Cosimo Fusco
Simone Segre, a renowned surgeon of Jewish origins, lives in a city in the north-east of Italy. A quiet life, an elegant apartment and no connection with his past. One day he finds himself assisting a man victim of a hit and run accident. But when he discovers a nazi tattoo on his chest, Simone abandons him to his destiny. Filled with guilt, he ends up tracing the man’s family: Marica, the eldest daughter; Marcello, a teenager plagued with racial hate; and little Paolo. The night will come when Marica knocks at Simone’s door and unknowingly asks for payback.
A mysterious stranger travels to a remote village where, 15 years earlier, his wife and daughter were kidnapped.
A Tale of Land, Blood and Magic confronting the death of the rural world through the eyes of a farmer who kills the man poisoning his fields, and of his mute daughter who has the gift of seeing her dead mother and will witness the fatal clash between two fathers, in a journey of survival through the high mountains.
When two outsiders arrive on an isolated intentional community, seventeen-year old Anahita begins to question her role at home, and what a future out in the world-at-large could be.
In 1843, despite the fact that Dickens is a successful writer, the failure of his latest book puts his career at a crossroads, until the moment when, struggling with inspiration and confronting reality with his childhood memories, a new character is born in the depths of his troubled mind; an old, lonely, embittered man, so vivid, so human, that a whole world grows around him, a story so inspiring that changed the meaning of Christmas forever.
In the 1970s, a British sound technician is brought to Italy to work on the sound effects for a gruesome horror film. His nightmarish task slowly takes over his psyche, driving him to confront his own past.
Harvard symbologist Robert Langdon is recruited by the Vatican to investigate the apparent return of the Illuminati - a secret, underground organization - after four cardinals are kidnapped on the night of the papal conclave.
The double meaning in french of film title MINEURS resume the sense of the film: mineurs as children and as mineworkers in the coalmines. Italy, at the beginning of the sixties. In a little village in Lucanie, little region in the south, four children live in a situation of absolute poverty, but with their plays in the street succeed in living in happiness. In the air the menace and, in the same time, the hope of a telephonic convocation by their relatives, already at work in coalmines in Belgie, in the mine district of Limburg. Two of our children leave with their families, to reach the numerous Italian community of Flandres. The children will have a lot of problems, in the school and with the language, to integrate in a hostile ambient, but, at the end the will succeed.
In 1950s Italy, a young woman from a poor background strives for a better life.
Policewoman Anna Mari is forced to play a dangerous game with the title serial killer. If she loses, she witnesses the maniac's tortured victims having their throats cut in explicit close-up detail via webcam. She teams up with British cop John Brennan to find out the identity of the murderer.
"Satan will no longer be beast... but beauty!" That declaration comes early in The Eighteenth Angel, signaling the kind of horror movie we're in for: thick and cheesy. When that line (and others like it) is uttered by mad monk Maximilian Schell, it's even creamier. Schell is ushering in the return of the Antichrist by genetically engineering Satan's minions, but he needs the transplant
Like mosquitoes drawn to the brightest light, tourists follow the light of the most beautiful city in the world,” it says, referring to Venice. That, however, has a downside. Compounded by the anguish of the last decades, the rage of the Venetians against this foreign invasion has now reached a flashpoint, with some now giving full rein to their instinct for survival. Oblivious to this, a simple group of Spanish tourists travel to Venice to have some fun. They will soon be fighting for their lives.
