Charles Burnett
A look at the Black revolution in 1970s cinema, from genre films to social realism, from the making of new superstars to the craft of rising auteurs.
A global portrait documenting the year's events, Cinetracts '20 features the work of an international lineup of 20 filmmakers. Capturing the zeitgeist in their own backyard, the artists' short films are the culmination of a year-long residency project.
Filmmaker Robert Townsend executive-produced the following fifty-six-minute program for Criterion’s Meet the Filmmakers series in 2018. In it, he and Charles Burnett reflect on Burnett’s groundbreaking career in cinema, returning to South Central Los Angeles and the shooting locations of his landmark films KILLER OF SHEEP and TO SLEEP WITH ANGER.
Tells the poignant chapter in the historic struggle to secure equal and adequate access to healthcare for all Americans. Central to the story is the tale of how a new national program, Medicare, was used to mount a dramatic, coordinated effort that desegregated thousands of hospitals across the country in a matter of months.
How did America change from Easy Rider into Donald Trump? What became of the dreams and utopias of the 1960's and 1970's? What do the people who lived in that golden age think about it today? Did they really blow it? Shot in Cinemascope - from New Jersey to California - this melancholic and elegiac road-movie draws upon the portrait of a confused, complex and incandescent America one year after the start of the electoral campaign. That golden age has become its last romantic border and an inconsolable America is about to pull on a trigger called Trump.
What does it mean to be Black in America in the 21st century? The recently formed Black American film group TNEG™ has set out to elucidate this very question. Hearing from the likes of fine artist Kara Walker and musical artist Flying Lotus, the film is based on a deceptively simple approach -- asking a refined list of black 'specialists' as well as 'uncommon folks' questions about what they think, and more importantly as lead director Arthur Jafa states, 'What they KNOW' -- the film is an unprecedented 'stream of the black consciousness' and a strikingly original and rarefied look at black intellectual and emotional life. What's so unorthodox about this simple approach is that the interviews were recorded separately from the images in the film. What results is a breathtaking, kaleidoscopic look of American black life from the dawn of three original filmmakers.
Tells the history and importance of The National Film Registry, a roll call of American cinema treasures that reflects the diversity of film, and indeed the American experience itself.
After the death of his father, a former football star reunites with the family that he abandoned years earlier.
Namibia: The Struggle for Liberation is a 2007 epic film on the Namibian independence struggle against South African occupation as seen through the life of Sam Nujoma, the leader of the South-West Africa People's Organisation and the first president of the Republic of Namibia.
A teenage boy leaves a moment of boredom while his father works on his old car, and the mother wishes to go out for a stroll around the block. One more relocated family post Hurricane Katrina.
In 1831, Nat Turner led a slave rebellion in the United States that resulted in the murder of local slave owners and their families, the eventual execution of 55 rebels and the retribution lynching of more than 200 innocent slaves. Nat Turner: A Troublesome Property examines how the story of Turner’s revolt has been interpreted throughout history and how it continues to raise new questions about the nature of terrorism and other forms of violent resistance to oppression. The film adopts an innovative structure by interspersing documentary footage and interviews with dramatizations of these different versions of Turner’s story. A unique collaboration between MacArthur Genius Award feature director Charles Burnett, acclaimed historian of slavery Kenneth S. Greenberg and Academy Award-nominated documentary producer Frank Christopher, Nat Turner is a compelling look at one of history’s most mysterious figures.
Director Charles Burnett (Killer of Sheep, My Brother's Wedding, To Sleep with Anger) presents a tale about a young boy's encounter with his family in Mississippi in the 1950s, and intergenerational tensions between the heavenly strains of gospel and the devilish moans of the blues.
When an 11 year old boy gets cut from his Little League baseball team, he sets out to form his own team.
A woman (Lynn Redgrave) who believes a dead composer is in love with her falls in love with a man (James Earl Jones) who constantly fights an imaginary man named Hank
In 1965 Alabama, an 11 year old girl (Jurnee Smollett) is touched by a speech by Martin Luther King, Jr. (Clifton Powell) and becomes a devout follower. But her resolution is tested when she joins others in the famed march from Selma to Montgomery. This movie is based on the memoir "Selma, Lord, Selma: Girlhood Memories of the Civil Rights Days" by Sheyann Webb and Rachel West Nelson, as told to Frank Sikora, first published in 1980.
Shelby Coles (Halle Berry) is engaged to marry talented white jazz musician Meade Howell, but the pair face opposition from both Meade's family, who object to an inter-racial marriage, and Shelby's parents, who want her to marry a professional. As Shelby is afflicted by pre-marital doubts, handsome Lute McNeil arrives on the scene, determined to make Shelby his at any cost.
This video work intermingles fiction with actuality in a poignant confrontation with homelessness.
Charles Burnett directs this movie about John, a man of many talents, including one forbidden skill: he can read. When he teaches a young slave girl named Sarny to read and write, she learns an unforgettable lesson about the power of words and the true meaning of freedom. A wonderful movie about the power of literacy and the risk it took to educate slaves in the Ante-Bellum South before the heartbreak of the Civil War.
J.J. is a rookie in the Sheriff's Department and the first black officer at that station. Racial tensions run high in the department as some of J.J.'s fellow officers resent his presence. His only real friend is the other new trooper, the first female officer to work there, who also suffers similar discrimination in the otherwise all-white male work environment. When J.J. becomes increasingly aware of police corruption during the murder trial of Teddy Woods, whom he helped to arrest, he faces difficult decisions and puts himself into grave personal danger in the service of justice.
Looks at the United States as it becomes an increasingly diverse nation. Tracing the history of significant changes in the Immigration and Nationality Act beginning in 1965, this program introduces a dramatic vision of a multi-cultural America where people of color are the new majority. The feelings and stories of ordinary people are featured in everyday context in six cities across the county. Interviews with residents of Chicago, Houston, Philadelphia, Miami and several other places probe the changing relationships between newcomers and established residents.
An enigmatic drifter from the South comes to visit an old acquaintance who now lives in South-Central LA.
With dreams of fame and fortune, Faith goes to Washington where she quickly discovers that the life of a budding starlet can be tougher than the ghetto hell she left behind.
Charlie Banks is a black, unemployed Watts resident. At home most of the day, Banks gets on the nerves of his wife and three children. One evening, while getting some fresh air, Hardman makes the acquaintance of a welfare mother. After this, he's not underfoot at home anymore; he's found another bed to occupy.
A man who despises his upwardly mobile lawyer brother reluctantly agrees to be best man at his wedding.
An African American woman living away from her family in Los Angeles yearns to be recognized for more than her physical attributes. In cultivating the friendship of a male office mate, she aspires to a relationship where romance is not a factor, seeking someone who can "see her as she is," rather than see only what he wants to see. (UCLA Film & Television Archive)
In the course of a botched purse-snatching, a boy comes to question the path of his life. Billy Woodberry’s second film, and first completed in 16mm, adapts Langston Hughes’ short story, Thank You, Ma’am, and features music by Leadbelly, Thelonious Monk and Miles Davis. (Ross Lipman)
The story of Dorothy and her husband T.C. He is a discharged Vietnam veteran who thought he would return home to a "hero's welcome." Instead he is falsely arrested and imprisoned for a crime he didn't commit. Her life revolves around the welfare office and a community facing poverty and unemployment. As a result of the film's events, both the main characters become radicalized and Dorothy eventually turns to violence.
Stan works in drudgery at a slaughterhouse. His personal life is drab. Dissatisfaction and ennui keep him unresponsive to the needs of his adoring wife, and he must struggle against influences which would dishonor and endanger him and his family.
This critically acclaimed 1973 short is about an aristocratic white farming family who has a horse that is being put away, by the father of a young black boy named William. William cares for said horse in it's last moments, as the male family members eagerly wait for his dad to eventually arrive.
An improvised late '60's short-subject student film, and debut movie of Charles Burnett; done in the neo-realist, documentary film style. A day-in-the-life South Central L.A. tale about a rag-tag group of unemployed black male pals.
Filmmaker Thomas Penick explores race, gender and violence in this provocative, disturbing drama set on a hot, summer day in 1969. When a woman accepts a ride from two men at the corner of Western and Adams, the encounter quickly turns ugly, venturing into painful, surreal territory.
