Christiane Barry
Anna, twenty-seven, married to building contractor Eric, refuses to live in his wake. Craving independence, she can exist through the art gallery she runs, but isn’t this occupation a mere wholesome distraction? When she meets Bruno and becomes his lover she thinks she will find fulfillment only to realize that she is just another plaything in a man’s hands.
The life story of famed French aviatrix Helene Boucher is detailed in Horizons sans fin (Endless Horizons). Giselle Pascal stars as Boucher, who is first seen in 1930, leaving her millinery shop behind in favor of the wild blue yonder. Though the world of aviation was still essentially an all-male one (despite England's Amy Johnson and America's Amelia Earhart), Boucher perseveres, eventually breaking all existing male and female speed and height records. A bit slow on the uptake in the dramatic scenes, the film soars (no pun intended) during the aerial sequences. Horizons san Fin was the winner of the Catholic Award at the 1953 Cannes Film Festival.
In Paris, three models are murdered, being one of them the mistress of the fashion designer Dominique Airelle. It is the young inspector who is in charge of the affair.
A schoolboy remembers his last holiday in the big house of his family in the country, before it was sold.
Christine, the daughter of a rich American, acquires from her father the jazz band of Ray Ventura who will be made responsible for accompanying her from morning till evening wherever she goes. From an endless number of amusing situations, the fiancée of the girl despairs. But soon the musicians rebel in in the face of the requirements of their patroness. More than a job, it is for them misery. Christine excuses them and she goes back to America with her band. Things go bad, degenerate, but the kindness of the musicians and the firmness of the fiancée of Christine really quiet down the moods of the young woman .
