Carlos Aguilar
Japan, 1954. A legend emerges from the ashes of Hiroshima and Nagasaki, devastated by atomic bombs in 1945. The creature's name is Godzilla. The film that tells its story is the first of kaiju eiga, the giant monster movies.
The life of an Andalusian actress who had a brilliant career in cinema, but died early in a car accident at 27 years old.
In the late sixties, Spanish cinema began to produce a huge amount of horror genre films. International markets were opened, the production was continuous, a small star-system was created, as well as a solid group of specialized directors. Spanish horror frequented international mimicry —Hammer Productions' Gothic horror is a paramount influence— and offered a particular approach to sex, blood and violence. It was an extremely unusual artistic movement in Franco's Spain.
This is the story of the problems of a young 21-year-old woman who, in the context of modern Mexico, tries to escape reality with the false relief granted by drugs and casual sex. Pamela gets involved with an older man called Victor, in an unboundedly passionate relationship that leads them to invent a double life for themselves in order to cross over the boundaries and explore their deepest fantasies. They set off in the company of Miguel, a young and sensual Spaniard, on a trip to Pie de la Cuesta.
Ultra low budget horror-comedy involving a demonic cenachero (dancing fisherman).
The life and works of one of the great masters of Italian cinema, Sergio Leone; a rich and fascinating portrait. Unpublished testimonies of collaborators, actors, directors and critics reconstruct every aspect of his creative activity.
Gina (Diana Bracho) is a modern business woman in her late forties, she has a lover named Adrian, who she sees once in a while just to have sex; they are both atracted to the historic figure of Pancho Villa, while he admires his power, she admires his virility. As Gina helps Adrian (who is a journalist) to write a book about Pancho Villa, she discovers the similarity between Villa's relation to women to that of Adrian and hers. She gets sick of only having sex, and when she decides to get married with him and have a baby, he escapes to buy cigarrettes and gets lost for three months. Gina forgets about him and gets a new boyfriend (half the age she is), and when Adrian tries to get her back and she refuses him and humiliates him, the one and only Pancho Villa appears as his machista conscience ready to do anything to get Gina back.
