Corrado Guzzanti

Although Pippo Genuardi seems to have cleared his mind by marrying Taninè SchilirĂ², daughter of the richest man in VigĂ ta, he is in fact someone who is not satisfied with his life…

7.9/10

Mario Bambea, an italian Intellectual, after a car accident begins to suffer of double personality. In the day, Mario is an intellectual while in the night, becomes a rude comedian.

7.3/10

An American couple, Paul and Marianne, spend their vacation in Italy and experiences trouble when the wife invites a former lover and his teenage daughter to visit, which leads to jealousy and dangerous sexual scenarios.

6.4/10
9%

Massimo Marinelli Lops and Giulia Colardo meet by chance in Rome and fall in love. Giulia asks Massimo to spend Christmas Eve with her family.

5.7/10

To avoid being sued, a film director reluctantly agrees to set up and direct the Good Friday celebrations in a small Tuscan town.

6.2/10

In 1938 a group of fascists led by the general Gaetano Maria Barbagli decides to invade the planet of Mars.

6.8/10

Satirical television program aired from November 4 to December 18, 2002. The transmission was intended to shed light on a case (of course fantasy) of a missing person, Mario Scafroglia. The hypothesis was that the man had voluntarily lost track of himself, which offered in each episode new food for thought to deepen in a satirical way themes of current affairs, politics and costume, in an attempt to understand the reasons that had driven Scafroglia to flee.

Collection of the best sketches of ten years of Corrado Guzzanti's career, from Avanzi to L'Ottavo Nano.

Very rare Italian horror anthology from 1994, starring amongst many others, Asia Argento. This Italian movie is an anthology based with no linking material, only that all of the stories have a horror/suspense/surreal theme. The stories are diverse, ranging from routine stories with twist-endings to social satire. The directing styles are equally as eclectic - compare the frenetic Peter Jackson-style opening segment, Our Guys Are Coming to the surrealistic, dreamlike qualities of Outlook.

5.2/10