Cicely Courtneidge
On the Buses is a British comedy series created by Ronald Wolfe and Ronald Chesney, broadcast in the United Kingdom from 1969 to 1973. The writers' previous successes with The Rag Trade and Meet the Wife were for the BBC, but the corporation rejected On the Buses, not seeing much comedy potential in a bus depot as a setting. The comedy partnership turned to a friend, Frank Muir, Head of Entertainment at London Weekend Television, who loved the idea; the show was accepted and despite a poor critical reception became a hit with viewers.
In Victorian England, a fortune now depends on which of two brothers outlives the other—or can be made to have seemed to do so.
Set in 1910. In order to boost circulation of his newspaper, Lord Rawnsley offers £10,000 to the first person who can fly across the English Channel.
Jane is young, French, pregnant and unmarried. Bucking convention, she is uninterested in settling with her baby's father or getting an abortion. After renting a room in a dingy London boarding house, Jane befriends the odd group of inhabitants and starts an affair with one boarder, Toby. As Jane's pregnancy threatens her new relationship, and the reality of single motherhood approaches, she is forced to decide what to do about both her baby and her budding romance.
Gorgeous Kate Dax (Diana Dors) and her crime-writer husband, Andrew (Patrick Holt), investigate the murder of eccentric spinster Miss Tulip (Cicely Courtneidge) at a remote country cottage.
In pre-Second World War England, a leading film star and his wife attempt to recover a secret carburetor stolen by enemy agents. Based on a popular stage musical starring Hulbert and Courtneidge, a husband-and-wife team who had made a series of successful comedy films during the 1930s.
When her sister dies, a nightclub singer is left with her children. In order to raise the children properly, she leaves her singing career and takes her new family to a farm. However, her greedy manager--seeing his "cash cow" slipping away--goes to court to have her declared legally incompetent.
A strait-laced country vicar is very embarrassed by his father's naughty exploits with a lively actress.
Scatterbrain circus lady has to cover for her sour schoolmistress sister.
A woman disguises herself in men's clothes in order to follow her husband to the wars.
An ambitious girl who wants to be a cabaret star poses as "Zaza", a French chanteuse, to get a job in a prestigious nightclub. Unfortunately, she finds herself in the middle of a dispute between Mike Kelly, the club's Chicago-born owner, and a group of American gangsters bent on taking over the club. To put pressure on Kelly, the gangsters kidnap "Zaza".
When Cicely Courtneidge's mother (also played by Miss Courtneidge, albeit in heavy makeup), retires, Cicely succeeds as Queen of the Marvellos, a family of music-hall performers. However, when young Dorothy Hyson begins an affair with a young soldier, Miss Courtneidge is trapped between her responsibilities and memories of her affair years ago with another young soldier.
In this comedy, two rival reporters vie for the scoop on the whereabouts of a missing heiress. They find her in Switzerland. One of the journalists falls in love with her and saves her from marrying an aristocrat. His rival gets to write the story as a consolation prize.
With a title like Jack's the Boy, is it any surprise that the star of this breezy quota quickie is British music-hall favorite Jack Hulbert? The star plays the son of a celebrated Scotland Yard detective, who joins the force in hopes of following his father's footsteps. Unfortunately, Jack is something of a screw-up, and before long he has become the laughing stock of the force.
The Ghost Train is a 1931 British comedy thriller film directed by Walter Forde and starring Jack Hulbert, Cicely Courtneidge and Ann Todd. It is based on the play The Ghost Train by Arnold Ridley. The film's art direction is by Walter Murton. Only five reels of picture and two reels of soundtrack survive.
A series of 19 musical and comedy "vaudeville" sketches presented in the form of a live broadcast hosted by Tommy Handley (as himself). There are two "running gags" which connect the sketches. In one, an actor wants to perform Shakespeare, but he is continually denied air-time. The other gag has an inventor trying to view the broadcast on television.
