César Badillo

Based on the Mario Mendoza's book and inspired by true events, tells three interconnected stories happening in the eve of the infamous Pozzetto Massacre.

Two men meet in downtown Bogotá: one is missing a leg, the other is a "silletero", a man who carries people around for money. Each character bears the burden of a bitter past life.

When the Velezes agree to buy a used Chevrolet Bel-Air from their neighbors, who've recently won a brand-new car in a school raffle, they're thrilled about the prospect of leaving Bogotá's public transportation system behind. Little do they know that, despite its glossy red exterior, their newfound status symbol is a real lemon. Colombian director Luis Orjuela helms this hilarious look at the pitfalls of automobile ownership.

A young boy and his friends attempt to become invisible to get closer to the girls they desire. They must steal the magic recipe and its ingredients without getting caught to perform the ritual.

It begins with the tragedy of Armero, during the course investigates the murder of a beautiful woman and on his way some people die in the end a killing and a cemetery. Emerson Roque Fierro, former policeman and private investigator shadowing, investigates the murder of "Golondrina", a beautiful young woman, occurred in a seedy hotel in downtown Bogota. Without knowing who it is, begins to understand their relationships with a motley gallery of men: a corrupt politician, connected to drug trafficking and paramilitary groups, a bullfighter cunning and good for nothing, a boxer fallen on hard times with a force so stupid as rare Lotero intellect and an insightful blind. And in the midst of this, the dark threads entangling power to everyone, and especially the poor Fierro.

This is a dark comedy that takes place in an urban jungle, where each has to ensure its own survival. No one is bad, but all acting for his own benefit and without measure if their actions hurt others. The former Sergeant Diogenes Hernandez owns the Universal, a precarious detective agency private in the Centre of Bogotá, which is based in the same apartment where he and his wife Fabiola inhabit. His nephew, Clemente Fernández, who works at the Agency, maintains a romance with Fabiola, without trying to hurt the feelings of his uncle, but driven by the need to alleviate their empty urban and anonymous man. Written by Diego Alvarez