Cécile Telerman

Two sisters, their families, and sometimes complicated lives.

Mady Celliers, an attractive housewife of 60, he spends his life speaking ill of her two daughters and her husband, a man who shows a strange behavior since has retired. Antoine, the eldest son, company director, is unable to make a success of a business: out of a bankruptcy to get into another, her sister Alice madonnas obsessively paints sad. Annabelle, a nurse in an intensive care unit, tries desperately to save his family pronosticándole the future. When Alice meets by chance Jacques, a lonely police pessimistic explode all family neurosis.

Three women in their late thirties, one with marital problems, one trying to be perfect, and a spinster, discuss their relationship to men.

This film journeys deep into the heart of Austria’s favorite daily newspaper, the Kronen Zeitung, the most widely-read paper per capita in the world. The “Krone’s” 2.7 million readers represent 43% of the Austrian press market. A reflection of the Austrian soul, this newspaper serves as a prism through which we can understand the rise of the populist Right in this country and examine the dangerous flirtation between media and politics. Director and editor-in-chief Hans Dichand’s ingenious populist strategy allows him to reach the greatest number of readers: the paper’s style and content play on base human instincts such as the fear of the “other,” the opposition between “good” and “evil,” and the common man’s sense of powerlessness in the political arena. He then wields the might of this enormous audience to influence politicians and impose his nostalgic vision of a pure, prosperous, and peaceful world.