Chris Hegedus
A diagnosis of Chronic Lyme disease lands patients in the middle of a contentious medical debate and sparks an explosive investigation dating back to 1975 that shockingly reveals why ticks, and the diseases they carry, have been allowed to spread globally.
Meat the Future ushers the viewer into a world vexed by the impacts of modern day industrial animal agriculture and zeros in on a solution-focused story. Revealing challenges and breakthroughs and posing a myriad of questions about the future, this 90-minute character-driven documentary explores the advent of real meat without the need to raise and slaughter animals. Spanning three years, Meat the Future chronicles the potentially game-changing birth of a new food industry referred to as “cell-based” “clean” and “cultured” meat – a term hotly debated as the industry approaches commercialization
At a pivotal moment for gender equality in Hollywood, successful women directors tell the stories of their art, lives and careers. Having endured a long history of systemic discrimination, women filmmakers may be getting the first glimpse of a future that values their voices equally.
Renowned filmmakers D A Pennebaker and Chris Hegedus follow determined animal rights activist Steven Wise into the courtroom for an unprecedented battle that seeks to utilize the writ of habeas corpus to expand legal “personhood” to include certain animals. Wise’s unusual plaintiffs—chimpanzees Tommy and Kiko, once famed showbiz stars—are now living in filth, struggling to survive. Wise and his impassioned legal team take us into the field, revealing gripping evidence of such abuse and plunging us into the intricacies of their case as they probe preconceived notions of what it means to be a non-human animal.
The collar awarded to the winners of the Meilleur Ouvrier de France (Best Craftsman in France) is more than the ultimate recognition for every pastry chef - it is a dream and an obsession. The 3-day competition includes everything from delicate chocolates to precarious six foot sugar sculptures and requires that the chefs have extraordinary skill, nerves of steel and luck. The film follows Jacquy Pfeiffer, founder of The French Pastry School in Chicago, as he returns to France to compete against 15 of France's leading pastry chefs. The filmmakers were given first time/exclusive access to this high-stakes drama of passion, sacrifice, disappointment and joy in the quest to have President Sarkozy declare them one of the best in France.
Those who played prominent roles in Clinton's 1992 Presidential campaign return to discuss how politics and the media have changed since that time.
Assembled by some of the nation's top documentary filmmakers, this centerpiece film in HBO's 'Addiction' campaign features insights from experts on trends and treatments in the ongoing battle against drug and alcohol abuse. This documentary consists of nine segments that focus on case studies and cutting-edge treatments that challenge traditional beliefs about addiction.
Join filmmaking duo Chris Hegedus and Nick Doob as their cameras follow Franken to book signings, campaign rallies and the launch of Air America Radio, documenting his transformation from irreverent funnyman to political pundit.
Judy at the Palace. Sinatra at Carnegie Hall. Streisand at the Garden. Stritch on Broadway. Legendary performances come along so rarely. Elaine Stritch at Liberty is an autobiographical one-woman show written by Elaine Stritch and John Lahr, which is composed of anecdotes from Stritch's life and showtunes. The show consists of spoken monologues from Stritch following her life and career, interspersed with showtunes and pop standards which compliment her stories. Many of these songs had been previously sung by Stritch in major productions, such as "The Ladies Who Lunch" from Company and "Civilization" from Angel in the Wings which she originated on Broadway. Her experiences and relationship with show business are focal points, but she also explores more intimate, personal themes like her alcoholism and romantic relationships.
A film featuring the veteran soul music artists and music of Stax Records.
Friends since high school, 20-somethings Kaleil Isaza Tuzman and Tom Herman have an idea: a Web site for people to conduct business with municipal governments. This documentary tracks the rise and fall of govWorks.com from May of 1999 to December of 2000, and the trials the business brings to the relationship of these best friends. Kaleil raises the money, Tom's the technical chief. A third partner wants a buy out; girlfriends come and go; Tom's daughter needs attention. And always the need for cash and for improving the site. Venture capital comes in by the millions. Kaleil is on C-SPAN, CNN, and magazine covers. Will the business or the friendship crash first?
On May 24, 2000, the historic Ryman Auditorium was booked to offer Nashvillians an evening of sublime beauty. Label executives and soundtrack producers so loved the music of O Brother, Where Art Thou? that they brought it to life as a benefit concert for the Country Music Hall of Fame. Filmmakers Joel and Ethan Coen loved it so much that they hired famed documentary filmmaker D.A. Pennebaker to record the show for posterity. The concert that unfolded that night was one of the greatest musical moments in the annals of Music City. Performers: John Hartford, Alison Krauss, Emmylou Harris, Gillian Welch, Chris Thomas King, The Cox Family, Fairfield Four, Union Station, Colin Linden, The Nashville Bluegrass Band, The Peasall Sisters, Ralph Stanley, David Rawlings, The Whites.
Nine o'clock on Monday morning, August 18, 1969: while the work force was starting the day, Jimi Hendrix was taking the stage at Woodstock. While hundreds of thousands had already left, 25,000 people remained to see this incredible performance. Hendrix, along with drummer Mitch Mitchell and bassist Billy Cox, offered masterly renditions of the songs of the recently disbanded Experience ("Hey Joe," "Foxey Lady"), and gave a preview of the blues-based Band of Gypsys ("Izabella," "Hear My Train A Comin'"), as well as Jimi's era-defining rendition of "The Star Spangled Banner." Though the weekend had witnessed some landmark performances by other great artists, this performance from Hendrix is regarded by many as the defining moment in a festival ripe with defining moments.
A documentary portrait of the backstage efforts to stage the play Moon Over Buffalo on Broadway.
Woodstock Diary was originally broadcasted on U.S. TV in August 1994 - in honor of the 25th anniversary of the event. Later it was released on DVD with remastered 5.1 sound. It includes performances not shown in the Woodstock movie but not exclusively. Between the songs there are recent interviews with the producers / organizers of Woodstock Joel Rosenman, John Roberts, Michael Lang, the stage announcer Wavy Gravy and Lisa Law (a member of the Hog Farm who helped out at the festival).
A behind-the-scenes documentary about the Clinton for President campaign, focusing on the adventures of spin doctors James Carville and George Stephanopoulos.
A pioneer in the world of rock-'n'-roll guitar, Chuck Berry has created a legacy that spans decades. Berry performs some of his greatest hits and all-time favorites in this concert video that was filmed on September 13, 1969 at 'Toronto Rock'n'Roll Revival.' The Concert includes the songs "Rock and Roll Music," "Long Live Rock and Roll," "Johnny B. Goode," "Promised Land," "Carol," "Hoochie Koochie Man," "Maybellene," "Too Much Monkey Business," "Reelin' and Rockin'," "Sweet Little Sixteen" and "In the Wee, Wee Hours."
Although he only had three Top 10 hits, Jerry Lee Lewis is considered one of the most influential artists of the early days of rock 'n' roll. Experience the talent and energy of this rock pioneer with this mix of 1969 concert footage and clips of his frenzied, acrobatic performances from the 1950s. Headlines and footage tell of Lewis's rise to fame and subsequent plummet into scandal (with his marriage to his 13-year-old cousin).
A fascinating documentary focusing on backstage realities of art and business during the British synthesizer band's 1988 American tour.
Depeche Mode's famous 101st and final concert of the 1987-1988 Music For The Masses Tour at the Rose Bowl in Pasadena.
It's no exaggeration to say this might be the most intense and groundbreaking 45-minute performance in the history of rock. Jimi Hendrix's debut American set at 1967's Monterey Pop Festival is generally considered one of the most radical and legendary live shows ever. Virtually unknown to American audiences at the time, even though he was already an established entity in the UK, Hendrix and his two-piece Experience explode on stage, ripping through blues classics "Rock Me Baby" and Howlin' Wolf's "Killing Floor," interpreting and electrifying Bob Dylan's "Like a Rolling Stone," debuting songs from his yet-to-be-released first album and closing with the now historic sacrificing/burning of his guitar during an unhinged version of "Wild Thing" that even its writer Chip Taylor would never have imagined. Hendrix uses feedback and distortion to enhance the songs in whisper-to-scream intensity, blazing territory that had not been previously explored with as much soul-frazzled power.
The filmmakers accompany Alan Schneider, director of the American premieres of most of Beckett's plays, and producer Daniel Labeille to the home of Billie Whitelaw, whom Schneider, ironically, had never met previously, and takes us through the rehearsal process of Beckett's newest play, including the recording of the dialogue, as almost all of it is voiceover. The final fifteen minutes of the film are the premiere performance in its entirety.
In 1973, John DeLorean was most likely going to be the next president of General Motors, when he turned his back on his $650,000 a year job and focused on a grander dream... to build his own car company (the first new American car company since 1925). In 1978, DeLorean built the most advanced auto factory in the world in under 18 months, from the ground up in a small suburb of Belfast, Northern Ireland.
Norman Mailer and a panel of feminists — Jacqueline Ceballos, Germaine Greer, Jill Johnston, and Diana Trilling — debate the issue of Women's Liberation.
Interviews and footage document the life and work of dancer Bessie Schonberg.
Concert documentary of The National's performance at Brooklyn Academy of Music in 2010, interspersed with interview footage of the band.
In 1988 Depeche Mode were Andy Fletcher, Dave Gahan, Martin Gore, Alan Wilder. Master and Servant Pimpf Behind The Wheel Strangelove Blasphemous Rumours Stripped Somebody Black Celebration Pleasure, Little Treasure Just Can't Get Enough Everything Counts Never Let Me Down Again
