Carol Schuler

Germany, 1971: Erika (Anna Schudt) is actually completely overwhelmed by her work in the butchery of husband Kurt (Christian Erdmann), the education of three common children and additional obligations, which brings the village life, as her doctor also revealed that she is pregnant again. Another baby is the last thing she needs now, and so she decides to drive to her sister Charlotte (Alwara Höfels) to Cologne and let the baby abortively secretly abort. Since there are complications during the surgery and Erika can only be rescued, but her husband still learns from the matter. It comes to a huge dispute, in which another topic is the future of daughter Ulrike (Lene Oderich). Without further ado Erika then packs her things and moves with her children to Charlotte. But at a time when legislation inevitably makes her dependent on her husband, she is denied a self-determined new beginning. Erika decides to do something to change that ..

Life could be wonderful for Livia and Marco: good-looking, young, and Tim's parents. Tim is nine months old. His screaming every night drives his parents around the bend, although he was supposed to cement their relationship. But instead of slumber and sex, it's the same every night: jump out of bed and into the wobbly old Golf whose engine sound is the only thing that calms Tim down. One night, the unbelievable happens…

Farmer Marie is in arrears with the loan payments to her bank. At first she does not care that much. But then the attractive banker Philipp should check the profitability of the farm. He has already promised the country to a solvent client. But as befits a true-to-life romantic comedy, after all, everything is different than expected.