Cochi Ponzoni
Giorgio and Tito, father and son. A successful journalist and a lazy teenager apparently impossible to understand. Giorgio's dream is to take Tito to the Nasca Hill in Liguria, but Tito prefers to spend his entire day with his group of friends, eating, talking about nothing and playing video games. Until one day when he suddenly informs his father that he would join him in this trip. After a series of accidents and misunderstandings, at the end, somehow father and son will find the way to communicate … or at least they will try.
On christmas eve, three friends dressed as Santa Clauses, are arrested for attempted robbery and taken to police station, suspected to be group of thieves known as "The Santa Claus Gang". While trying to prove their innocence, the three explain the reasons for which they found themselves in such strange situation.
The story tells the life, the successes, the loves and the decadence of Augustine Caroline Otéro Iglesias, called "La Bella Otéro". The history of a Spanish actor, who - despite being born poor - became a symbol of the Belle Époque and one of the first dives of silent cinema.
"La mano indemoniata" ("The Possessed Hand") (77m43s) is essentially a remake of the magnificent 1943 French horror film La main du diable (Carnival of Sinners) about a mysterious man showing off a ghastly, seemingly sentient severed hand to a group of guests at an inn during a snowstorm. --Mondo Digital
Don Cimbolano - a priest in a small town. Oscar - a offender escaped from prison. Philip - attorney loser. They don't lose heart and find ways out of the most incredible situations.
Close to the honeymoon, hotel waiter wins a stay in Jamaica with a pin-up. Direction directed by Carlo Vanzina, with the star of "Deep Throat".
This homage to Italy’s “White Telephone” films (sophisticated comedy-dramas revolving around working-class girls) of the 1930s gives Agostina Belli her best role – going from chambermaid to prostitute to singer to film-star to mistress of ‘Il Duce’! – for which she received a special David Di Donatello award, the Italian equivalent of the Oscar. Incidentally, the English title evokes memories of Octave Mirbeau’s ‘scandalous’ novel “Diary Of A Chambermaid” – thrice brought to the screen (in Hollywood in 1946 by Frenchman Jean Renoir, in France in 1964 by Spaniard Luis Bunuel and in 1974, typically as a sexploitationer, by prolific “Euro-Cult” exponent Jess Franco: the latter being the only one I haven’t watched and don’t own in any form). At other points in the narrative, the film also reminded me of A STAR IS BORN (itself filmed several times) and BELLE DE JOUR (1967), Bunuel’s celebrated classy treatment of prostitution…
