Constantin Drăgănescu
Otto, a seventeen-year-old punk, becomes involved in the social services investigation of his girlfriend Laura’s death. He is caught up in a vicious circle created by his parents, his mute grandpa and Laura’s mother. Laura is still part of his life through video recordings that he edits constantly, trying to make sense of the events. Through this process, Otto must take his portion of the responsibility for what happened.
In a small village close to the mountains, Mariana and Puiu are a young family with two children: Carmen and Mircea. One morning, the mother and the ten year-old daughter leave for Bucharest, having a hospital as their destination. One doctor alone, Sitaru, believes that Carmen, who can no longer smile, stands any chances at survival. He believes he can perform a miracle and save Carmen's life. Struggling for her daughter, abandoned by almost everybody she trusted, Mariana discovers she is pregnant. After dr. Sitaru operates on the little girl, in a risky manner, Carmen begins to feel increasingly worse. Without any hope, Mariana leaves the hospital and rushes to take Carmen home: while one life ends, another one begins to flicker.
A former world-famous conductor of the Bolshoï orchestra, known as "The Maëstro", Andreï Filipov had seen his career publicly broken by Leonid Brezhnev for hiring Jewish musicians and now works cleaning the concert hall where he once directed. One day, he intercepts an official invitation from the prestigious Théâtre du Châtelet. Through a series of mad antics, he reunites his old orchestra, now composed of old alcoholic musicians, and flies to perform in Paris and complete the Tchaikovsky concerto interrupted 30 years earlier. For the concerto, he engages a young violin soloist with whom he has an unexpected connection.
Tacke, an old graveyard digger, finds out he has only two months left to live. This is the moment he discovers he does want something out of life: a glamorous funeral service in the cemetery's « downtown » area, where he had spotted for a long time an splendidly situated burial site. Everything goes smoothly, especially that the town's luxury funeral home has just acquired Lady Di's hearth. Tacke has some money for the funeral ceremony, he also has some friends who would mourn for him, but he is out of luck: the funeral site he was hoping to acquire was just given to somebody else.
On a hot summer afternoon in the sleepy town of Blackwater Louisiana, a meteor streaks across the sky and crashes through the roof of the local Natural History Museum. The meteor is actually a spaceship containing an alien life form which animates the museum's partially frozen Woolly Mammoth and begins a rampage. Local authorities and Government Investigators join forces with Frank Abernathy, the Museum Curator, and his father Simon, a B-Movie enthusiast, to bring down the giant mammoth in this alien-invasion flick!
Sebastian (Rutger Hauer) sets up an ingenious plan to transform a woman from an unknown to a star by appearing together in the television show "Hidden Camera Live".
In 21st century Bucharest, to go out in the city on Saturday evening at the arm of a beautiful woman is a risky financial investment. Ovidiu, an unassuming high school teacher, never could afford it. Looking for a source of income more substantial than a teacher's salary, Ovidiu plunges into a fabulous world - the beggar mob.
A young man from Constanța who has his own business aims to expand, but he doesn't have the resources.
Depicts Romania during World War II, focusing on the Royal Coup that toppled Ion Antonescu, the Axis-allied Conducător and authoritarian Prime Minister. Focused around the August 23rd 1944 coup against Marshal Antonescu, the movie also tackles other topics from the same era such as the Iron Guard rebellion and the execution of political leaders by communists.
Chased away by her father , an idealistic she-devil heads for the world above to begin serving her own brand of justice.
Along the Black Sea coast, we see a man and a woman arguing. They are apparently vacationers. Before long, the man has gotten back into their car and driven off, stranding the woman in a remote area. She hitches a ride with a delivery truck driver. At one of his stops, she gets off his truck to go to get some water. When the driver comes back to his truck and sees her gone, he assumes she has found another ride, and leave her. Once again, she is stranded. This time, the location is a lighthouse. She and the keeper have no recourse but to become acquainted, and for the next few days, that is what they do. Eventually, the man who left her in the lurch comes back to look for her, and finds her at the lighthouse.
Mișu and Mitică are two best friends. Everything changes when Cornelia shows up.
In a devastating story rife with visual metaphors, Romanian director Mircea Daneliuc traces the slow mental disintegration of a confirmed gambler, using his disorder as an allusion to a greater national and social disorder. Set in the 1930s, the middle-class gambler meets an elderly man who seems to bring him good luck at the gaming tables. Rather than treasure his friendship and the good fortune it brings, the gambler takes advantage of his friend, and by his actions drives the man to suicide. Unable to reconcile his own mental demons, the gambler wanders through the house of his dead friend, and his experiences there only serve to unsettle his mind more and more and more. In the last reels of the film, the fantasies of the hero's deranged mind take over.
In this interesting drama, three sequences which could have formed separate stories are linked together, like cars on a train, to give a larger perspective on the nature of reality and film. The three episodes are joined together by one film crew at work on two different jobs. In the beginning, the crew is introduced as they juggle their dual roles as State-supported propagandists who laud their government and society, and as private movie makers working on their own film. Next, they are in a restaurant looking for suitable locations to film when the eatery’s owner, through no fault of his own, is induced to wax long and lugubriously on his miserable life. In the last segment, two extras are in the background of a scene, sitting at a table in a restaurant. It slowly becomes apparent to one of them that the man he’s sitting with tortured him more than 40 years ago at a Nazi concentration camp during World War II.
An young agronomist insists to start using a new corn variety, but the collective farm chief is against it.
