Caroline Paterson
Dad always said not to talk to strangers. But you've got to phone home sometimes.
In Glasgow, Scotland, while a mysterious pandemic begins to spread around the world, Susan, a brilliant epidemiologist, falls in love with Michael, a skillful cook.
A salesman starts to run a hospital radio station inside a facility for people with mental heath needs.
Set in Glasgow, Louie, the detective son of an upright police sergeant, is about to marry. His intended is the daughter of JoJo (Connolly), a wealthy and compulsive thief who attempts a spectacular robbery. Louie is put in charge of the investigation of JoJo's latest enterprise. JoJo learns of his peril and begins an exercise in risk management.
Housewife Annie Marsh suspects her husband might be The Hawk, a brutal serial killer. Complicating matters is the fact that she once was incarcerated in a psychiatric hospital. When she discovers she does not have the happy marriage she always believed and begins to piece together the times and dates of her husband's frequent absences, her fears begin to take hold, and her sanity deteriorates.
As the only relative to take over the Royal throne, a down on his luck American slob must learn the ways of the English.
Produced for Scottish television, Venus Peter was financed by the Orkney Islands Council. The title character is transformed into a "sea child" when he is baptized with salt water. Though his family tries hard to accustom him to life on land, Peter (Gordon R. Strachan) yearns to go to sea -- or, at the very least, to escape his cloistered community. He finds a kindred spirit in Princess Paloma (Juliet Cadzow), the village "looney," who, alas, is eventually carted away to an institution. Briefly fascinated by poetry and music, thanks to his lovely teacher Miss Balsibie (Sinead Cusack), Peter is disillusioned when he finds his teacher in the arms of her lover (and out of her clothing). The final blow to Peter's idealism comes when his grandfather's ship is repossessed. Despite the bleakness of his surroundings and his seemingly dead-end existence, however, Peter never completely lets go of his dreams, and the film ends on a positive note.
Tony Roper wrote 'The Steamie' for Glasgow's Mayfest in 1987. Return to Hogmany 1957 when a fiesty group of Glasgow women; Mrs Culfeathers, Dolly, Doreen and the irrepressible Magrit, all meet at The Steamie to do the traditional family wash before the New Year. The Steamie is a hilarious cameo of Glasgow's social history where the washing was always easier to do when the Women shared their laugher and sorrow and a scandalous supply of gossip. This is the definitive version of the most popular play of the last 20 years with the all star cast of Dorothy Paul as Magrit, Eileen McCallum as Dolly, Kate Murphy as Doreen, Sheila McDonald as Mrs Culfeathers and a very young Peter Mullan as Andy, the whisky loving handy man.
Matters are bad enough when Mr Gentle tries to commit suicide. They are even worse when the attempt fails. Worst of all is being confined to a hospital bed when a bunch of juvenile delinquents are sent to visit you.
A woman looks back on her life as a political activist in Scotland from the 1950s to the 1970s.
