Charles Lippincott
In a dystopian future, Dredd, the most famous judge (a cop with instant field judiciary powers) is convicted for a crime he did not commit while his murderous counterpart escapes.
In the 20th century, no artistic medium in North America with so much potential for creative expression has had a more turbulent history plagued with less respect than comic books. Through animated montages, readings and interviews, this film guides us through the history of the medium from the late 1930s and 1940s with the first explosion of popularity with the superheroes created by great talents like Jack Kirby and hitting its first artistic zenith with Will Eisner's "Spirit". It then shifts to the post war comics world with the rising popularity of crime and horror comics, especially those published by EC Comics under the editorshiop of William B. Gaines until it came crashing down the rise of censorship with the imposition of the Comics Code. In its wake of the devastation of the medium's creative freedom, we also explore EC's defiant survival with the creation of the singular "Mad Magazine" by Harvey Kurtzman.
Archie works part-time at his uncle's mortuary and is harassed by a few of the popular kids because of it. His harassers die in an automobile accident, and the bodies are taken to his uncle's mortuary. Archie is pulling a late night at the mortuary when he sees a storm brewing. Lighting strikes! They're alive! The preppie bullies continue to torment him...as zombies!
This unauthorized retrospective and making of features interviews with cast members from the original Star Wars trilogy reflecting on their experience making the films and the cultural phenomenon that ensued after the films release.
