Carlos Victoria
Latest example of Spanish "neokinki" cinema, which was popular in the late seventies/early eighties, right after the end of Franco's dictatorship. Destructured families of low social classes are the perfect environment for delinquency, drugs, violence and broken lives.
Balo, Villarán and Domingo are lifelong friends in their 80s, attending the funeral of their fourth comrade, Quique. On a whim, and fueled by their animosity towards the departed's shrewish wife, they steal the urn containing the ashes and are thrust into a series of misadventures.
