Carlos Tristancho
In the post Spanish civil war years, Catalan kids would sit in circles among the ruins and tell stories, known as "aventis" (the film's original title in Catalan, its original language). These tales mix war stories, local gossip, comic book characters, fantasy and real events. The "aventis" told in this film are told in flashback. In the mid 80s, 45 or so years after the age of the "aventis," a doctor and a nurse-nun (who grew up together, and now are co-workers in a hospital) identify the corpse of one of the main characters of the "aventis" of their childhood and adolescence. Besides the interesting flashbacks - a chronical of the Civil War in a "typical" Barcelona microcosm itself, the discovery of this body (belonging to someone long presumed dead) leads to other surprises and unresolved doubts, several decades later
Amaya is a modern girl, independent, who runs an advertising gency. The business is doing well and is enmaorada of her boyfriend, a lawyer of lost causes somewhat confused. Its stable and happy life is shattered with the appearance of a famous movie star, party animal and womanizer.
Pedro Jarrapellejos (Antonio Ferrandis) is a ladies man who cannot turn the heads of Isabel (Aitana Sanchez-Gijon) or her beautiful daughter. When both peasant women are found raped and murdered in a brutal scene, a schoolteacher is falsely accused. Pedro knows his own nephew and his friend participated in the killings, but he uses his considerable influence over the police and courts to intimidate the witnesses into silence.
In Spain of the 1960s, a poor family of quinquis - a nomadic ethnic group with a tradition as old as that of the gypsises of Spain but with even more obscure origins - have a nomadic life marked by poverty. The son, Eleuterio Sánchez Rodriguez, nicknamed "El Lute", steals some chickens and is condemned to six months in jail. El Lute moves to the slum outskirts of Madrid with his common law wife, Chelo, starting an itinerant life as a peddler of pots and pans and living in a quinqui shantytown. He gradually embarks upon as life of petty criminality, eventually participating in the theft of a jewelry store during which a bystander is killed.
A medieval alchemist (Klaus Kinski), knight (Harvey Keitel) and priest (Fernando Rey) mistake a flying-saucer alien for a dragon.
A platoon of mismatched republican soldiers cross the front-line to steal the bull that the enemy is going to fight on the saint patron date of the village. In addition to ruining the nationals' celebration they want the animal in order to butcher it and feed their famished troops. They get caught in the procession and have to go through a series of funny and pathetic incidents before they can get back to their side. Written by Mary Solari
The story of a boy and his family during the Spanish Civil War.
The plot follows a private detective, an ex communist and former CIA agent, who travels from Barcelona to Madrid to discover the identity of the assassin of the leader of the Spanish Communist party who was stabbed during a blackout while presiding over a meeting of the party's central committee. The film is a thriller with ironic political overtones.
Perros Callejeros is based on the juvenile delinquency of the 1970s and 80s in Spain. The story is set in Barrio de la Mina in Barcelona one of the most conflict neighbourhoods in Spain. The characters chosen were real juvenile delinquents all with criminal records, which the director used to give the film a realistic touch. This film is very powerful and dramatic, it shows how these kids were brought up to survive on the streets.
