Carlos Lasarte
“[REC]” is the horror film that marked a before and after in Spanish cinematography with its premiere in 2007. The new bet by the Filmax producer, Julio Fernández, redefined the genre in our country with an innovative proposal directed by Jaume Balagueró and Paco Plaza. Now, 15 years later, the main protagonists analyze the keys to the film, its origin and gestation, the success of critics and audiences, its passage through the big festivals and the impact of a cinematographic phenomenon that gave way to an unprecedented franchise until that time.
Samuel Salomon, a literature professor, has been off work for almost a year after the tragic death of his girlfriend. Samuel has been suffering from a recurring nightmare in which a woman is brutally murdered in a strange ritual. Suddenly, the same woman who appears every night in his dreams is found dead in exactly the same circumstances. Samuel sneaks into the crime scene and there he meets Rachel who has also dreamed about the murder. Together, they will do whatever they can to discover the identity of the mystery woman, entering a terrifying world controlled by the figures who have inspired artists throughout time: the Muses.
Carlos has been fruitlessly looking for a job for years. One day, he finds a very special company called Nothing Co. The company is offering a job where the worker is paid to do nothing... but that day, his life will turn upside down.
César, an unhappy concierge, maintains a peculiar relationship with the very diverse inhabitants of the upper-class apartment building where he works in Barcelona.
The wind blows almost permanently on the craggy coast of Northern Spain. While the legendary storm blusters, old villagers play cards and discuss the history of the scandalous relationship between Pepet Tremolls and the much younger Rosa Campos Del Amor, in the days of Franco's dictatorship. Tremolls was found dead on Christmas Eve. Suicide, people said. Or was it Rosa's resentful lover? 'The best distance to a beautiful young woman is the biggest one', the coroner concludes who examined Tremolls' body at the time. The gentlemen try to find out how the two lovers got to know each other and how intense the stormy relationship must have been. Jumping back and forth in time, the relationship and its players are expounded, alternated with images of the tranquil village, the wild nature and the wind that sweeps through the trees and stirs up dust on country roads.
A thirty-six year old radio show host embarks on a cross-continent search to find herself, in the process discovering that her sex is "stuck" and waging a valiant effort to release it while simultaneously accomplishing her many unmet goals in life. Carolina (Beatriz Rico is in her mid-thirties, and her life is falling apart fast: not only has annoying blonde Lula (Imma del Moral) been recruited to take over the show that Carolina created, but the besieged hostess is beginning to feel that time is running out for her to chase down the dreams of her forgotten youth. In search of guidance, Carolina turns to openly gay carpentry shop owner Compass Rose (Jorge Luis Gonazáles). Compass is Carolina's best friend, and while his advice often veers towards the hysterical side, the two quickly hatch a plan to travel to India in search of a guru.
The Lopez Family just finished moving to their new home and are immediately astonished to witness unexplainable events.
An artist, John Jaspers sells his soul to the mysterious "M" in order to get revenge on the people who killed his girlfriend. Soon, he realizes everything has a price, and he is transformed into a horned demon with a passion for killing. He learns that M plans to release the Homunculus, a giant Lizard-like monster onto the earth, opening the gate to hell. Now, Jaspers must stop M before he can let the apocalypse begin.
Although she's still hung up on the man who broke her heart (Miguel Molina), club dancer Simona (Mercedes Ortega) pledges to eradicate all memories of him by removing the tattoos he put on her body. Complicating matters is Mariel (Alexis Valdes), the owner of a Barcelona tattoo shop whose obsession with Simona's undulating form leads him to steal the money to help her pay for the necessary laser treatments.
The mutilated body of a six year old girl is found in a water hole. The girl is identified as the missing daughter of Claudia. However, only two peices of evidence could be used to identify her; a bracelet with her name on it near the crime scene, and the fact that her right leg was three inches longer than her left. All other methods of identification were removed from her body. Five years later Claudia, now addicted to tranquilizers, receives a phone call from someone claiming to be her daughter, asking for her mother to come find her before 'they' kill her. Other mysterious clues show up, further indicating that Claudia's daughter is indeed still alive, and very much in danger. Claudia, a run-down ex-cop, and a parapsychology reporter put together the clues to discover Angela's whereabouts
1939: The remains of the Spanish Republican Army crossed the French border. Among the exiles are Lluís Companys, President of the Generalitat de Catalunya, and also Aguirre, President of the Basque Government. After the invasion of France by Nazi troops, Companys will be arrested by the Gestapo and handed over to the Francoist authorities. Led by the Count of Mayalde, he is transferred to Madrid and later to Barcelona. After a summary trial, Companys is condemned to death and shot.
The film tells the story of a real life fan of Boca Juniors football club, Mary Esher Duffau, who as a teenage girl adopted the identity of a man in order to survive on the streets of Buenos Aires. The film shows the teenage Raulito wandering between a reformatory for juvenile offenders, prison and psychiatric hospital. Raulito manages to escape, and finds work at Constitución railway station in Barrio Constitución. Raulito meets up with another street child and they become close friends. They both eventually manage to escape to Mar del Plata.
