Carmen Conesa
Christmas is coming. The children accidentally break a Nativity scene figurine from their father's collection and must by all means get an equal one, the problem is that it is a unique antique piece. Sara, the eldest daughter breaks up with her boyfriend, Ocho, who will try to recover her favors with the help of her father-in-law, Javier. Precisely Javier's father-in-law, Marisa's father, will be welcomed into the family home to spend the holidays after her recent separation, which will not leave Javier's mother, Milagros, indifferent. Rocío, the folklore of the family, who has been playing the Virgin for several Christmases, is relegated this year to playing the shepherdess, something that her father, Javier, is not willing to assume.
Fascinating journey through the life and work of the prestigious Catalan poet Jaime Gil de Biedma, both marked by sexuality and eroticism. Charismatic and somewhat eccentric, brilliant intellectual with extraordinary sensitivity and member of Barcelona's 'gauche divine' in the 60s, Gil de Biedma liked to describe himself as a 'poet of experience' while he suffered dreadfully from the dichotomy strangling him: bourgeois and executive for a multinational by day, communist and homosexual poet by night.
In the 1920s Victoria and Ángel fall in love in a small town, northern Spain. They are two people both from a different social class, she is the daughter of a wealthy businessman and he comes from a poor family. They are so in love but social norms and circumstances of the era force them to break up. Several years later, they meet again, Victoria as a powerful businesswoman and Ángel as a priest.
The argument between Enrique and Javier, his best friend and Marta's husband, his lover, ends with the accidental death of Javier. Faced with the difficulty of proving his innocence, Enrique decides to start, along with Marta and the corpse of Javier, a trip without direction.
Fifteen years after the plot a lawyer and a military ex-attorney meet and recall the intense days of 1975 when both participated in the decission of war or peace. The film is told in flashbacks of the two protagonists.
Carmen, a journalist with two children, is on her third marriage, to Antonio, a record producer. Over the course of a year, we follow her through her discontents: Antonio's lateness, his fatigue when she wants to make love, his insistence on her company when she prefers solitude, his treating her work as less important than his, his casual and cruel dismissal of her opinions, her boss assigning her an incompetent editor, bartenders ignoring her, her passage into middle age. She can be feisty and edgy, which sometimes gets in the way of what would make her happy. And she regularly threatens to leave Antonio. Will she, and on what terms? What will he do?
Veronica, divorced with a son, begins to organize her life and adapt to the new situation. Her problems are relegated to a second term when Carlos, her masseur, is murdered. Knowing himself in danger, Carlos left a message on Veronica's answering machine: she had to pick up a package hidden in the toilets of a railway station. From that moment, Veronica will not know the calm.
Carmen leaves her husband Julio to go live with an intellectual who has made a career in the United States. While, Julio goes away to live of rent to house of an aristocrat come to less. After meeting several colorful characters, Julio decides to recover Carmen.
