Chishū Ryū
A headmaster and a novelist, looking for inspiration, regard a strange natural phenomenon before sharing stories of their own.
Tora-san Makes Excuses is a 1992 Japanese comedy film directed by Yoji Yamada. It stars Kiyoshi Atsumi as Torajirō Kuruma (Tora-san), and Kumiko Goto as his love interest or "Madonna".
Until The End of the World is an odyssey for the modern age. As with Homer's Odyssey, the purpose of the journey is to restore sight -- a spiritual reconciliation between an obsessed father and a deserted son. Dr. Farber, in trying to find a cure for his wife's blindness, has created a device that allows the user to send images directly to the brain, enabling the blind to see.
A documentary which follows director Wim Wenders and Sean Naughton, the high-definition-video designer on UNTIL THE END OF THE WORLD, in Tokyo, and details the creation of the film’s groundbreaking high-definition sequences.
Tora-san's nephew Mitsuo is exchanging letters with Izumi, a former classmate whose parents divorced and took her out of Tokyo.
During his wandering throughout Japan, Tora-san meets a suicidal man. He travels with the man to Vienna, but winds up homesick for Japan.
Ryoko Itakura returns as the government tax agent willing to tackle the toughest cases. This time she takes on a fanatical but lucrative religious cult run by a vile lecher.
In his travels through Japan, Tora-san meets and falls in love with a female doctor, however he is afraid of committing to a relationship.
Documentary about the life and career of Japanese actor Chishu Ryu.
When his travels take him to rural Hokkaido, Tora-san helps a cantankerous old veterinarian (Mifune) in his relationships with his estranged daughter, and a woman in whom he is secretly interested.
A playboy-gambler friend of Tora-san’s dies and, abandoned by his mother, his little boy suddenly turns up in Shibamata. Searching for the boy’s mother, Tora-san meets a cosmetics saleslady and the three become a surrogate family, with Tora-san as “daddy”.
During his travels, Tora-san comes across a traditional theater he used to visit, and discovers that one of his old friends has died. Tora-san and his family help the friend's daughter, who becomes romantically involved with an aspiring artist.
The environment and the movie stars at a Japanese film studio in the early '30s are recreated in this drama that looks back on a distinctive period in cinematic history. Using celebrated director Yasujiro Ozu as a model, fictional director Ogata discovers a new female star quite by accident. Koharu Tanaka works selling candy at a studio theater when she is given a part as a bit player. After the studio's top leading lady is embroiled in a scandal, Koharu is suddenly thrust into the limelight when she replaces her in a film and gains instant fame and fortune. But the going is not always easy, and she soon seeks help from unexpected quarters.
German director Wim Wenders made this documentary in which he tries to explore the Tokyo that was depicted in the films of Yasujiro Ozu. When Wenders visits Tokyo for the first time, he finds a very different city, one with a booming fascination with technology that often clashes with the traditional elements of Japanese culture. Wenders also interviews Ozu's cinematographer, Yuharu Atsuta, and Chishu Ryu, an actor who frequently collaborated with Ozu.
Tora-san's family's neighbor, Akemi, who had been married in Marriage Counselor Tora-san (1984), runs away from her husband, who is only interested in work. Tora-san follows her to Shikinejima, and attempts to bring her back to her home. In doing so he encounters a school-reunion group who are traveling to meet their elementary school teacher, which is a reference to the film Twenty-Four Eyes by Keisuke Kinoshita. Tora-san joins them and falls in love with the teacher.
Daisuke is supposed to be out looking for a respectable job and equally respectable wife. He is 30 years old and devotes his attention to music and literature; his family is wealthy and can support his interests. When his friend Hiraoka returns with his wife Michiyo, problems arise.
A fictional account of the life of Japanese author Yukio Mishima told in four parts. The first three parts relate events in three of his novels: The Temple of the Golden Pavilion, Kyoko's House, and Runaway Horses. The last part depicts the events of 25th November 1970.
In Nagasaki, Tora-san and an acquaintance help an old woman who has fallen and injured herself. She invites them to her home where the three share a night of eating and drinking. The old woman's health deteriorates and she dies. At her funeral, Tora-san falls in love with the old woman's daughter, but winds up acting as a go-between for her and a young law student.
At the beginning of the film the father-in-law of the protagonist dies unexpectedly of a heart attack. The remainder of the film is episodic, moving from one incident to another over the course of the three-day funeral, which is held (as is customary) in the home. These incidents contrast old ways and new ways, young and old, ritual ceremony and true feelings, often comically, but sometimes with real poignancy.
In Shibamata, Tokyo, Tora-san's family prepares for a wedding. Meanwhile, the traveling Tora-san meets an old acqaintance in Iwate Province. Tora-san refuses to drink with him, afraid that the acquaintance, now settled and married, will again become attracted to Tora-san's wandering existence. Tora-san becomes attracted to a female barber, but must break off their relationship so that she too can live a secure life. She instead gets into an abusive relationship with a motorcyclist.
Tora-san spends several days at the home of a hard-working salaryman ("salaried worker"), who abruptly disappears. When the man's wife asks Tora-san to help find him, he falls in love with her, and secretly hopes the husband will not be found.
The story of a Japanese man who as a 16-year-old went to Maui to work in the sugar cane fields in order to support his family back in Japan. Now 89 and still living in Hawaii he is visited by his granddaughter who brings him a letter from his disinherited and recently dead son. This brings back memories of his life with his wife and family following the attack on Pearl Harbor, in particular of his son who had gone off to join the war for the Americans.
An extremely lovely tribute to Ozu, on the 20th anniversary of his death. It uses a combination of footage from vintage films and new material (both interviews and Ozu-related locations) shot by Ozu's long-time camera-man (who came out of retirement to work on this). Surprisingly (or perhaps not), it focuses less on Ozu's accomplishments as a film-maker than on his impact on the lives of the people he worked with..
Tora-san visits brother-in-law Hiroshi's hometown to attend a memorial service for his late father. When the local temple priest becomes intoxicated, Tora-san wearing the priest's robe delivers the memorial speech, much to his family's surprise. Thinking he's found his true calling, Tora-san decides to join the order, and falls for the priest's divorced daughter.
Tora-san returns to his family home to learn that his brother-in-law cannot go to Mitsuo's (Tora-san's nephew) athletic event. Tora-san volunteers to take his place, but gets into an argument with his brother-in-law's boss and returns to the road. He meets a young woman in Niigata who, unbeknownst to him, is a popular enka singer.
After a passenger ship sinks in 1954, Go Akutsu devises a life-saving project in the form of a tunnel under the Tsugaru Strait. While working on this project Akutsu becomes involved with Tae Makimura leading to his estrangement from his wife.
Tora-san gets into an argument with his uncle and sets out on the road again. In Kyushu he meets a young woman named Keiko and the shy zoologist Saburō, and attempts to play matchmaker between the two when they all return to Tokyo.
During his travels, Tora-san gets drunk with an old man in Kyoto. Though Tora-san never fully comprehends his importance, the old man is a Living National Treasure ceramist. At his home, Tora-san makes a good impression on the old man's maid, who apparently falls in love with Tora-san.
When his travels bring him to Osaka, Tora-san falls in love with a local geisha. He helps her to track down her estranged brother, and informs his family that he plans to marry her. His plans are foiled when the geisha informs Tora-san that she is engaged.
Tora-san returns to his family's home to attend an elementary school class reunion. After he embarrasses himself by getting drunk and insulting all his ex-classmates, he resumes his travels. In Kyushu he meets an outspoken 18-year-old girl who becomes enamored of Tora-san and follows him around. One of Tora-san's old friends is terminally ill and makes Tora-san promise him to marry his wife once he is gone.
When cabaret singer Lily writes Toraya about her illness, Tora-san rushes to Okinawa to be by her side.
After a friend and business colleague dies, Tora-san visits the man's daughter, then takes her to Tokyo so she can study for a night school exam.
Tora-san's opinions about Americans get challenged when another wandering peddler Michael Jordan stops by Shibamata.
After a chance encounter with Hiroshi's father on a bus, Tora decides to get serious and reflect on the mortality of man. His plans are derailed when a beautiful lady starts working at Toraya.
Tora-san leaves Shibamata once again after an argument with his family and finds himself at an inn where he meets Tomekichi, a young man who looks up to Tora-san.
Tora-san befriends the descendant of a feudal lord. The man asks Tora to locate his deceased son's wife who resides somewhere in Tokyo.
Tora-san becomes friends with Toraya's newest tenant, a pachinko-playing electrician that goes by the nickname Watt. Tora attempts to match Watt with a young waitress.
Tora-san arrives in Shibamata on Mitsuo's first day of school only to find that on his account, Mitsuo was embarrassed. After a fight with his family, he goes to a bar to drink, then brings home a surly old man with a sad story, whose identity will surprise everyone. Later, Tora meets Botan, a geisha.
When Tora-san's infatuation with his nephew's school teacher causes family turmoil, he leaves on his travels again. When he returns, he falls in love with the teacher's mother.
The 18th NHK Asadora. Starring Keiko Suzuka about a woman who strives to become a landscape gardener.
Tora-san is inspired to pursue an education after a visit to the grave of a woman he met years ago. When he returns to Shibamata with the intent to study, he falls for Toraya's new tenant instead.
Tora-san visits Hokkaido and is reunited with Lily. Now divorced, she plans to resume her singing career and renews her unusual relationship with Tora-san.
After Torajiro's latest attempt to find a bride goes awry, he starts traveling again and runs into Utako (last seen in Tora-san's Dear Old Home), now a widow.
Two detectives are tasked to investigate the murderer of an old man, found bludgeoned to death in a rail yard.
After Hiroshi is injured in a workplace accident, Torajiro gives Sakura the money he has saved and leaves to work as a traveling salesman once again. During his travels, Torajiro meets a father who shares a drink with him. In the morning, Torajiro is shocked to learn that the man has left his baby behind and a note asking Tora to take care of the child.
On the road again, Torajiro meets a kindred spirit in Lily, a lounge singer.
In Part I we see the young would-be swordsman setting out to achieve greatness in war, achieving nothing because fighting on the losing side, & then beginning his long period of wandering & training, with the goal always in mind of his duel with Kojiro. Part II builds toward that great duel on Ganryu Island, with considerable focus on Musashi's planning & forethought as to how to gain an advantage.
Tora-San returns to Shibamata just before his family leaves on a trip for Kyushu. Later, he encounters an old school chum and begins to have feeling for his artist sister.
Kingoro Tamai moves with his wife and son to the port city of Wakamatsu. He organizes the Tamai-gumi, a stevedore group, to vie for work with two other powerful groups. Gingo is Tamai's chief rival who falls in love with the latter's wife and tries to kill Tamai.
On a beautiful island in Seto Inner Sea, Seichi and Minko make their living by transporting rocks to construction sites by boat. They cherish the deepest affection for this piece of land they call home, and the simple life they lead. But rapid industrial growth makes it all but impossible to continue their chosen living style, and they are forced to leave their beloved hometown in search of a brighter future. But their hometown lingers on their hearts, and they dream of a time when they may once again return.
While Sakura and Hiroshi struggle to save funds to build a house, Torajiro befriends three young women on vacation during his travels.
When Tora-san returns to visit his family, he is surprised to find an arrogant professor occupying his room. The professor and Tora-san become rivals for the affection of Chiyo.
Torajiro becomes homesick during his travels after watching a television report about his hometown and meeting a young woman that reminds him of his sister Sakura. Meanwhile, a new tenant moves into Toraya restaurant.
After a quarrel with his mother, Torajiro sets off to find a bride.
Taking a message from Hiroshi's father to heart, Torajiro attempts to give up his wandering ways.
With World War II is coming to its end and Japan nearing defeat, Japanese military leaders step up suicide attacks on Allied ships. Toei legend Koji Tsuruta stars as a Kamikaze squad leader who has second thoughts about suicide runs. He becomes torn between his own morality and his duty to his country when he must deal with a pilot under his command who refuses to complete his mission.
After an encounter with a dying yakuza's son and at his sister Sakura's urging, Torajiro attempts to change his vagrant lifestyle and become an honest worker with a steady job.
The story is set in 1970 during the time of the first EXPO in Japan. The film’s main figure is a miner who suddenly becomes unemployed because the mine he worked in was shut down. He decides to resettle with his whole family to Hokkaido in northern Japan and start a new life as a farmer.
After winning big at the races, Torajiro Kuruma wants to take his aunt and uncle on a trip to Hawaii to partly pay the great filial debt he feels he owes them, but the plan hits a snag. Also, a pretty kindergarten teacher rents a room at Toraya.
Tsutomu (Kensaku Morita), an orphan who once stabbed a man, is released from a reformatory and goes to Tottori, on the Japan Sea coast, to enter a high school. On the beach, he meets a young fisherman, Yusuke (Norihiko Yamamoto) also a student of the same school. They become friends and Tsutomu is offered free board at Yusuke's home.
Traveling salesman Kuruma Torajirō falls in love with an inn manager as New Year's approaches.
Tora-San, an itinerant peddler who is thrown out of his father's house twenty years before but reconnects with his aunt, uncle and sister Sakura. Tora wreaks some havoc in their lives, like getting drunk and silly at a marriage meeting and ruining Sakura's chance to marry someone, as well as just being a real pain to those around him. There is a sentimental side to him also, and the best way to describe him is that he grows on you.
Kuruma Torajiro is discovered looking around Kyoto for someone special to him.
Japan and Russia clash in what comes to be known as the Russo-Japanese War. An attempt by the Japanese fleet and army to take Port Arthur fails, and a Russian fleet bears down on the Sea of Japan. Admiral Heihachiro Togo sends his fleet to confront the Russians, with results which stun both nations. Meanwhile, Major Genjiro Akashi makes secret negotiations with the Bolshevik revolutionaries in Russia, negotiations that have repercussions far beyond the conflict at hand.
A soldier has been in the Japanese military for the entirety of WWII, and in that time, his dedication to the army has never faltered. However, as the war draws to a close, his commanding officers become increasingly desperate and push their men to ever more absurd extremes. The ridiculousness of the orders from above peak when the hero of the story is assigned to drive a one-man submarine straight into the hull of an enemy battleship.
Following the detonation of the atomic bombs on Hiroshima and Nagasaki, the Japanese military and the government clash over the demand from the Allies for unconditional surrender. Minister of the Army Anami leads the military officers who propose to fight on, even to the death of every Japanese citizen. Emperor Hirohito, however, joins with his ministers in asking the unthinkable, the peaceful surrender of Japan. When the military plots a coup to overthrow the Emperor's civilian government, Anami must face the choice between his desires and loyalty to his Emperor.
A comedy about Hikoichi, a mediocre train conductor who falls in love with a beautiful widow Sayuri.
A father gives his four daughters his substantial retirement allowance on the stipulation that they leave him alone, as he wants some freedom. Each of the daughters has a romantic interest and it's noticeable that the father, too, has someone in mind.
Shinichi is not only poor, he is also deaf, and leads a joyless life with his sick mother. His one happiness is his friendship with a girl who works in a bar nearby. Then, one day, his mother dies after drinking the medicine that Shinichi himself gave her. It is discovered that the pills contained poison. He is apprehended on suspicion of murder and taken away for interrogation, unable to defend himself - being deaf and dumb - or even to proclaim his innocence.
Aspiring to an easy job as personal physician to a wealthy family, Noboru Yasumoto is disappointed when his first post after medical school takes him to a small country clinic under the gruff doctor Red Beard. Yasumoto rebels in numerous ways, but Red Beard proves a wise and patient teacher. He gradually introduces his student to the unglamorous side of the profession, ultimately assigning him to care for a prostitute rescued from a local brothel.
One day a company executive learns that his younger brother, whom he recommended, embezzled company funds. To save the situation he withdraws his life savings and gives money to his younger brother. He then suddenly disappears…
A young girl knows that she is going to die and in this she is supported by the devotion of the boy who loves her. They originally met at the hospital. There it transpired that the only way to save her life was to sacrifice an eye and part of her face. The operation seems a success. Later, however, her other eye becomes affected. She feels she must let the boy go, and yet she depends so much upon his devotion.
A young man longs to travel to Hawaii, the birthplace of his deceased father, against the wishes of his family, who are estranged from those relatives in Waikiki.
In 1730, the Tokugawa Shogunate orders the Yagyu Clan to repair a huge shrine. Since it cannot refuse the Shogunate's request, the impoverished Yagyu Clan tries to raise funds by obtaining a sword which holds the key to a wondrous, hidden treasure. After learning the sword's secret, Tange Sazen sides with the Yagyu Clan, but his motive seems to be more than just pure interest in the treasure...
Drama about the lives of the five daughters and daughter-in-law of a store owner.
A father and son are both heavy drinkers. However, the son dies in an accident at a bar, leaving behind a fiance…. A unique social satire that focuses on why people drink alcohol.
The basic story in Love under the Crucifix is about Ogin, daughter of a tea master, who are both Christians in feudal Japan. Ogin falls in love with a feudal prince, also a Christian who is already married, and that creates problems. Further, when the Shogun bans Christianity, the situation worsens.
A story about the lives of four sisters and their manipulative mother who must come to terms with each of their decisions in life.
Shuhei Hirayama is a widower with a 24-year-old daughter. Gradually, he comes to realize that she should not be obliged to look after him for the rest of his life, so he arranges a marriage for her.
His ideals challenged by life as a conscript in war-time Japan's military, a pacifist faces ever greater tests in his fight for survival.
The Kohayakawa family is thrown into distress when childlike father Manbei takes up with his old mistress, in one of Ozu’s most deftly modulated blendings of comedy and tragedy.
This Japanese film speculates on the events which lead the U.S. and the Soviet Union into a nuclear Armageddon.
Gen is a lonely orphan boy. His sole sense of companionship comes from an imaginary friend, the god Prince Fudo-Myo. Prince Fudo-Myo comes to the boy's rescue in times of difficulty.
Pu Zhe , the younger brother of the Emperor of Manchukuo, Pu Wen, marries Ryuko the daughter of a long-established aristocratic family - all in the interest of the Japanese rulers , which legitimizes the relationship between Japan and its Chinese puppet state. To the surprise of all , a deep love between Pu Zhe and Ryuko develops. It is put to the test when Japan loses the war, Manchukuo is dissolved and the imperial court must flee. The lovers now have to separate: Pu Zhe tries to escape to Japan with his brother , while Ryuko flees with her daughter Eisei over the country. A film on the relationship between Pujie (1907-94) , brother of the " last emperor " Puyi and his second wife, Marquise Hiro Saga (1914-87).
In this loose adaptation of "Hamlet," illegitimate son Kôichi Nishi climbs to a high position within a Japanese corporation and marries the crippled daughter of company vice president Iwabuchi. At the reception, the wedding cake is a replica of their corporate headquarters, but an aspect of the design reminds the party of the hushed-up death of Nishi's father. It is then that Nishi unleashes his plan to avenge his father's death.
In the autumn of 1945, Petty Officer Tadashi Yamaji is among the numerous war crimes suspects facing death on the gallows for maltreatment of Allied women and children interned in camp Kampili. Kampili is located some ten kilometers outside Macassar on the island of Celebes. Eighteen-hundred Allied women and children were interned for the duration of the war. Yamaji's iron rule for camp administration is : No violence; hands off internees; He also endeavors to establish self-administration by internees while aiming at a self-supporting camp economy within six months. His ingenuity gains the camp numerous pigs to enrich their diet, and sewing machines with to make fatigue uniforms for the military. The internees are grateful for what little aid he can give them. As the tides of war changes, Allied planes bomb the camp in error. But the surrender of Japan changes everything, and the internees join forces to save their former camp commander from the gallows.
This film features a large extended family (and associates) even more extensive than the one portrayed by Ozu in "End of Summer". The central character is Setsuko Hara -- a poised middle-aged woman, whose wealthy (and prestigious) husband dies at the outset of the action, leaving her widowed but holding the proceeds of a million yen insurance policy. Being childless, her former in-laws have no objection to her return to her own family.
A young woman is attacked by a serial rapist and murderer whom her detective father is investigating. Though she survives, the impact of the event creates increasing discord and agony for her and her loved ones.
A mother gets help from her late husband's three friends in order to get her daughter married to a well-settled man.
When a wealthy, selfish family decides to take care of an elderly hobo who collapsed near their home, they are beset by visits from his numerous friends.
The Dai-bosatsu toge trilogy is based on Kaizan Nakazatos unfinished long series of novels (41 books, written from 1913 to 1941). Set in the last period of the Tokugawa Shogunate, Daibosatsu Toge tells the story of Tsuke Ryunosuke, a nihilistic swordmaster who doesn't hesitate to kill anyone, bad or good.
A historical drama that depicts the touching beauty of world obsession and human love in the style of light comedy, in the center of which is a young man who has a master license menkyo kaiden in the art of swordsmanship, but weak against lies and women. A remake of Bungaku no Issue, shot by Sadao Yamanaka in 1933.
A troupe of travelling players arrive at a small seaport in the south of Japan. Komajuro Arashi, the aging master of the troupe, goes to visit his old flame Oyoshi and their son Kiyoshi, even though Kiyoshi believes Komajuro is his uncle. The leading actress Sumiko is jealous and so, in order to humiliate the master, persuades the younger actress Kayo to seduce Kiyoshi.
A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of intergenerational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.
Five longtime friends get back together, but are disappointed to find that their bonds are not as strong as they once were.
After surviving the double suicide pact she made with her lover, a woman gives birth to their child.
On a post-war peaceful day in Japan, Toyomatsu Shimizu, a barber as well as a good father and husband, is suddenly arrested by the Prefectural Police as a war criminal and sued for murder.
A mother and her daughter who run a quiet mountain hotel, and guests who visit the hotel. A girl who does not know what a broken heart is, the attractive joy of first love, and separation is like parting with life. The mother-daughter duet with Isuzu Yamada attracted a lot of attention at that time. Haruko Wanibuchi, demonstrated rare attractiveness and pure charm by playing a heroine living in a beautiful and pure first love.
This mammoth humanist drama by Masaki Kobayashi is one of the most staggering achievements of Japanese cinema. Originally filmed and released in three installments of two parts each, the nine-and-a-half-hour The Human Condition, adapted from Junpei Gomikawa’s six-volume novel, tells of the journey of the well-intentioned yet naive Kaji—played by the Japanese superstar Tatsuya Nakadai—from labor camp supervisor to Imperial Army soldier to Soviet prisoner of war. Constantly trying to rise above a corrupt system, Kaji time and again finds his morals to be an impediment rather than an advantage. A raw indictment of Japan’s wartime mentality as well as a personal existential tragedy, Kobayashi’s riveting, gorgeously filmed epic is novelistic cinema at its best.
This mammoth humanist drama by Masaki Kobayashi is one of the most staggering achievements of Japanese cinema. Originally filmed and released in three installments of two parts each, the nine-and-a-half-hour The Human Condition, adapted from Junpei Gomikawa’s six-volume novel, tells of the journey of the well-intentioned yet naive Kaji—played by the Japanese superstar Tatsuya Nakadai—from labor camp supervisor to Imperial Army soldier to Soviet prisoner of war. Constantly trying to rise above a corrupt system, Kaji time and again finds his morals to be an impediment rather than an advantage. A raw indictment of Japan’s wartime mentality as well as a personal existential tragedy, Kobayashi’s riveting, gorgeously filmed epic is novelistic cinema at its best.
The story of Muhōmatsu, a rickshaw man who becomes a surrogate father to the child of a recently widowed woman. 1958 remake of a 1943 film (same title, same director)
A masterpiece depicting the true feelings, grief and joy of a woman. An adaptation of the novel of the same name by Yasushi Inoue.
Later in his career, Ozu started becoming increasingly sympathetic with the younger generation, a shift that was cemented in Equinox Flower, his gorgeously detailed first color film, about an old-fashioned father and his newfangled daughter.
Two men at an ironworks encounter roadblocks: the first does not have the grades to get a job, while the other finds himself falling for a co-worker.
Tamio Moroi, a young university graduate, works at a large brewery where he is taught to do nothing but look busy. When his father goes insane, he is told to send money for medical research into the condition. This prompts him to pay his father a visit, leading to a series of mishaps that leaves him at the bottom of the heap in what he once expected to be a promising lifetime career.
Two sisters find out the existence of their long-lost mother, but the younger cannot take the truth of being abandoned as a child.
With one of the busiest film industries in the world, Japan was able to submit several films into competition at the 1957 Berlin Film Festival. One of the best of these was Arashi, directed by Hiroshi Inagaki of Rickshaw Man fame. Anticipating Hollywood's Table for Five by nearly a quarter of a century, the film concerns the efforts by a recently widowed high-school teacher to raise his four children alone. Chihu Ryu is terrific as the central character, while Izumi Yukimura is even better as Ryu's eldest daughter. For reasons unknown, Arashi is often omitted from "official" lists of Inagaki's films.
A young salary man and his wife struggle within the confines of their passionless relationship while he has an extramarital affair.
Now an old man, Masao returns to his childhood home and begins to recall his upbringing in this abandoned sector of Japan.
Mokichi is the widowed father of three daughters, with whom he lives on the premises of a temple since the war. In the film all three daughters become involved in some sort of complicated relationships. The sisters and their attached Men are deliberately designed as allegorical figures on the changing social conditions. A wonderfully funny, sometimes droll comedy between Nara and Tokyo, Adagio and Allegro, Yesterday and Today - in search of a morning.
A Chinese medical student named Gan Shosho finds himself cut off from his homeland as he is studying in Japan during the outbreak of the war. Despite his difficult circumstances, he finds love in the form of Sachiko and the two marry. They later travel to Nanjing to live a new life together where Sachiko and Shaochang cooperate with the Japanese-backed government. Their ultimate hope is to secure peace but their idealism is not enough to keep them together through brutal times and with the end of the war the two find themselves facing a divorce... --Osaka Asian Film Festival
Schoolteacher Hisako Oishi struggles to imbue her students with a positive view of the world despite the fact that war is looming.
Machiko and Haruki’s drama continues. Machiko is not allowed to see Haruki. They finally meet again, but Haruki departs to Europe.
Machiko Ujiie and Haruki Atomiya first meet and fall in love on Ginza’s Sukiyabashi Bridge during the Great Tokyo Air Raid in March 1945. Machiko and Haruki pledge to meet again at the bridge in six months but part without asking each other’s names.
The elderly Shukishi and his wife, Tomi, take the long journey from their small seaside village to visit their adult children in Tokyo. Their elder son, Koichi, a doctor, and their daughter, Shige, a hairdresser, don't have much time to spend with their aged parents, and so it falls to Noriko, the widow of their younger son who was killed in the war, to keep her in-laws company.
A sad and troubled man finds a new job five years after the end of WWII, where he writes love letters for other people.
Machiko and Haruki’s drama continues. Two meet again in Hokkaido only to be separated again.
The story of a father and two teenaged sons, and the rivalry between the two siblings as they begin to discover the attraction of girls.
A childless middle-aged couple faces a marital crisis of sorts.
The Ueki family may not be wealthy, but smiles are never in short supply. The father is awarded prize money for 25 years of service to his workplace, but has it stolen on the way home from the ceremony...
A girl who'd left her hometown for the exciting adventure of the big city returns home years later for a visit, soon somehow causing scandal.
A fishing union depends on two brothers to make up the losses caused by the dishonest captains they replaced.
Noriko lives in postwar Tokyo with her extended family. Although she enjoys her career and her friends, her more traditionally minded family worries about the fact that she's still single at the advanced age of 28. When 40-year-old business associate Takako proposes marriage, Noriko's family press her into accepting. But when her widowed childhood friend Kenkichi returns to the neighborhood, she finds her heart leading in another direction.
Setsuko is unhappily to Mimura, an engineer with no job and a bad drinking habit. She had always been in love with Hiroshi but both of them failed to propose when Hiroshi left for France a few years ago. Now he is back and Mariko (Setsuko's sister) tries to reunite them. She too is secretly in love with Hiroshi.
The tale of a feudal swordsman who cynically takes no responsibility for anything, relegating it to others, and then taking the credit.
Noriko is perfectly happy living at home with her widowed father, Shukichi, and has no plans to marry -- that is, until her aunt Masa convinces Shukichi that unless he marries off his 27-year-old daughter soon, she will likely remain alone for the rest of her life. When Noriko resists Masa's matchmaking, Shukichi is forced to deceive his daughter and sacrifice his own happiness to do what he believes is right.
During his summer holiday, Kawasaki Ryuichi (Ryuzaki Ichiro), a handsome engineer in his late twenties, visits his teacher and mentor, Professor Inagaki (Sugai Ichiro), at his seaside home. There he meets the professor's lovely young wife, Sachiko (Hamada Yuriko), and is unsettled by the striking resemblance she bears to his wife, who died three years earlier. Attracted to Sachiko, he does his best to hide his feelings. The couple, however, senses a deep-seated melancholy in him. Attributing it to the loss of his wife, they urge him to marry their niece, Kaoru, but he is not interested. Shortly after, Fumiko , Sachiko's older sister, realizes that Sachiko and Kawasaki have feelings for each other, but she keeps her counsel. One day Kawasaki, Sachiko, and Kaoru go boating when a storm forces them to stay overnight at a hotel. Unable to sleep, Kawasaki takes a walk along the beach where he finds Sachiko, also unable to sleep. He declares his love for her.
Tokiko is a mother patiently waiting for her husband's return from the war when her 4-year old son becomes ill. She takes him to the doctor for treatment but has no way of paying. She resorts to prostitution. One month later her husband returns from WWII to find his desperate wife, who tells him the truth. Together they must deal with the consequences.
Though less well known than Susumu Hani’s celebrated 1963 remake, Hiroshi Inagaki’s Children Hand in Hand is nonetheless a heartbreaking portrait of childhood kindness and cruelty—and, by implication, conflicted ideals of masculinity—centering on a small-town boy with a learning disability who attempts to fit in with his classmates.
The film is set during the days of the scarcity of food after World War II, during which five men ate an elephant that died in a zoo. The elephant's corpse however, was infested with deadly bacteria and the men have only 30 hours left to live...
An errant salaryman's son gets lost until a man from the Tokyo tenements brings him to vendor Tane, who's reluctant to let the kid board.
The sweet but naive denizens of a charming port town are hoodwinked by a couple of con men at the outset of World War II. But the hustlers’ plan backfires when they come down with severe cases of conscience. Keisuke Kinoshita’s directorial debut is a breezy, warmhearted, and often very funny crowd-pleaser that’s a testament to the filmmaker’s faith in people.
Amusing masterpiece from director Yoshimura Kazusabu divided in two parts taken from the newspaper serial novel of Shishiko Shishi. Like in "Warm Current", Shin Saburi, Mieko Takamine and Mitsuko Mito are appearing, but this is a fresh comedy very unusual for wartime.
Shuhei Horikawa, a poor schoolteacher, struggles to raise his son Ryohei by himself, despite neither money nor prospects.
Most of the students studying Ikebana with Kozoe Iemoto are daughters of rich Tokyo families. Kozoe meets and grows close to a doctor who proposes marriage but whose mother harbours ill feeling towards her because of an incident in the mountains where a child got into difficulties. Kozoe rejects the proposal but falls ill and when she recovers, decides to devote herself entirely to the world of flower arranging.
Introspection Tower is another film in which Shimizu explores education and how it affects the students and the teachers. The film is set at a reformatory for delinquent children at a remote location somewhere in the Japanese countryside.
Emi Ota and her friend Okiku stay briefly at a mountain inn and then return to Tokyo. Later, Nanmura, a soldier on leave, steps on an ornamental hairpin in the public bath at the inn. Emi writes to the inn saying she has lost a hairpin and, when she discovers that it injured Nanmura, returns to apologize. The longer term visitors at the inn meet together to discuss the hairpin incident. These include a grumpy Professor, a young couple Mr and Mrs Hiroyasu, and an old man staying with his two grandsons. They hope to see a romance blossom between Nanmura and Emi, after Nanmura declares that there is something almost poetic in finding a hairpin in the bath.
After the death of her husband, Mrs Toda and her youngest daughter receive a frosty welcome from the extended family.
A man who works late hours at a deadening job lives together with his wife and his younger sister. The younger sister's a modern girl who's starting to receive romantic attention from one of her co-workers.
Jie (Michiko Kuwano) attended a women's university with the financial support of her geisha sister Oha (Hiroko Kawasaki) and became a lawyer. The aim. Michiko (Kuniko Miyake), one of the seven best friends from the same women's college, is getting married. The man she's marrying is her sister's lover.
Based on the original work by Fumiko Hayashi, this is a story about a woman and two men. The lust is restrained and indifferent. The story even has an elegance to it, which is the charm of the 30 year old Kinuyo Tanaka. There was a time when Tanaka was adorable... Shin Saburi was young and Chishu Ryu was young too. It is a promise of melodrama that the rival or friend is prettier than the heroine Kinyo.
A man and his girlfriend work for a cosmetics company, but would like to open their own store. The company is planning to send someone to Paris for special training and the man tries to get the general manager to send his girlfriend since this training would help them to start their own business. The general manager selects another woman and the trouble begins.
Pre-war Asakusa was a riotous district of cabarets, dance-halls and brothels - a striking backdrop for Shimazu's story of innocence and experience. Pretty, young Reiko is the new dancer in an infamous theatre troupe, and her fellow performers try to protect her virtue in a land of vice. Meanwhile, an ageing actor wants to be a hero off stage as well as on, and the troupe matriarch Marie has to keep them all together.
On vacation's eve, a boy is sent to the countryside to live with his uncle after his father is imprisoned and accused of embezzlement.
Three men fall in love with the same young girl who works in a tonkatsu restaurant in the Shitamachi district of Tokyo.
A penniless orphan loses the woman he loves, when her family arranges a marriage to a wealthy playboy. He believes she was blinded by greed, and becomes a miser.
A Japanese screwball comedy about the battle between the sexes: two timid men, egged on by their wives, end up in a bitter duel over an expensive lace handkerchief.
During college military training exercises, the bond between two friends and athletic rivals is tested when one of them becomes involved with a woman who may be a prostitute.
The narrative is about a woman who faces hard times, when her husband is arrested for a crime committed by his boss. The woman also has a child to look after, and they end up meeting several colorful personalities.
Story of two close friends who long to become pilots in the air corps. Only one succeeds in entering the service, while the other finds a job in civilian aviation through his instructor's good offices.
A poor factory worker, visiting the Tokyo son she has skimped to educate, finds even a college degree doesn't make a difference in Depression era Japan.
The eldest daughter of a noble family is in love with an aviator while being courted by a fellow aristocrat she thinks is a dullard. This part is told from the perspective of Akemi.
In a Tokyo boarding house a group of students and recent graduates struggle to complete their studies and find jobs. Considered a lost film.
Kihachi, an unemployed worker, wanders around the industrial flatlands of Tokyo's Koto district with his two young sons, Zenko and Masako. He is unable to find a job and has to rely on his sons catching stray dogs to earn reward money for their meals. As days go by, Kihachi and the boys no longer have enough money to stay at an inn for the night. Luckily for him, he encounters an old friend, Otsune, who finds him a job and allows them to stay at her eatery house.
The film tells of the strained relationship between a mother and her two sons after the death of the family patriarch.
An aging actor returns to a small town with his troupe and reunites with his former lover and illegitimate son, a scenario that enrages his current mistress and results in heartbreak for all.
Tokiko leads a double-life as an office typist and the mistress of a retired champion boxer and small-time ringleader named Jyoji. Hiroshi, a new recruit to the gang, hero worships Jyoji and neglects his studies. Hiroshi's sister Kazuko begs Jyoji to spare her brother from their shady dealings, but inadvertently casts a spell on Jyoji. After several reversals, Jyoji returns to Tokiko's arms. They decide to come clean, but not before pulling one last job to help Hiroshi and Kazuko.
Two Tokyo co-workers come across a destitute young lady in search of a place to live.
Ryoichi and Chikako, brother and sister, live together. Chikako toils during the day and, at night, prostitutes herself to fund his college tuition.
When a young man inherits his father's lucrative business, he cheats the system to set up three of his college friends with jobs.
The film revolves around a desperate man who commits a crime in order to support his family, and the moral dilemma the policeman who tracks him down finds himself in.
Takahashi finds a creative way to avoid doing his revision in this roguish comedy reminiscent of Harold Lloyd’s The Freshman.
A hen-pecked man works as his artist wife's model and a house-husband. When her patron flirts with her and humiliates him, he decides to get revenge by trying his own hand as a painter. Considered to be a lost film.
When a woman unfairly suspects her husband of flirting with a shop assistant, she decides to flirt with their landlord to get revenge. Considered to be a lost film.
A married man falls for a dancer and his wife's uncle hires a private detective to spy on him. Considered to be a lost film.
