Charles Perrault
Maleficent and her goddaughter Aurora begin to question the complex family ties that bind them as they are pulled in different directions by impending nuptials, unexpected allies, and dark new forces at play.
Sergei Prokofiev's setting of the fairy tale "Cinderella" premiered at Moscow's Bolshoi Theater in 1945. In 1986, Rudolf Nureyev, then ballet director of the Paris Opera, choreographed the ballet anew and transposed the story into a private cinema, with sets reminiscent of Fritz Lang's "Metropolis." ARTE shows the Paris Opera performance from December 31, 2018.
Divested of its traditional attributes – glass slipper and pumpkin carriage – and dominated by a tyrannical stepfather instead of a cruel stepmother, Rossini’s la Cenerentola plays with these most conventional of fairy‑tale characters. Nonetheless Cinderella lives in a closed world devoid of tenderness and under the yoke of the tormentor whom she protects. Deep beneath her goodness smoulders a fire that her encounter with the prince will set free… Guillaume Gallienne subtly highlights the halftones of this dramma giocoso, somewhere between opera buffa and opera seria, and ranging from sombre melancholy to the burlesque.
In the kingdom of Letonia, the young prince Égon spends his nights playing the drums. During the day, he only has one thing on his mind: finding Sleeping Beauty in the kingdom of Kentz and breaking the spell over her. But his father, the king, doesn’t believe in fairy tales, and is completely opposed to Égon’s dream. It’s Maggie Jerkins, an archeologist from Unesco, who will provide Egon with the opportunity to follow his heart.
Rossini’s charming take on the Cinderella story features a brilliant cast, led by bel canto stars Joyce DiDonato in the title role and Juan Diego Flórez as her Prince Charming. Alessandro Corbelli delivers a comic tour de force as Don Magnifico, Cinderella’s stepfather. Pietro Spagnoli is Dandini, the Prince’s valet, who, disguised as his master, puts the prospective brides to the text, and Luca Pisaroni is the philosopher Alidoro, who takes the place of the fairy godmother. Met Principal Conductor Fabio Luisi leads Cesare Lievi’s whimsical production.
Long before he even met Shrek, the notorious fighter, lover and outlaw Puss in Boots becomes a hero when he sets off on an adventure with the tough and street smart Kitty Softpaws and the mastermind Humpty Dumpty to save his town. This is the true story of The Cat, The Myth, The Legend... The Boots.
Massenet composed his opera about Cenerentola nearly 80 years after Rossini did his. And if you are looking for the outburst of the non-stop hilarity and the musical jokes of Rossini, you won't find it here. Also, while the Cendrillon was highly successful and popular in its time, it does not reach up to the artistic and musical levels offered by Massenet's other operas, like Manon, or Thais or Werther. Nevertheless, this is a delightful opera and it is well presented by The Royal Opera. Laurent Pelly created a ingenious setting with movable walls which are covered [in French] with the story of Cinderella, and which open and close book-like.
In this resplendent and magical classic, the Bolshoi dancers - including David Hallberg in his Bolshoi debut - take us on a dream-like journey through this classic fairy tale complete with jewel fairies, a magical kingdom, a youthful princess and a handsome prince in this purest style of classical ballet. The Bolshoi’s sumptuous staging with its luxurious sets and costumes gives life to Perrault’s fairy tale unlike any other.
On the heels of the mesmeric “Bluebeard” comes this wonderfully idiosyncratic, heady and erotic exploration of another classic Charles Perrault fairy tale by French cinema’s endlessly probing and brilliant provocateuse. Time-tripping with a truly precocious heroine, we follow a once-cursed six-year-old princess as she awakens a century later at the ripe old age of 16.
"Irresistible" (Opera News) rising-star mezzo Elina Garanca triumphs as Rossini's Cinderella in this delightful Metropolitan Opera production. "As close to pure joy as you will find in a big-time opera house" (New Yorker), conquering audiences and critics alike, "Garanca has a gorgeous voice that she uses with exceptional skill, melting tenderness; but when the part calls for coloratura fireworks, she unleashes a flawless technique and ringing high notes of impressive power" (Associated Press). Filmed in High Definition Widescreen.
Shrek, Fiona and Donkey set off to Far, Far Away to meet Fiona's mother and father. But not everyone is happy. Shrek and the King find it hard to get along, and there's tension in the marriage. The fairy godmother discovers that Shrek has married Fiona instead of her Son Prince Charming and sets about destroying their marriage.
Poucet is a kid from a family of numerous children. The parents, too poor to feed them, decide to abandon them in the forest. Their, the brothers try to find their way out making fantastic encounters. This film is based on the French fairy tale "Le petit poucet" by Charles Perrault.
A unique 16th century woman, Danielle possesses a love of books, and can easily quote from Sir Thomas More’s UTOPIA. An intriguing mix of tomboyish athleticism and physical beauty, she has more than enough charm to capture the heart of a prince ... after beaning him with an apple.
In a faraway kingdom, the king and queen had desired a child of their very own for a long time and when their wish finally came true, they announced a grand celebration at the palace. All of the fairies from the kingdom were invited and immediately named as godmothers for their new child, whose name was Felicity, which means "happiness".
Cinderella, the beautiful and kind-hearted girl who lives with her greedy stepmother and two selfish stepsisters, charms a handsome prince when her fairy godmother sends her to the royal ball. She must leave the ball by midnight before all the magic is gone, but Cinderella has so much fun that she forgets all about the warning, and when she flees the castle she leaves behind one glass slipper. Cinderella, originally released directly to video in 1994, is a 48-minute animated film adapted from the classic fairy tale, "Cinderella" by Charles Perrault. The movie was produced by Jetlag Productions and was distributed to DVD in 2002 by GoodTimes Entertainment as part of their "Collectible Classics" line.
A cat belonging to a poor miller's son thinks up a great plan for bringing a title, wealth, and marriage for his owner. He begins to carry it out, using a few birds and rabbits as gifts for the king, his own wit, and a pair of boots that make him appear human when he puts them on. However, his owner has no idea that the cat has told everyone that his master is a marquis rather than a miller's son until the king has arrived to meet him. Soon the king's daughter and the miller's son fall in love, and the king wants very much to see the land and the castle belonging to this rich "marquis."
An adaptation of Angela Carter's fairy tales. Young Rosaleen dreams of a village in the dark woods, where Granny tells her cautionary tales in which innocent maidens are tempted by wolves who are hairy on the inside. As Rosaleen grows into womanhood, will the wolves come for her too?
La Cenerentola is Gioachino Rossini's version of the popular Cinderella story, an exciting mixture of comedy, pathos, coloratura fireworks and masquerade. This Glyndebourne production by John Cox captures perfectly the fairy-tale spirit of the piece, matched by Allen Charles Klein's imaginative scenery, distorted like three-dimensional cut-outs in an old-fashioned story book.
At the festivities marking the christening of princess Theresa, daughter of king Gaston IX, a wicked fairy made a mysterious prophecy about the girl's life. Seventeen years later, Theresa falls in love with a poor prince named Jacques. Then the prophecy starts coming true...
The Prince, Don Ramiro (who has changed places with his valet, Dandini), meets Cenerentola and they are instantly attracted to each other. When the Philosopher, Alidoro, later takes Cenerentola (dressed in magnificent clothing) to the palace, Dandini (still posing as the prince) tries to talk of love to her, but Cenerentola rejects him, saying that she is in love with his 'valet'. Ramiro, who has overheard this comment, is overjoyed, and immediately proposes to her, but Cenerentola says that he must first seek her out and then, if he still felt the same way, she would marry him. She gives him one of a matching pairs of bracelets, telling him to look for its companion on her right arm (she then leaves the palace). Ramiro ends the masquerade, and he and Dandini resume their true identities. The Prince then sets out on his quest - little realising that destiny, in the form of a violent thunderstorm, is about to take a hand in the affair.
A sequel to the well-known story about a Little Red Riding Hood (Krasnaya Shapochka). This time, a family of a slain wolf decides to avenge his death. So they falsely inform Little Red Riding Hood that her grandma is sick and prepare to eat her on her way.
Classic fairy-tale story about Tom Thumb against Giant. Parents are poor and want to leave Tom Thumb in forest. But Tom Thumb is clever and marks his way by stones. Second time he is unsuccessful - he has only bread-crumbs and birds eat them. Tom Thumb finds a Giant and a beautiful princess in his entrapment, and is determined to free the princess.
A fairy godmother helps a princess disguise herself so she won't have to marry her father.
In this animated children's film, Mother Goose and her fairytale friends must stop a group of sneaky spies.
Animated version of the fairy tale. Tom proves himself cleverer than his brothers when he outwits an ogre and returns home with treasure.
After the success of the live 1957 Cinderella on CBS (with Julie Andrews), the network decided to produce another television version. The 1957 premiere had been broadcast before videotape was available, so only one performance could be shown. CBS mounted a new production in 1965, with Richard Rodgers as Executive Producer and written by Joseph Schrank. The new script hewed closer to the traditional tale, although nearly all of the original songs were retained and sung in their original settings. Added to the Rogers and Hammerstein score was "Loneliness of Evening", which had been composed for South Pacific in 1949 but not used in that musical. The 1965 debut had a Nielsen rating of 42.3, making it the highest-rated non-sports special on CBS from the beginning of the Nielsen ratings until 2009, and the 50th highest-rated show of any kind during that period.
The radiant Alla Sizova stars as Princess Aurora in this artful film version of Tchaikovsky's timeless classic from the world-renowned Kirov Ballet, a production based on the highly acclaimed, original choreography by Marius Petipa. The legendary troupe's majesty and skill are on full display as they perform one of the world's most beloved ballets with supporting performances from Natalia Dudinskaya, Yuri Solovyov and Valeri Panov.
A beautiful princess born in a faraway kingdom is destined by a terrible curse to prick her finger on the spindle of a spinning wheel and fall into a deep sleep that can only be awakened by true love's first kiss. Determined to protect her, her parents ask three fairies to raise her in hiding. But the evil Maleficent is just as determined to seal the princess's fate.
Just before wowing international critics and moviegoers with his adventure romp Fanfan la Tulipe, director Christian-Jaque dashed off the lampoonish Barbe-Bleue. Ostensibly the story of the famed wife-killing potentate Bluebeard (Pierre Brasseur), this lighthearted costumer begins as the title character is poised to march down the matrimonial aisle for the eighth time. Barbe-Bleue's newest spouse Aline (Cécile Aubry) is kept in line by her husband's claims of murdering her predecessors. But when Aline opens the famous locked door to the equally famous hidden room, both she and the audience are in for quite a surprise. The frivolous nature of Barbe-Bleue is underlined by its pleasing utilization of the French Gezacolor process.
Once Upon a Time, one of the first animated films made in Spain, is a free adaptation of the story Cinderella by Charles Perrault. It was directed by Cirici Pellicer, pseudonym of Jaime Baguña Gil, and obtained recognition for the best children's film at the Venice Film Festival.
Cinderella has faith her dreams of a better life will come true. With help from her loyal mice friends and a wave of her Fairy Godmother's wand, Cinderella's rags are magically turned into a glorious gown and off she goes to the Royal Ball. But when the clock strikes midnight, the spell is broken, leaving a single glass slipper... the only key to the ultimate fairy-tale ending!
In the fairy kingdom live stepmother, her evil daughters — Anna and Maryana, a limp husband-forester and his daughter from his first marriage — Cinderella. The stepmother exploits the poor girl as a housekeeper. With the help of her godmother-fairy, Cinderella gets to the royal ball, where a beautiful and very kind prince falls in love with her. At midnight, the magic ends, and poor Cinderella has to return to her former life. But on the crystal shoe that Cinderella lost while fleeing the palace to the battle of the palace chimes, the prince searches for the bride.
Upon returning to a war-torn Leningrad, Nadezhda Kosheverova filmed a fairytale. With Zolushka she turned her back on reality and took a resolutely aesthetic perspective. Faithful to individuals and ideas, she surrounded herself with close collaborators and longtime friends. Evgeny Schwartz, who wrote the screenplay, wrote plays that incorporated fairytale elements with contemporary allusions – and his vitriolic humour earned him numerous bans. He wasn’t taking that risk with Zolushka but, instead of making a fairytale that conformed to the dominant ideology, as Aleksandr Ptushko was doing in his films, he wrote lines that would delight Soviet audiences for a long time afterwards. Irène Bonnaud and Bernard Eisenschitz
The Big Bad Wolf torments Little Red Riding Hood and the Three Little Pigs.
Based on Charles Perrault's fairy tale: Cinderella is mistreated by her stepmother and stepsisters, but she is able to go to the Royal Ball with the help of the Fairy Godmother.
Elaborately produced version of the well known George O. Nichols fairy tale interrupted by just a few summarizing intertitles, with Florence LaBadie and Harry Benham.
This adaptation of Charles Perrault's classic novel briefly presents the story of a poor family who doesn't find means to sustain their home and end up being evicted from it. When the youngest of the seven children overhears his parents conversation about this sad situation, he cries for a while. But barely everyone knew, that he was about to come up with a thoughtful idea that could restore their peace and bring back their home.
A wealthy guy who possess a magical donkey desires to marry his own daughter. In exchange for her consent, she asks him to kill the donkey, the source of his wealth. She escapes under the donkey's skin, earning the nickname "Donkey skin"
A fairy godmother magically turns Cinderella's rags to a beautiful dress, and a pumpkin into a coach. Cinderella goes to the ball, where she meets the Prince - but will she remember to leave before the magic runs out? Méliès based the art direction on engravings by Gustave Doré. First known example of a fairy-tale adapted to film, and the first film to use dissolves to go from one scene to another.
