Claude Laydu
In full French Revolution, the young Blanche de la Force decides to protect a convent and so entered the Carmelite order. She meets the cheerful nun Sister Constance and mother Marie, among others, and is happy with them despite the external conflicts and pressures of his father to leave the convent. Film based on real and tragic story from the sixteen Carmelite nuns in the convent of Compiègne in 1794, and collected by the French writer Georges Bernanos in his play of the same name, which in turn was inspired by the piece "The Last of the scaffold" the writer Gertrud von Le Fort.
Pierre is an engine driver who adopts a small girl, a WWI orphan. A widower, he sees in her the image of her mother.
A 1955 French crime drama film based on André Héléna's novel of the same name, about a young man's descent into hell with a femme fatale.
A young priest encounters major problems in the diocese where he must preach the word of the Lord, mainly as a result of hatred caused by differences in classes
Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.
An inexperienced, sickly priest shows up in the rural French community of Ambricourt, where he joins the community's clergy. But the locals don't take kindly to the priest, and his ascetic ways and unsociable demeanor make him an outcast. During Bible studies at the nearby girls school, he is continually mocked by his students. Then his attempt to intervene in a family feud backfires into a scandal. His failures, compounded with his declining health, begin to erode his faith.
