Christine Boisson
The sublime Jackie Larose, queen of the charm and the eroticism, undergoes an operation of the bowel which leaves her with a colostomy.
While shooting a documentary about all kinds of actresses, the director falls for one of them.
A plane explodes above the Gulf of Guinea. An escort girl is murdered in a Parisian park. Thousands of miles separate these two events, and yet Nora Chahyd, believes there's a connection between them, much to his superiors chagrin. As Nora investigates, getting dangerously close to the powers that be, the murders and betrayals accumulate, and signs point to a state affair at the heart of it all.
Antoine, a handsome boy in his 20s, falls for a straight best friend who does not reciprocate, and being a junkie exits the film quite early. Enter a girl, who seems to make him happy again, after he has tried living as a rent boy with men, having some familial, financial difficulties. But the girl is a junkie too.
When Regina Lambert returns from a vacation to Paris, she finds not only her apartment, but also her bank account completely empty. A visit to the police headquarters reveals that Charlie has been murdered and a lot of people are after his money. Regina now begins a dangerous search for the truth.
Rich, bisexual Thomas makes his way through a swath of lovers of both sexes in Paris. His parents have died, and he doesn't have to work to earn a living, so his days are bacchanalia-filled affairs that run into each other in a hazy bliss. The only one capable of eking out genuine affection from him is his neighbor, Caroline. When she dies and leaves her son in his care, Thomas learns the joys of commitment and selflessness.
Based on a notorious novel by Louis Calaferte, this erotic drama concerns a man exploring the boundaries of female sexuality through a variety of sexual encounters with beautiful women he barely knows. La Mecanique des Femmes features copious male and female nudity as the nameless leading character discusses sex and sensuality with his predominantly female supporting cast.
Author Jean Dorset has suffered from a bad case of writer's block since his first novel became a bestseller. He lives in a small apartment in Paris with his wife Michelle and, in spite of their ostensible success, the couple are having trouble making ends meet. One day they receive the utterly unexpected news that they are the sole inheritors of a wealthy neighbor, M. Guillemet, whom they have never met. Guillemet has left them his old townhouse along with all of his belongings, but with two conditions -- the first is that the dead man's papers be left untouched, and the second is that his live-in maid Clemence Richbourg remain employed at the estate. The Dorsets soon learn why they were the recipients of such strange generosity. Guillemet had set up a camera with a massive zoom lens pointing to their bedroom window. The couple is shocked and disgusted, but not enough to give up their new tony digs.
A recently retired psychologist takes on a gruesome murder case.
Jeanne, her second husband, Michel, and her teen daughter Marie live quietly in the South of France. However, Jeanne's secret past comes back to haunt her.
Cécile is a decadent young girl who lives with her rich playboy father, Raymond. Anne, a mature and cultured friend of Raymond's late wife, arrives at Raymond's villa for a visit.
A private eye finds that her professional and personal lives are beginning to intertwine in this French drama. Maxime Chabrier (Anémone) is a woman in her mid-40s who works as a private detective. Despite her chain smoking and sloppy appearance, Maxime is regarded as a skilled investigator by her colleagues and considered the best PI at her agency by her boss. While Maxime has romantic dalliances with both men and women, she hasn't been involved in a long-term relationship since she left her husband 15 years ago. However, Maxime is hired to look into a case that suggests that her former husband has become involved with insurance fraud, which brings her into contact with her 17-year-old son Baptiste (Gregoire Colin) for the first time since the divorce. Just as Maxime is trying to mend fences with her son and find out what her ex has gotten himself into, she finds herself falling in love with Jacques (Michel Didym), an economist.
A documentary about Che Guevara in Bolivia, based upon his journal listing daily agendas
Tina is a young warehousewoman in a supermarket. She is in love with Fred but still lives at her mother Nadine's. When Nadine dies, Tina looks for meeting her father Ludovic, who she never knew. But she first meets her half-sister Lise, and Constantin, the unusual Ludovic's lawyer.
A story of a family with numerous members drowned in their sentimental problems.
How can moon and time affect human mood and fate? In the manner of a Greek tragedy , this movie shows how the chaos of life ineluctably propels its characters towards violence and alienation.
This fast-paced mystery is in part based on a novel by Yves Ellena and is at least equally based on the 1943 classic Le Corbeau, which in 1951 was produced in English by Otto Preminger as The Thirteenth Letter. In this movie, someone is using a pirate radio broadcast to dish the dirt on the lives of the elite of a small French town.
Jeanne runs a busy inn with her husband Georges, her two children and two sisters. There is perfect harmony and the constant sound of laughter coming from the kitchen and office. One day, Pierre, the landlord, takes up a room without a word of explanation. Jeanne gradually begins to feel a strong attraction toward the new guest.
Dominican friar Etienne de Bourbon visits a 13th-century French village in search of heretics for the Inquisition. Despite the opposition of the local priest and the indifference of the villagers, he finds a seemingly perfect suspect: a young woman who lives in a forest outside the village and cures people with herbs and folk remedies. In the process, he discovers the cult of the greyhound "Saint" Guinefort, and confronts his own troubled past.
Set in the Middle East in 1919, a group of European Jews planning on settling in the Sinai Desert are attacked by Bedouin tribesmen. As they fight for their lives they realize that they are beginning a struggle for a new Jewish nation. This film chronicles the beginning of the modern Jewish struggle for a homeland.
A journalist is assigned to interview an eccentric anthropologist who has exhumed the skeleton of Jörg Jenatsch, a revered freedom fighter who was mysteriously murdered in 1639. Initially disinterested, the journalist begins to uncover unflattering truths about the national hero and experiences visions in which he seems to be witnessing events that transpired over 300 years ago. As he obsessively pursues the investigation, his personal life and his grip on reality disintegrate, drawing him relentlessly toward the fatal carnival at which Jenatsch was killed.
Film-maker Jean Diaz lives with his son David after separated from his wife. On their way to the new house near the sea, Jean and David have a car accident provoked by The Death (portrayed here like a grim-reaper). The doctor actually can save Jean, but The Death sabotages the equipment with his computer. The Death offers Jean to wake David from his coma, but Jean must make an animation movie against the violence for him.
A man caught in the midst of the events of Algeria is experiencing a new but fleeting happiness with a young Algerian.
In this strange and beautiful crime drama, Bernard Giraudeau is Daniel Chetman, someone who wants to leave the life of violence he knew in his neighborhood -- and cannot do so because his nemesis, a strutting street gangster now involved with organized crime, continues to terrorize the inhabitants of Chetman's turf. After much spilled blood, a parade of ugly underground types, and various sexual scenes, Chetman reduces the forces of evil to a reasonable level of opposition -- but who knows if the neighborhood will be different in the end...
The movie director Niccolò has just been left by his wife. Subsequently he embarks on an obsessive relationship with a young woman who eventually leaves him and disappears (shades also of L'Avventura) while searching for her, he meets a variety of other willing girls. This gives him the idea of making a movie about women's relationships. He starts to search for a woman who can play the leading part in the movie.
Jean (Niels Arestrup), the lead character in this psychological journey is torn by a search for his lost childhood, the overwhelming need to love a woman of his dreams (someone he has invented), and a struggle with his latent bisexuality. Jean finds some photos inside an automatic photo station that look like his mother who died soon after he was born. He starts to fantasize about the woman, giving her a name and identity and waiting for her to appear. During this time, he meets Carole (Christine Boisson) and has an affair with her, all the while pretending he has this other relationship with the woman in the photo. Significantly, the couple who introduce him to Carole is childless, and they eventually split up - perhaps a comment on the importance of childhood to the adult world. In the end, Carole discovers that Jean's "other woman" has no real existence, causing a crisis that finds a symbolic expression as the last scenes close on the story.
Hoping to make a fresh start, Léo, a jazz musician, takes up temporary residence with his friend Bony, a young writer who is struggling to get his work published. One evening, Léo strikes up an acquaintance with a woman taxi driver, Cora; in spite of her impulsive and moody temperament, he cannot help being attracted to her. On the spur of the moment, Cora invites Léo to make love to her. When Bony meets Cora, he too finds her irresistible, but he lacks Léo’s self-confidence to make his move. Cora is not a woman that any man can possess readily. She is like a wild animal, a creature that revels in its freedom. Will either Léo or Bony be able to tame her...?
Adom is red in Hebrew, and the first times of the first men could only be a confrontation with the elements, nature, characters and differences. Caien lives as a farmer while Abel is from the pastoral people.
Loosely based on the notorious Richard Speck murders, this is the grim tale of a disturbed Vietnam vet returning home via Belfast, who invades a house shared by eight nurses and proceeds to terrorize and murder them.
The film story depicts Emile Buisson, following the death of his wife and child, escaping from a psychiatric institution in 1947 and returning to Paris. Buisson, who three years later would become France's public enemy number one, begins a murderous rampage through the French capital.
Philippe Noiret plays a rich, Parisian banker whose daughter, Carolina, is kidnapped by a ruthless organization. They threaten to have her abused by the sadistic clients of a brothel they run if Father doesn’t pay the ransom on time.
Emmanuelle, a svelte, naive young woman, is en route to Bangkok where she'll join her new husband. He works for the French Embassy and has a lovely home, several dedicated servants, and an expensive car at his disposal. Once Emmanuelle arrives, her husband and a few friends introduce her to a realm of sexual ecstasy she'd never imagined.
In this riot of frantic disguises and mistaken identities, Victor Pivert, a blustering, bigoted French factory owner, finds himself taken hostage by Slimane, an Arab rebel leader. The two dress up as rabbis as they try to elude not only assasins from Slimane's country, but also the police, who think Pivert is a murderer. Pivert ends up posing as Rabbi Jacob, a beloved figure who's returned to France for his first visit after 30 years in the United States. Adding to the confusion are Pivert's dentist-wife, who thinks her husband is leaving her for another woman, their daughter, who's about to get married, and a Parisian neighborhood filled with people eager to celebrate the return of Rabbi Jacob.
