Claude Gai

Heterosexual pretending to be gay to keep his work in the world of art, which is not without creating many misunderstandings with his wife and mother.

5.9/10

Tinamer is 27 years old when her mother dies. The funeral of this last one makes her relive certain events of her childhood which marked her forever.

5.9/10

Les Grands Enfants does not tell a story in the traditional sense. Instead, it offers an honest image of people's dreams of change : people often unemployed, dissatisfied in some way with their work, or caught up in complicated social relationships. The film is set in Montreal.

6.2/10

Nobody ever listens to Jacob, so he always has to repeat himself. A trip to the grocery store leads to a misunderstanding and Jacob falls asleep hiding in a park. When he wakes up, he discovers that he is in trouble for insulting the store clerk. He is sent to a prison for children that is located on Slimer's Island and is run by the Hooded Fang, an ex-wrestler who outwardly hates children. Meanwhile, Child Power representatives the Intrepid Shapiro and Fearless O'Toole try to find the prison's hidden location to help free the children.

6.3/10

30-year-old Quebec City native Gisèle (Rita Lafontaine) lives a quiet life as a secretary without happiness with her parents and siblings. One day, tired of being teased by her office mates, she decides to consult a marriage agency to find her soul mate.

6.5/10

A writer, Kamouraska is based on a real nineteenth-century love-triangle in rural Québec. It paints a poetic and terrifying tableau of the life of Elisabeth d'Aulnières: her marriage to Antoine Tassy, squire of Kamouraska; his violent murder; and her passion for George Nelson, an American doctor. Passionate and evocative, Kamouraska is the timeless story of one woman's destructive commitment to an ideal love.

7.7/10

Backyard Theatre is a documentary about playwright Michel Tremblay and director André Brassard’s flavourful brand of Quebec theatre, which captured the earthy wit and joual (slang) of Montreal's East End working-class neighbourhood. The film features impromptu improvisation by the cast of Les belles-soeurs and Demain matin, Montréal m'attend, two genre-defining plays.