Christian Rozakis
Insecure and unhinged, Garrett is dead set on murdering the unrequited love of his life, Mia. When he comes face to face with his victim, his awkward incompetence takes over and things quickly spiral out of control as he finds himself on a deranged path to becoming a serial killer.
Clio befriends Fred, a homeless former jazz singer down on his luck. They form a special bond over music, and Clio, having just lost her own father, helps Fred reconnect with his own daughter, just in time for Christmas.
Sgt. Tom Schmidt is waiting to come home from the Iraq War. But first, he has to get through the Elm County Hospital Physical Therapy Program to relearn how to walk again. Elm County's Physical Therapy Department is good, but it is really famous for its mental health center, and the doctor's seem intent to capitalize on Tom's newfound celebrity from the Falujah torture case that put him in his wheelchair and made headlines around the world. Tom is forced to play their game in order to regain his freedom, but finds there is something more sinister at play.
Figments of a Father is a short film about a young man on the brink of revolutionizing the world with his groundbreaking business idea. Confident and secure in the success of his concept, he visits a luxurious hotel to meet with an influential supporter and potential backer who has the power to bring his idea to life. During the course of his stay however, the world around him begins to deteriorate, and the validity of his idea is challenged as his reality becomes something else altogether.
David Alden’s elegant 2012 production moves Verdi’s thrilling drama to a timeless setting inspired by film noir. Marcelo Álvarez is Gustavo III, the Swedish king in love with Amelia (Sondra Radvanovsky), the wife of his best friend and counselor, Count Anckarström (Dmitri Hvorostovsky). When Anckarström joins a conspiracy to murder the king, tragedy ensues. Stephanie Blythe is the fortuneteller Madame Ulrica Arvidsson and Kathleen Kim sings the page Oscar. Met Principal Conductor Fabio Luisi is on the podium.
Stephen Wadsworth’s production of Mussorgsky’s epic masterpiece brilliantly captures the suffering and ambition of the Russian people at a critical time in their nation’s history. René Pape is riveting as the Tsar of the title, giving a commanding and charismatic performance of one of the greatest bass roles in the repertoire—his Boris is dominating, tortured, flawed and utterly unforgettable. The extraordinary cast and the Met Orchestra and Chorus are led by Russian maestro Valery Gergiev, the foremost Mussorgsky interpreter of our time.
After over a century out of the Met’s repertoire, audiences were thrilled to discover just what a sensational evening in the theater Thomas’s Hamlet can be. Simon Keenlyside’s riveting performance as the tortured Prince of Denmark in Patrice Caurier and Moshe Leiser’s starkly brooding production had critics raving that Keenlyside’s superb singing, coupled with his deftly delineated three-dimensional Hamlet, was one of the greatest examples of operatic drama of our time. The cast includes Marlis Petersen as the long suffering Ophélie, who brilliantly shows why her mad scene is so justly famous, along with Jennifer Larmore and James Morris as Gertrude and Claudius.
