Charles Binamé
A psychiatrist is drawn into a complex mind game when he questions a disturbed patient about the disappearance of a colleague.
The Covert Investigations Unit (CIU) risks going undercover to infiltrate and bring down criminal organizations. In this new style of short-term, high-intensity undercover work, each covert “play” is crafted quickly and executed at an even faster pace. Placed into various worlds of crime without a safety net, the cops are in constant danger, as they repeatedly go off the grid. Wearing wires, coaxing confessions, and setting up stings, the cops of the CIU must think quickly, talk smoothly, and rely on pure instinct. They slip in and out of characters so often that, sometimes, they lose track of who they really are.
A woman tries to help her teenage daughter when she becomes the victim of online bullying.
Politician Tom McLaughlin watches from the sidelines as Canada relinquishes sovereignty and joins the United States. He refuses to lose his country without a fight, whether it's fair or not.
One of the greatest conspiracies of all time, and one lone man is trying to uncover it.
The heroic struggle of Canadian Louise Arbour, Chief War Crimes Prosecutor at the International Criminal Tribunal for the former Yugoslavia, as she battles world politics and fierce opposition to indict Slobodan Milosevic for crimes against humanity.
Gilles Carle, the prolific director of such movies as La vraie nature de Bernadette and Maria Chapdelaine, has been struggling against Parkinsons disease with dignity for about fifteen years. Based on Carles last script completed in 2000, entitled 'Mona MC Gill et son vieux père malade', Charles Binamés documentary, which took slightly over two years to film, gives us a friendly, penetrating look of a brave, lucid creator confronted with suffering and the perspective of death. Although the subject is grave, we see a stong will to live and to create. A movie shrouded in all the light and love of Chloé Ste-Marie, the famous directors companion of 25 years.
In the late 1930s, a young machinist named Maurice Richard distinguished himself as a ice hockey player of preternatural talent. Although that was enough to get him into the Montreal Canadiens, his frequent injuries cost him the confidence of his team and the fans. In the face of these doubts, Richard eventually shows the kind of aggressive and skillful play that would make him one of the greatest players of all time as "The Rocket." However for all his success, Richard and his fellow French Canadians face constant discrimination in a league dominated by the English speaking. Although a man of few words, Richard begins to speak his own mind about the injustice which creates a organizational conflict that would culminate in his infamous 1955 season suspension that sparks an ethnic riot in protest. In the face of these challenges, Richard must decide who exactly is he playing for.
Séraphin unfolds against the severe and achingly beautiful landscape of rural Quebec in 1889, where young lovers are torn from each other when a bankrupt shopkeeper forces his daughter into an arranged marriage to save his business. But true love cannot be denied...
Director Charles Biname rounds out his trilogy of Canadian urban malaise films (Eldorado and Le coeur au poing being the first two works) with this film about a one night stand gone horribly, horribly wrong. Not long after Vincent (Jean-Francois Casabonne) meets the vivacious Pandore (Pascale Bussieres) at the Montreal port for a business meeting, the two are soon rolling around in a hotel room. Vincent's ardor cools for the lass when he learns of her ominous secret, and his button-down wife Ariane (Maude Guérin) walks out on him.
Louise is living in Montreal, unemployed. Her sister Paulette often gives her a hard time. She only gets to see her poetry-quoting married boyfriend Julien once a week. She hangs out a lot at the dance studio in her building... Louise decides to offer an hour of her time to strangers on the street. "An hour of myself", to do whatever they want to do. But one hour precisely, that's it. This leads to many different situations, some funny, some sexy, some sad. Louise talks to someone who later turns out to have been an undercover reporter. The reporter anticipates a bad end for Louise...
This free-form Canadian drama chronicles the dysfunctional lives of six young people living in Montreal during the summer of 1994. All of the characters are in their twenties, and all are dissatisfied with modern life. Rita is hell on rollerblades and makes her free-wheeling living snatching purses and breaking into cars. She camps out in the apartment of her wealthy friend, Roxan who devotes her spare time to caring for the homeless. Lloyd is a skinhead Deejay for an alternative radio station. His self-important, outrageous ranting provides the background for the rest of the stories. Lloyd is in love with Loulou, a barmaid at a punk club. Loulou is involved in a boring relationship with liquor store clerk, Marc; she looks to Lloyd for excitement. Finally there is screwed-up Henriette, who is so busy venting her neurosis in her shrink's office that she has no time to listen to the doctor's advice.
This French-Canadian drama takes place just after JFK's assassination and provides insight into the psychological ramifications of that event with its portrayal of a love story between a confused teen and a travelling salesman in a Quebec railroad station. The date is Dec. 19, 1963 and train service has been delayed by a snow storm. Pierre-Paul is a door-to-door salesman. Chili is a despondent teenaged girl. When Pierre-Paul enters a washroom stall he is surprised to find a girl hunched over with a gun in her mouth. He runs to tell the stationmaster, but she has gone by the time they return. He tells the stationmaster that the girl was wearing a kilt. Unfortunately, the station is filled with other school girls dressed in the same outfit. Eventually Chili comes up to Pierre-Paul and a careful romance is initiated as she tells him over her troubled life.
