Count Basie

In 1955, on his report, a medical examiner wrote in the box: age, “about 53 years”. Charlie Parker nicknamed Bird just died, at 34. His death will be the ransom of a life that was not denied to the excesses or the consuming flame of genius. His wildest improvisations will open the door to future jazzmen. Between shadow and light this film will pay tribute to one of the greatest musicians of the 20th century.

Told in Count Basie's own words, this biography sheds light on both the professional and the private life of the world-famous bandleader and pianist who became a jazz icon for his generation.

Explore the dramatic career and personal struggles of the talented and tragically short-lived entertainer Judy Garland through rare concert footage, never-heard-before voice recordings and personal photos.

Originally broadcast on CBS April 11, 1976, under the title THE ORIGINAL ROMPIN' STOMPIN' HOT AND HEAVY, COOL AND GROOVE ALL-STAR JAZZ SHOW, this concert ran as part of the "Lively Arts for Young People" series. As staged at the Ed Sullivan Theater and directed by Gary Keys, it features performances by a who's-who of jazz legends who were still active at the time, including Lionel Hampton, Count Basie, Dizzy Gillespie and Stan Getz. In the process, Keys also uses such elements as narration by host Dionne Warwick, and dance performances, to follow the evolution of jazz from classic American spirituals through the styles that became en vogue in the 1970s.

During a decade rife with paranoia, in the middle of the McCarthy era, Music Inn was a bold experiment. Halfway between the Second World War and The Civil Rights Movement, Phil and Stephanie Barber created an oasis in the Berkshire Hills in Western Massachusetts where aspiring musicians came to learn from the very best. Students and faculty, young and old, rich and poor, white, black, and brown convened together and learned from each other. Defying the surrounding environment, Music Inn harbored a racial and cultural harmony where music was all that mattered.

The concert captured on William "Count" Basie's entry in the "must-own" audio/video Jazz Icons series comes from the vaults of Swedish Television. Modern eyes and ears are whisked to April 24, 1962, with Basie conducting his Atomic-era orchestra.

Improvisational jazz performance filmed in 1950 by Gjon Mili plus additional performances filmed in 1977 and 1979, with introductions by Granz and jazz critic Nat Hentoff and also includes the 1944 short Jammin' the Blues.

New York in the Fifties is the story of a unique time and place, when New York was the hotbed of new artistic expressions, free love, drinking, hot jazz, and radical politics. The film combines stunning archival footage of New York with interviews and footage of icons of the day-Kerouac, Ginsberg, Baldwin, Mailer, Basie, etc. Offering modern day perspective and reminiscences are writers, actors, and artists such as Joan Didion, Robert Redford, Nat Hentoff, Gay and Nan Talese, John Gregory Dunne, William F. Buckley, and Calvin Trillin-all part of the rich cultural and artistic scene of the time. Based on the best-selling book by Dan Wakefield, the film also traces Wakefield's restless rebellion in conformist Indianapolis, and his escape to New York with dreams of writin ga novel, falling in love, meeting like-minded souls and questioning the meaning of life.

Blues as a genre shaped the sound of jazz in the early 20th century and directly led to the creation of rock 'n' roll in the '50s. The scales, chords, and progressions of blues as a musical form can be found in styles from jazz to rock to contemporary R&B.

Though it was taped 16 years after the first A Man And His Music special, this final installment continues to uphold the high standards of the series, thanks in no small part to the accompaniment of the legendary Count Basie and his orchestra.

Documentary film detailing the history of Kansas City jazz.

The two musical masters swing out.

The Rat Pack -- Frank Sinatra, Sammy Davis, Jr., and Dean Martin -- in their only joint television performance. This special was televised via closed-circuit from St. Louis to a select group of theaters, where ticket buyers watched the live performance on screen. The concert was organized by Sinatra as a fundraiser for Dismas Clark Half-Way House of St. Louis, the first halfway house for ex-convicts.

Short film featuring performances by Frank "Sugar Chile" Robinson, Billie Holiday and Count Basie and his sextet. From the Cinema Apart Collection.

Cavalcade of Bands was an early-1950s American television series which aired on the now defunct DuMont Television Network.

Count Basie and His Orchestra playing us a boogie.

Ole Olsen and Chic Johnson are Broadway stars who return to Universal Studios to make another movie. The mere mention of Olsen and Johnson's names evacuates the studio and terrorizes the management and personnel. Undaunted, the comedians hire an assistant director and unknown talent, and set out to make their own movie.

In this WW II musical, a young man suddenly finds himself in charge of his family when his father is called to war. To help the flagging spirits of local factory workers, the plucky lad, his siblings and his schoolmates put on a lively little show. With a little work, he even convinces Count Basie to come with his band.

Count Basie Orchestra's "Take Me Back, Baby".

Count Basie does a little rhyming rapping before going into this Benny Goodman instrumental composition. While he's playing, plenty of couples are jitterbugging constantly until, one by one, they get tired and start to fall down on the floor.

Crime comedy.