Chiro Bermejo
Luciano has been working in an important company for fifteen years without be rewarded for his efforts, his fidelity and submission. On the recommendation of a cousin, he acts as front man for the shameful business of his managers. They get it so far as to force him to marry the former mistress of one of the directors. Finally, because of a fire in the chalet where he lives and where they cook the dirty business of which he is not responsible for, Luciano ends up in jail for covering up and taking on some responsibilities that are not his, fulfilling his role of straw man until the end.
A morbid curiosity leads Andrea and her friends to spy on a couple of young people during their amorous outings. Javi, the boyfriend, feels bothered because that situation, but ignores that Andrea is attracted to him.
Diego, retired from flamenco due to an illness, is obsessed with the memory of Antonia Jiménez, a beautiful woman he loved in the past and with whom he formed an artistic duet. Now, after having triumphed on the stages of half the world, she returns from America, while he is dedicated to survive in the suburbs of Madrid mixed up in shady business. He kills the man who stole his woman. A tragedy could be sensed in the air.
The girlfriend of a young gypsy tries to guide her life in a proper way but does not achieve it. When she gets difficulties because of a fight everything changes.
This spaghetti western presents a fictitious version of the often filmed legend of Pat Garrett and Billy the Kid. Billy becomes innocently an outlaw while protecting his mother, but then turns into a trigger happy killer. When he falls in love he tries with the help of Pat Garrett, a fatherly friend, to change back. However, circumstances force Billy to become violent again and it is Garrett who is credited with the killing.
Escaped outlaw Jose Gomez returns to his home town pursued by bounty killer Luke Chilson. The towns people protect Gomez, unaware, at first, that he is now a changed and dangerous man.
A couple of young university students decide to spend the day in Toledo, in order to forget a little of the routine in which they are. At nine o'clock in the morning, José Luis waits at the Atocha station for his girlfriend, Mari Carmen. The couple has deceived their families, who have told that they will eat in the Faculty. The journey is eternal and the stay in the city, rather than surprise them, as they expected, immerses them, even more, in the monotony in which they live. Without friends, without relatives and without university partners, the couple will spend twelve hours in Toledo, half a day of tenderness in the rain and the December sun that will help them to know themselves better.
