Claude Klotz
A mysterious criminal rolls into a small town planning to knock off the local bank, assuming it will go off without a hitch. But when he encounters a retired poetry professor, his plans take an unlikely turn. With no place to stay, the professor generously welcomes him into his home. As the two men talk, a bond forms between these two polar opposites, and surprising moments of humor and compassion emerge. As they begin to understand each other more, they each examine the choices they've made in their lives, secretly longing to live the type of lifestyle the other man has lived, based on the desire to escape their own.
A man, Milan (played by Johnny Hallyday) steps off a train, into a small French village. As he waits for the day when he will rob the town bank, he runs into an old retired poetry teacher named M. Manesquier (Jean Rochefort). The two men strike up a strange friendship and explore the road not taken, each wanting to live the other's life.
Félix, operator of dodgem cars in a fairground, becomes obsessed by one of his customers, a mysterious young woman named Lola. Félix soon discovers that Lola is running away from her former boyfriend, a singer who continues to taunt her. Lola asks Félix to prove his love for her by murdering a man he does not know...
Eleven-year-old Laïd lives in war-torn Lebanon. Chosen and trained by an extremist organisation, he has been forced to enter the adult world far too early. He has been transformed into a fanatical and programmed machine, whose life could be summed up in the words "kill without hesitation".Because of his intellect and his commitment to the holy war he is handpicked for a deadly assignment in Paris. But in order to get access to the target he has to learn how to merge in, to become an ordinary eleven-year-old. Karim becomes his role model. Karim is the same age as Laïd and grew up in one of the Paris suburbs. He is carefree and "hip" and becomes the perfect teacher in a world of skateboards, rap music and video games.Despite the cultural differences, despite the fact that one of them is an indoctrinated machine and the other one a perfectly ordinary carefree boy, a friendship begins to grow between the two.
The film begins in a flashback from the titular character, Antoine. We are introduced to his fixation with female hairdressers which began at a young age. The film uses flashbacks throughout and there are frequent parallels drawn with the past. We are unsure what Antoine has done with his life, however we know he has fulfilled his childhood ambition, to marry a haidresser.
A young American girl and a young French boy meet in Paris and fall in love, with the assistance of an old man and his stories.
In this family comedy, Papa (Claude Brasseur) has no end of trouble getting his young son to accept his new girlfriend.
