Colleen Crabtree
Peter Klaven is a successful real estate agent who, upon getting engaged to the woman of his dreams, Zooey, discovers, to his dismay and chagrin, that he has no male friend close enough to serve as his Best Man. Peter immediately sets out to rectify the situation, embarking on a series of bizarre and awkward "man-dates."
The world goes backwards on Opposite Day. The kids become adults, and the adults become kids.
Three quirky families seeking to buy their next home collide when trying to purchase the same property. The bidding war tests the limits of their marriages and the resolve of their agents.
The USC School of Cinema-Television’s inaugural production class, known by the course number “290”, requires students to make numerous films over the course of a semester without sync dialogue. For his four non-sync dialogue short films – First Impressions, Vanity, Filler and An American in Traffic – shot and edited on Super 8mm film, Kurt Kuenne was awarded the Harold Lloyd Scholarship in Film Editing by the family of the iconic silent film comedian.
The USC School of Cinema-Television’s inaugural production class, known by the course number “290”, requires students to make numerous films over the course of a semester without sync dialogue. For his four non-sync dialogue short films – First Impressions, Vanity, Filler and An American in Traffic – shot and edited on Super 8mm film, Kurt Kuenne was awarded the Harold Lloyd Scholarship in Film Editing by the family of the iconic silent film comedian.
The USC School of Cinema-Television’s inaugural production class, known by the course number “290”, requires students to make numerous films over the course of a semester without sync dialogue. For his four non-sync dialogue short films – First Impressions, Vanity, Filler and An American in Traffic – shot and edited on Super 8mm film, Kurt Kuenne was awarded the Harold Lloyd Scholarship in Film Editing by the family of the iconic silent film comedian.
