Cecilia Leger
Follows Diogenes as he goes about his day as a police officer. He's prone to do things the right way, surrounded by a pretty much corrupt & citizen distant police department, & always resolves his duties with a personal method.
Mateo Melgarejo is a notary public and scribe for the illiterate people of Santo Domingo, a neighborhood north of Mexico City's Zócalo. A squatter friend asks for his help in negotiating with the land census bureau to regularize a land title. After a great deal of frustration with the government bureaucracy, he writes a letter to the cabinet minister, earning an audience with him. The minister hires Melgarejo to reform the bureau, and the appointee proceeds to lecture the officials on their duties in a democratic society. At the end, he gives up the post, returning to Santo Domingo to help its poor residents.
Berenice (Navarro) is a woman with a mysterious past. A scar crosses her face and nightmares of fire and horses fill her lonely nights. She maybe killed her husband but nobody can be sure. In the present, Berenice lives with her godmother (Roldán) a money lender so fragile that she's always resting in her bed. The two women live in an almost perpetual seclusion, except on Sundays when they go to the church and to the movies. One day, the godmother's doctor dies and she asks Berenice to go to his velatory. There they meet Rodrigo (Armendáriz Jr.) the doctor's son, a handsome and free-spirited young man for whom Berenice falls in love.
Childhood trauma and religious repression causes little boy to grow up and murder prostitutes.
The story of a disciplined and sexually driven man who keeps his family isolated in his home for years to protect them from the “evil nature” of human beings while inventing (with his wife) rat poison.
Shmuck makes a superhero costume, rides his bike to crime scenes. He gets involved with something big involving US capitalists taking over local Mexican businesses.
A sharecropper and his daughter, a swarthy beauty, flee from the hacienda on which they live and join the Mexican Revolution.
A group of scientists in search of lost Atlantis are plane wrecked on an uncharted island full of stock footage monsters fresh from One Million BC. Occasionally we get an original papier mache monster peaking out from behind an alcove, but for the most part this is typical Mexican filmmaking for the period. With Armond Silvestre and Alma Delia Fuentes.
Young priest Father Sebastián is assigned to a parish in San Jeronimo el Alto, where he is not welcomed by the community, particularly the resident priest Father Damián. The newcomer gradually earns the trust of the people through humor, but firmly captures their hearts by saving the town fiesta by fighting a bull when the hired torero failed to show. Father Sebastián counsels the townspeople, lecturing them on their duties in a modern society. He used the collection plate to redistribute the town's wealth more evenly.
Arnulfo is a man weaving baskets. Remedios has given birth in front of the house of a woman and her aid, but the village is spread the word that the child born as a child God and an atheist would think exploit to their advantage the "miracle ".
Nazarín is the priest who leaves his order and decides to go on a pilgrimage. As he goes along subsisting on alms, he shelters a prostitute wanted by the police for murder. He is released from suspicion and she eventually catches up with him when she escapes imprisonment. Another woman joins the duo and soon the ex-priest is learning more about the human heart and suffering than when he wore robes.
This film tells several short stories that end up lapsing in the emergency room of a hospital, because it is dedicated to nurses. Cantinflas appears at the end of the film playing the role of Luis, a man who has five daughters and looks forward to a boy, but fate plays a trick and the child dies at birth, but history gives a nice twist and a message of hope.
Young woman returns home from her travels and discovers that her mother's new husband is up to no good.
Criss-crossing love affairs and jealousies result in a murder attempt.
A useless and bloody vendetta has been going on for ages between two families in this Mexican village. Men, sons, have killed each other for generations, for a so-called conception of honor in a revenge that never ends since it is also triggered by people of the village. Now, today, there are only two sons left, one in each family. One has become a doctor in the big city and his culture is modern. The other last one - of the other family - hasn't left the village and is waiting for the doctor to come "home" as he plans to kill him, to settle this war on this matter of honor once and for all. And the people of the village want blood.
The Spanish language romantic drama Las Tres Perfectas Casadas features Mexican film star Arturo de Cordova as one of the points in a love triangle.
Catita is a simple and poor woman who dreams of that her son stands out on something important to help her out of his humble. But she opposes to him being boxer, therefore constantly fighting with her husband.
Newlywed Oliverio receives disturbing news that his mother is on her deathbed. He travels to a remote part of Mexico to fetch a lawyer who can sort out her will. Leaving his wife behind, he embarks on a bus ride that’s interrupted by an increasingly absurd series of episodes, including an impromptu birthday celebration; a one-legged man writhing in the mud; come-ons from an insatiable small-town belle, Raquel; and Oliverio’s frequent, Freudian nightmares.
Rosario, the niece of the rancher, returns to the ranch after ten years of absence. She takes in Margarito, a worker at the ranch, who is immediately smitten by her. Rosario is rescued from a runaway horse by the Seven Men, an outlaw a la Robin Hood that steals from the rich and gives to the poor. He also happens to be the twin brother of Margarito, unbeknownst to him. The confusion between Margarito and the Seven Men generates great comical situations in the film.
The story of two estranged sisters, both of whom end up as prostitutes but for very different reasons.
Liberal farmer Pepe has arrived in Santa Fe to visit his aunt, Dona Perfecta. While he's there, Pepe is eager to teach the traditional-minded townspeople a new way of living. Unfortunately for Pepe the people of Santa Fe aren't eager to embrace change, and when the citizens begin to voice resentment Pepe is forced to seek refuge with his sympathetic aunt. Dona Perfecta is just as traditional as any of the other townspeople though, and only suffers Pepe due to the fact that he is family. When Pepe and his cousin Rosario fall deeply in love, the situation quickly comes to a head.
In the drama, a father, firmly believing that the baby daughter in his arms is not his own, abandons her upon the doorstep of the town drunk. Many years pass, and the man finds himself continually wracked with guilt about deserting her.
Alma leaves Panama to go live with her aunt Antonia and with Manuel, her husband. There she meets Julio, who tries to woo her.
Taxi driver takes the wrong passenger at the wrong time and gets caught up in a murder investigation.
Pepe el Toro is married to Celia la Chorreada and they have two children.
Ruled by a tough grandma, the Garcías are three charro cousins who fall in love with young American-born Lupita and fight for her love until grandma quiets them.
The love between María Ángela and Fernando is impossible because there's an ancient history of hate between their families. His father killed hers, and other family members have killed each other for years. When María Ángela's grandfather finds she's in love with Fernando, he frames the young man and forces her to marry Manuel. Maria Ángela finds that Manuel doesn't love her and together plan her escape with Fernando. But things go wrong and the lovers find their destiny in The Spirit's Canyon.
