Chiu Ming
Ah Lung is a decent law abiding citizen armed with deadly martial arts skills. He soon discovers he has a brother who is a gangster, Man Ho. All martial hell breaks loose when he tries to meddle in the gangs affairs.
A man is jailed unfairly for his debts, so his son (rarely used actor Steve Yu) takes up a job as a traveling medicine salesman and street performer to get him out. During his travels, he is killed in a confrontation with the son of a local kingpin. The son's kung fu school colleagues, along with the grieving sister and love interest, come to town as street performers in order to investigate and/or avenge his death. A local ally of the hero pretends to play both sides of the conflict....
Tan Jen-chieh’s life spins out of control when he’s forced into exile to clear his name following the murder of his adopted father. He’s hunted in the streets. His lover, Butterfly, turns to prostitution. And his father’s likely killer – a smooth operator known as the Rambler – is always lingering nearby. But before Tan and the Rambler can slit each other’s throats, they learn they’ve been double-crossed and go two against everyone in a rage of double-edged vengeance.
The notorious “One-Armed Swordsman” who has spent the last two years retired from the martial world as a simple farmer with his wife. Of course this idyllic life is about to be sliced to ribbons by Chang’s wicked imagination. He concocts a savory setup when he introduces, not one, but eight unique villains known as the Eight Kings of Swords and their sword-wielding entourage for Wang Yu to eventually chop his way through.
A romantic Han Dynasty adventure epic of a dying Emperor, an Evil Queen, a beautiful Princess, a dastardly royal nephew, and a masked hero, with plots and counterplots galore, complete with cliffhangers and last-second rescues.
Jimmy Wang Yu plays a young kid who heads off to Dragon Valley to meet the childhood friend who was promised as his bride. When he gets there, he finds that the family of the bride might not be an entirely honest bunch of people though. What is the story behind their feud with the monks at the Temple Of The Red Lotus, for a start?
With China under control of a weak Emperor, two officials compete to steer the future destiny of the land. Chiu believes the people are the future of China, while the diabolical Tu wishes to grind the people beneath an iron heel. Tu decides to take out Chiu's family, but one lone infant escapes.
The tragic love triangle of early 20th century Peking Opera star Chiu Hai-tang, his beautiful stage partner, and the warlord who forces himself between them, has been a favorite with Chinese audiences for decades.
The Goddess of Hua Mountain is imprisoned for falling in love with a mortal, meanwhile her son is raised in secret until he can attempt to free her.
Gui Wu happens upon a kidnapping with his wife Gan Lian-zhu at the Red Lotus Temple. Lian-zhu sends Wu to go for reinforcements while she stays to fight the kidnappers. Fortunately, the mysterious Scarlet Maid is surreptitiously helping her.
This gripping story centers on the romance between Wang Chin Lung and Sue San. Although they may be perfectly matched when it comes to their love for one other, the two come from remarkably different social ranks. While Chin Lung is the son of a respected government official, Su San is a prostitute, albeit a famous one.
About a woman who disguises herself as a man to take her father's place in the army.
Nurse Leng Shuxian is forced by family circumstances to marry Long Yusheng (King Hu), a grossly disfigured Quasimodo with a heart of gold. Shuxian tries but is unable to accept his deformity and they remain a couple in name only. With the appearance of Yusheng's cousin, she has to make a choice between personal happiness and family duty. From the start, Loh's character and drove the action, evoking a great intensity of emotions along the way: suffering, resignation and loneliness. Loh was lauded as the "Queen of Tragedy" after her heart-wrenching portrayal in this film. Winner of two Golden Harvest Awards – for best screenplay and best black-and-white cinematography – at the 8th Asian Film Festival in 1961.
