Carlo Lastricati
This “Traviata” became one of the most succesful of all opera films, especially in France, where 800,000 Parisian cinemagoers flocked to it in the first six week. It was nominated for two Oscars (for production and costume design) and won BAFTAs in those two categories, as well as receiving BAFTA and Golden Globe nominations as 1983’s Best Foreign-Language Film.
A young American girl and a young French boy meet in Paris and fall in love, with the assistance of an old man and his stories.
France, 1975. Jean, an exiled Spanish Communist, is a successful screenwriter who, after a tragic event, struggles with his political commitment, his love for his country, under the boot of General Franco, whose death he and his comrades have waited for years, and his complicated relationship with his son. (A sequel to “The War Is Over,” 1966.)
Hecuba and the other women of Troy rise to find their city in ruins and their cause lost. The city has fallen into Greek hands and it is likely their lot to become slaves of Greek soldiers. A messenger approaches to inform them that the lots have been drawn and each woman will be taken to the man who drew for her. Of particular interest is Hecuba's daughter, Cassandra, who is chosen for the Greek kings bedchamber. She has received word of this news already and is in hiding because she has sworn an oath to the gods that she will live as a virgin. When she is found she has some particularly nasty things to say about treatment at Greek hands.
In the far future, a highly sexual woman is tasked with finding and stopping the evil Durand-Durand. Along the way she encounters various unusual people.
In this occasionally amusing frolic, Gina Lollobrigida plays a sexy widow who returns to Italy from New York following the death of her husband. Her wealth and good looks entice all the men in her small village except for the one she really wants, the town blacksmith (Dale Robertson). Giuseppe Rotunno's warm cinematography and the irresistible Lollobrigida make this one worth seeing, while the screenplay (by Ettore Margadonna, Luciana Corda, and Joseph Stefano) manages to be clever without being smirky. Look for a funny bit by Vittorio DeSica, who supervised some scenes, as a loquacious priest. This film is also known as both Anna of Brooklyn and Fast and Sexy.
