César Fernández Ardavín
Contemporary film critics regard the epic film I Am Cuba as a modern masterpiece. The 1964 Cuban/Soviet coproduction marked a watershed moment of cultural collaboration between two nations. Yet the film never found a mass audience, languishing for decades until its reintroduction as a "classic" in the 1990s. Vicente Ferraz explores the strange history of this cinematic tour de force, and the deeper meaning for those who participated in its creation.
In the last years of the Middle Ages, the Corpus Christi procession takes place in the Spanish city of Toledo. There, the young Calixto meets the beautiful lady Melibea, and he falls in love immediately, trying to court her, but getting only the rejection of the young woman. Determined to make her his mistress, Calixto chases her wherever she goes, thus causing "incidental" encounters. Then the lover decides to follow the advice of his servant Sempronius and go to an old bawd called Celestina, who, with the help of her evil arts and tips, bow down Melibea's will and causes tragic consequences for everyone.
Short documentary belonging to the series Arte para los ojos, about an imaginary journey through Spain.
Based on the eponymous play Ricardo López Aranda. It narrates the life of the components of a large family for a whole day, with their problems and illusions.
Shortly after moving to Madrid, a dancer is killed. His condition as a womanizer, in addition to his arrogance, makes us suspect that it is a crime of passion. As the investigation progresses, the doubts and jealousy of one of his neighbors threatens to ruin his family life.
In a Eastern Germany harbor town, two siblings, Elsa (Sabine Bethmann) and Richard (Conrado San Martín) Wolff, help people to cladestinately cross the borders and escape from the communist regime to Western Germany, .
