Carrie Brownstein

When St. Vincent sets out to make a documentary about her music, the goal is to both reveal and revel in the unadorned truth behind her on-stage persona. But when she hires a close friend to direct, notions of reality, identity, and authenticity grow increasingly distorted and bizarre.

5.8/10
7.5%

Sleater-Kinney performs live to a completely sold-out house at the Palace Theatre in St. Paul, Minnesota. The band will bring new songs from their 2019 album 'The Center Won't Hold' – as well as tunes from their entire discography – to life on stage in this can't-miss concert.

For one month every year, five highly competitive friends hit the ground running in a no-holds-barred game of tag they’ve been playing since the first grade. This year, the game coincides with the wedding of their only undefeated player, which should finally make him an easy target. But he knows they’re coming...and he’s ready.

6.5/10
5.6%

On the rocky path to sobriety after a life-changing accident, John Callahan discovers the healing power of art, willing his injured hands into drawing hilarious, often controversial cartoons, which bring him a new lease on life.

6.9/10
7.6%

In a politically-divided United States, a man struggles to make it through the Thanksgiving holiday without destroying his family.

5.4/10
6.3%

The Realest Real is a humorous exploration of the fickle and instant world of the internet.

6.6/10

Making their first-ever ACL performance, Carrie Brownstein, Corin Tucker and Janet Weiss provided a setlist that spanned much of their discography. The group’s 2015 comeback LP No Cities to Love was represented by “Price Tag,” “A New Wave” and “No Cities to Love,” while the setlist also featured “Dig Me Out” and “Words and Guitar” off 1997’s Dig Me Out and The Woods‘ “Entertain” and “Modern Girl.”

In 1950s New York, a department-store clerk who dreams of a better life falls for an older, married woman.

7.2/10
9.4%

Seattle DJ Marco Collins stars in this unflinching documentary about media fame and addiction, which tracks his rise, fall, and resurrection as an influential promoter of grunge, alternative rock, and electronic dance music.

8/10

A look at the life of activist, musician, and cultural icon Kathleen Hanna, who formed the punk band Bikini Kill and pioneered the "riot grrrl" movement of the 1990s.

7.4/10
9.1%

Satirical sketch comedy set and filmed in Portland, Oregon that explores the eccentric misfits who embody the foibles of modern culture.

7.8/10
9.4%

In a behind-the-scenes look at "Portlandia" with Fred Armisen and Carrie Brownstein, the show’s stars and creators talk about their friendship, their early days working on "Thunderant" and how they came to live in the wonderful world of "Portlandia."

6.4/10

Ten years in the making, Strange Powers is an intimate documentary portrait of songwriter Stephin Merritt and his band the Magnetic Fields. With his unique gift for memorable melodies, lovelorn lyrics and wry musical stylings that blend classic Tin Pan Alley with modern sounds, Stephin Merritt has distinguished himself as one of contemporary pop's most beloved and influential artists.

7.2/10

Some Days are Better Than Others is a poetic, character-driven film that asks why the good times slip by so fast while the difficult times seem so sticky. The film explores ideas of abundance, emptiness, human connection and abandonment while observing an interweaving web of awkward characters who maintain hope by inventing their own forms of communication and self-fulfillment.

6/10
5%

This is the third in a film series produced by Fugazi's Brendan Canty and directed by filmmaker Christoph Green. It features live performances by The Shins, Sleater-Kinney, The Decemberists, Mirah, The Thermals, Quasi, The Gossip, Wet Confetti, The Planet The, Lifesavas, The Ready, and Tom Heinl. The crew travels from town to town filming bands performing in houses that're about to be demolished or burned to the ground. In one day they document the house, the bands, and the demolition, then put it together in a 50-minute movie and move on to the next town. Extras include an extended slide show of stills of the day's bands as well as stills of the destruction and film production.

ne record producer, the creators of "Hedwig and the Angry Inch" and top indie rock artists come together to create a tribute album benefiting the Hetrick-Martin Institute, home of the Harvey Milk School- the first accredited high school in the country for LGBTQ youth. "Follow My Voice: With the Music of Hedwig" weaves the compelling, courageous stories of four students at this controversial school with a unique chronicle of the yearlong creation of "Wig in a Box," the album whose songs poignantly echo these teens' struggles and aspirations. Through a dramatic and vibrant combination of verite documentation, student video diaries and rare in-studio scenes of artists recording tracks, "Follow My Voice" offers a powerful and poignant look at this unlikely intersection of youth, gender and rock. Includes studio sessions from Yoko Ono, Rufus Wainwright, The Bens, The Breeders, Yo La Tengo, John Cameron Mitchell, They Might Be Giants and more.

6.6/10

A girl's obsession with a rock star ends with an unfortunate choice.

Nine women meet every Wednesday afternoon for 21 weeks of group therapy in this entirely original, ultra modern probe into the American psyche.

6.2/10
5.7%

In this documentary from director Justin Mitchell, the world of the U.S. indie-music scene of the 1980s and '90s is explored, specifically with regard to how it transcended clichés about where music was heading in that era. Taking its title from renowned independent cinema pioneer John Cassavetes, the black-and-white film takes a peek at several fringe bands of the period, including Sleater-Kinney, the Make-up, and the Hi-Fives, and their various attitudes toward the ever-changing business.

7.3/10

"There are two movies I saw on TV about boys who were taken from their families and then returned to them years later. One boy was on a fun spaceship for years and the other boy was kidnapped and molested. These boys were never the same again and they just couldn't re-integrate into the family. I saw these movies when I was little. I've often described them to people, always paired together. They are sort of the comedy and tragedy version of the same story and it is a mundanely spiritual story. Getting Stronger Every Day includes these boys' tales, but they are like mystical objects placed on the living reality of the man storyteller. In other parts of the movie actual mystical objects hover in peoples lives without a myth or story attached. I like to think about how these dimensions interact simply and can be enacted: real life / story / worldly / spirit / video / flat drawing."

5.3/10

A revisionist take on the classic Fairy Godmother tale.