italian Partisans). This didn't prevent the film from winning an award at the 1947 Venice Film Festival, quite a coup for first-time director Giueseppe De Santis.

6.9/10