Claus Fuchs
The immature young ruler of the Austro-Hungarian Empire, Franz Joseph, was extremely shy around women but (according to this film) was constantly being propositioned, lewdly or otherwise, by ambitious courtesans. When he was finally married to his Empress, the teen-aged Bavarian princess Sisi (Elizabeth), it seems that his relief knew no bounds, for he was now sure that he would never have to think about sex ever again. According to the filmmakers, this is the true history of that marriage. This story is a complete reversal of the romantic legend depicted in the popular 1955 film Sissi, which helped brighten the emerging stardom of Romy Schneider.
Polish Martin Gray (Michael York) recalls the Holocaust, New York prosperity, and losing his wife (Brigitte Fossey) and family.
In this action comedy the French boxer Jo Cavalier is charmed on the train to Berlin for the Olympics in Hitler's Germany by the little boy Simon Rosenblum who asks his autograph; when it turns out his adorable young fan is a Jewish orphan in danger of persecution, he risks his one shot at Olympic glory to save Simon and his family, helped only by a German officer-gentleman who became his friend in World War I, by an adventurous escape to Switzerland, Nazi troops on their heals and braving impossible odds in roller coaster-style.
Mondo Cane and the Schoolgirl Report series stand as obvious influences on this occasionally amusing but generally rather tedious exploitation film that alternates between documentary, fake documentary and docudrama. The theme is Satanism and the linking thread is a recreation of what is supposedly the real-life case of a murder and attempted murder of two Munich teenage men by a quartet of girls who had been dabbling in devil worship. During the ensuing trial, the lawyer resorts to dilatory tactics while the hearing is frequently interrupted by the girls breaking into incantation, temper tantrums or shivery fits ostensibly bearing on demonic possession. When the subject of the Manson killings is brought up, the most obnoxious of the defendants breaks in indignantly, claiming that Sharon Tate’s “execution” was justified as she posed dangers to the Satanic community. (cinemadrome.yuku.com)
A dramatization of the incident in 1972 when Arab terrorists broke into the Olympic compound in Munich and murdered 11 Israeli athletes.
